This review is part of our coverage of the 2020 Toronto International Film Festival. The Pitch: In Viggo Mortensen’s directorial debut, gay Air Force pilot John (Mortensen) struggles to care for his ailing conservative father, Willis (Lance Henriksen). Malcontent and never afraid to shy away from a racist, homophobic or sexist rant, Willis offends everyone from John’s husband Eric (Terry Chen) to his daughter Sarah (Laura Linney), all while he slips in and out of flashbacks, including his two marriages to wives Gwen (Hannah Gross) and Jill (Bracken Burns). Grumpy Old Man: Early in Falling, as the relationship between John and Willis is being established, it’s clear that Henriksen is exceptional in the role. Willis is the kind of curmudgeonly character whose edges are too often softened in ...
This review is part of our coverage of the 2020 Toronto International Film Festival . The Pitch: Pregnant couple Sean (Shia LaBeouf) and Martha (Vanessa Kirby) go through a dangerous labor with a new midwife, Eva (Molly Parker), only for the worst possible outcome to occur. In the months that follow, they each process their grief and anger in different ways. Meanwhile, Martha’s mother, Elizabeth (Ellen Burstyn), pushes for legal justice that may or may not offer the closure that the family needs. Labour Pains: When people discuss Kornél Mundruczó’s Pieces of a Woman, the discussion will inevitably be broken into two parts. Most will focus on the film’s first 33 minutes, which takes place entirely on September 17th and follows – in one long, mostly uninterrupted take – the night that Martha...
This review is part of our coverage of the 2020 Toronto International Film Festival . The Pitch: Based on Jessica Bruder’s 2017 non-fiction novel, Nomadland follows 60-something Fern (Frances McDormand) over the course of a year as she moves from place to place, working odd jobs and living in her van. Throughout her journey, Fern comes across a multitude of communities: some who accept her as she is, others who try to pin her down and keep her stationary. These series of experiences offer a character study of a head-strong, mature woman working through her grief and searching for herself. Authentic Experiences: Over the course of four features, director Chloé Zhao has repeatedly returned to stories of marginalized people, living on the fringes of conventional society. She favors stories of...
This review is part of our coverage of the 2020 Toronto International Film Festival . The Pitch: With American Utopia, director Spike Lee brings his eye to David Byrne’s critically-acclaimed Broadway show. Part concert documentary, part contemporary dance performance, and part social commentary, Lee’s latest feature is a call to action about embracing human connections, social responsibilities, and change across the world. Uniform-ity: Unlike conventional concert documentaries — and not too dissimilar from Jonathan Demme’s iconic Talking Heads feature Stop Making Sense — the stage of the Hudson Theatre is kept almost completely bare. Byrne remains under the spotlights for nearly the whole runtime, decked out in a visually bland grey suit and bare feet. Over the course of the first few song...