[Editor’s note: The following contains spoilers for Westworld, Season 4 Episode 1, “The Auguries.”] The return of Westworld for its fourth season means a whole new set of challenges for series composer Ramin Djawadi, who’s been with the series since the beginning, and thus responsible for the soundtrack’s compelling blend of classical and electronic sounds (not to mention its always exciting covers of pre-existing tracks). “I feel like the show always pushes forward,” he says, in the first of a series of episode-specific conversations with Consequence this season. “With the characters, musically speaking, we always talk about, ‘Okay, do we need new themes? Or are we staying with old themes, and should we arrange them differently?’” Advertisement The season premiere, “The Auguries,” a...
HBO’s Westworld is set in a seemingly far-off future, one where a disaster at a high-tech theme park ends up having massive society-wide repercussions. The third season of the series focused on one-time “host” Dolores (Evan Rachel Wood) attempting to bring down a malevolent artificial intelligence that’s using peoples’ personal data to determine the course of their entire lives, and Season 4 takes place in the aftermath of that struggle, in a world which thinks itself free of technology’s control… perhaps quite foolishly. In essence, like all stories about the future, it’s really about the present. Specifically our present-day relationship with the technology that helps us and connects us every day… but with its own costs. Speaking with Consequence during a recent virtual press event, the ...
The Pitch: The third season of Westworld did not have a lot of luck on its side — specifically, the timing of its premiere could have been better, as March 15th, 2020 was not an ideal day to launch a new season of a TV show which, over the course of eight episodes, became a tale of society nearly descending entirely into apocalypse. But even since the first season, Westworld has experienced a lot of critical scrutiny, especially as the narrative has drifted further and further away from its original Michael Crichton inspiration of disaster at a high-tech amusement park for the ultra-rich. (Funny how Westworld literally is a response to one of Jeff Goldblum’s iconic quotes from another Crichton adaptation: “If Pirates of the Caribbean breaks down, the pirates don’t eat the tourists.”) So wh...
The closing night HBO/HBO Max-hosted Westworld panel at the ATX TV Festival provided a glimpse into what’s coming in Season 4, set seven years after the chaotic conclusion of Season 3. The new season includes the return of Evan Rachel Wood as a new character, and James Marsden — who played Dolores’ love interest Teddy Flood in Seasons 1 and 2 — will also be back in a new incarnation. The panel featured Lisa Joy (Co-Creator, Writer, Director, Executive Producer), Alison Schapker (Writer & Executive Producer), actors Wood, Jeffrey Wright (Bernard/Arnold), Luke Hemsworth (Stubbs), Angela Sarafya (unforgettable and perhaps unkillable Clementine), and Aurora Perrineau (a Season 4 addition as an as-yet-unnamed pivotal character). When asked about the future of the series, Joy replied, “We ha...
HBO is about to welcome us back to Westworld, and the theme park is not looking good. In the newly released trailer for Season 4 of the sci-fi drama, officially premiering on June 26th, Dolores (Evan Rachel Wood) and her fellow Hosts continue to deal with their Human feelings — and as all humans know, it’s a pretty rocky ride. Perfectly set to Lou Reed’s “Perfect Day,” the cinematic Season 4 trailer begins calm enough — Maeve (Thandiwe Newton) takes a casual stroll, Caleb (Aaron Paul) drinks Sangria in the park (so to speak) — but chaos quickly ensues as the song swells. The Man in Black (Ed Harris) and Bernard Lowe (Jeffrey Wright) come closer to death, and as allegiances blur, Reed’s hex seems inevitable: the characters are all going to reap just what they sow. Watch the trailer for...
Ramin Djawadi, the Emmy-winning composer behind the scores for Iron Man, Pacific Rim, and Game of Thrones, isn’t sure that he has a signature sound to his works for film, TV, video games, and more. “I don’t know if I can analyze myself and say, oh, I sound like Ramin,” he tells Consequence. “I can definitely think of other composers when I hear their music, but I’m not sure if I can say it about myself. I don’t know. I think it’s up to others to decide if I have that or not.” While he might not be able to hear what makes it distinctive, Djawadi has nonetheless become quite in demand. His latest film, the Tom Holland-starring adaptation of Uncharted, is now available for rental, and on the horizon this year are two massive TV projects: Djawadi will be returning not just to compose the music...
When Amazon decided they wanted to get into developing video games, a lot of the gaming industry wasn’t sure exactly what to make of it. Sure, they could buy out studios, build their own platform, and basically sink unlimited resources into just about any aspect of game creation they want, but would endless pockets be enough to create a game that people actually want to play? Well, we’ll find out next week when Amazon Games launches its first flagship MMORPG (massively multiplayer online role-playing game, like World of Warcraft), New World. Players will venture to the continent of Aeturnum Island, where they’ll be responsible for battling, crafting, and exploring their way through a world filled with all kinds of creatures, both real and imaginary. So who does one of the biggest companies...