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SVDDEN DEATH Teases “Largest Production Yet” At Upcoming Chicago Show

Spooky season is starting early this year in Chicago as SVDDEN DEATH has just announced he’s preparing to kick off October with his “largest production yet” in the Windy City.  While the “Behemoth” producer hasn’t yet divulged specific details, he doubled down on the assertion that this would be his biggest show ever in an announcement shared via Instagram, noting that he has a number of tricks in his back pocket he plans to reveal for the occasion. It’s a declaration that bass music fans shouldn’t take lightly. Throughout his career, SVDDEN DEATH has made it a priority to deliver unique, headline-grabbing sets, oftentimes shocking fans in the process. Early last year, for example, he performed a surprise stunt in Los Angeles by levitati...

Excision and UBUR Finally Unveil Long-Awaited Bass Canyon ID, “Back to Back”

Two of the most trailblazing producers in the bass music scene have joined forces to drop their first-ever collab, a monster trap and dubstep hybrid called “Back to Back.” Excision and UBUR unveiled the track today via the former’s Subsidia Records banner, dropping a monster tune that bursts at the seams with forward-thinking sound design. The arrangement here is something to marvel at, as it manages to effortlessly incorporate three wholly unique drops in its mind-bending three minutes. “Back to Back,” which features a stellar Armanni Reign, begins with a relentless verse that churns along to frenetic breakbeat drum programming and raucous guitar riffs. Excision and UBUR go on to unload a ferocious first drop, expertly interpolat...

UBUR Unleashes Roaring Remix of Kai Wachi’s “Run” [Premiere]

Kai Wachi and Dylan Matthew‘s melodic bass original “Run” has received an otherworldly rework from UBUR, who is throwing the doors open in signature fashion. UBUR cuts straight to the chase, introducing a larger-than-life kick that thunders and ripples through the sonic spectrum. A haunting vocal from Matthew lingers before being whisked up into an escalating flurry of marching style percussion and increasingly distorted risers. Longtime fans know that the “Painful Choice” producer is never one to take the easy way out. Nevertheless, he even managed to best himself at his own game, upping the ante by linking together a monstrous series of basses that shake the arrangement to its core. The bark is just as powerful as the bite, as demonstrated by UBUR’s ro...