The Charlatans
The 25 Best Albums of the Britpop Era
Contrary to popular belief, Britpop was not a subgenre. It was also not a catchall for every bit of culture being manufactured in England, Scotland, Wales and Northern Ireland. (That would be “Cool Britannia,” and like Britpop it almost exclusively applied to English entities.) Instead, Britpop was originally a press-driven crusade to champion domestic talent that represented the customs and lifestyle in their music. The credit (or blame) for the whole thing really goes to journalist Stuart Maconie, whose “Yanks Go Home” cover story in the April 1993 issue of Select framed indie acts like Suede, Pulp, Saint Etienne and the Auteurs as an antidote to the “bad grunge” that was “killing British music.” Although Suede frontman Brett Anderson graced the Select cover, he publicly derided th...
30 Great Albums From 1990 That Deserve Their Own 30th Anniversary Pieces
Every decade takes a couple of years to feel like itself, but the 1990s, in particular, had a soft launch. While 1991 would bring a bumper crop of era-defining albums from the likes of Nirvana, Pearl Jam, U2, and Red Hot Chili Peppers that would set the tone for alternative rock for the rest of the decade, the music of 1990 often feels like an outgrowth of the previous decades. Even the year’s biggest rock debut that was positioned as a contrast from hair metal was the decidedly retro Black Crowes. Billboard’s Modern Rock chart, which had just been launched in late 1988, was still dominated by established British bands like The Psychedelic Furs and Gene Loves Jezebel. Depeche Mode and Sinead O’Connor became the year’s unlikely crossover stars. Observe the chart in the last week of&nb...
