whiteout

Contrary to popular belief, Britpop was not a subgenre. It was also not a catchall for every bit of culture being manufactured in England, Scotland, Wales and Northern Ireland. (That would be “Cool Britannia,” and like Britpop it almost exclusively applied to English entities.) Instead, Britpop was originally a press-driven crusade to champion domestic talent that represented the customs and lifestyle in their music. The credit (or blame) for the whole thing really goes to journalist Stuart Maconie, whose “Yanks Go Home” cover story in the April 1993 issue of Select framed indie acts like Suede, Pulp, Saint Etienne and the Auteurs as an antidote to the “bad grunge” that was “killing British music.”  Although Suede frontman Brett Anderson graced the Select cover, he publicly derided th...