Song of the Week breaks down and talks about the song we just can’t get out of our head each week. Find these songs and more on our Spotify New Sounds playlist. A year ago, we were admittedly still trying to make sense of K-pop. We wondered how artists we had never heard of — or only recently came to know — were selling out arenas in record time. We tried to figure out what the deal was with those guys (BTS, btw) teaming with Lil Nas X at the Grammys. Finally, our own Alexis Hodoyan-Gastelum, a longtime K-pop fan and writer, broke it down for us: “K-pop is not a genre. A type of music? Sure. An industry? Yes. A musical scene? Definitely. But not a specific genre. Boom, now we can move forward.” Whether it was the bands, the fans, or the scope of the music itself, we were trying to fit some...
The Lowdown: In this winner-take-all economy, the owner class is shrinking faster than you can read a foreclosure notice. Yet, Polo G’s talent for quivery, upwardly inflected sing-rapping made him a homeowner. He has a backyard. He can come and go as he pleases. No more agonizing wait times at apartment security checkpoints; no more having to dodge the prying eyes of too-inquisitive neighbors. On his sophomore album, The Goat, Polo G — who was raised in a squat brick mid-rise on Chicago’s Near North Side or, as he calls it, “the zoo” — marvels at his sudden freedom of movement. But he’s restless and slightly remorseful in his new life. Privacy is one of those benefits that redounds down to the upper, petty bourgeois. As long as his friends on Sedgwick Street are still living under state su...
SLANDER and SVDDEN DEATH today offered up a teaser of their forthcoming collaboration, which is not for the faint of heart. SLANDER took to Twitter to share the title of the thunderous bass tune, “Blood On Me,” as well as a short clip of its build and drop. After announcing the collab on Twitter last week, the two dubstep and trap heavyweights linked up for a monster B2B set during the recent Bassrush livestream and debuted the single. Elements of both SVDDEN DEATH and SLANDER’s respective sounds are present in “Blood On Me.” You can hear the vicious, metallic drop patches of the former meld seamlessly with the orchestral strings of the latter, both of which coalesce into a forward-thinking bass single that fans are undoubtedly clamoring for. As of the ti...