Though there is evidence to suggest “publicity” or “personality” rights may provide some pathway to legal recourse for the commercial use of a public figure’s voice (like Tom Waits v. Frito Lay, a 1992 lawsuit in which the singer sued Frito Lay for the unauthorized impersonation his voice for a commercial and won), these rights vary from state-to-state and still have yet to address a case specific to the new frontier of AI-rendered vocals. But for experimental electronic musician Holly Herndon, who has been working at the intersection of music and artificial intelligence for years, including a doctoral stint at Stanford University, she sees this space as a brave new world for musicians. Instead of fighting to destroy the inevitable behemoth of AI, Herndon is showing others how to control i...
Moore adds that the highly-global nature of the Spotify workforce — the company boasts 50 offices across 25 countries — made instituting a blanket vaccine mandate even more challenging. “In some countries, in some regions, it would actually be illegal to do so,” says Moore, “and so we’re just sort of taking the stance that people will make good decisions.” Notably, local ordinances in major urban centers could force companies’ hands. Earlier this month, Mayor Bill de Blasio announced that a proof of vaccination will be required to enter indoor restaurants, gyms and performance venues in the city starting on Aug. 16 — though the order does not yet apply to offices. Last Tuesday, the L.A. County Board of Supervisors voted to look...
Annie Aberle has been elevated to the role of senior creative director at PULSE Music Group, where she previously served as director of A&R. She’ll work with the publishing company’s A&R team and its roster of songwriters and producers. Aberle brings a packed resume to her new role, having worked with clients like Tyler Johnson, who most recently co-wrote & produced Harry Styles’ “Watermelon Sugar” and co-wrote “Adore You,” ALDAE, who co-wrote five songs on Justin Bieber’s album Justice and SG Lewis, who has collaborated with artists like Dua Lipa, Nile Rodgers, Khalid, Robyn, Clairo and Lucky Daye. “I’m eternally thankful to Ashley, Scott and Josh for the opportunity they have given me, and for everything they’ve done to help me grow and be successful since I joined PULS...
Over the past several years, the music industry has opened its eyes to gaming as a new way to connect with fans and drive revenue. In-game performances offer multiple revenue streams to artists, from up-front payments to virtual goods and a streaming spike for the artist’s music that tends to follow an in-game show. Compared to “Astronomical,” Grande’s performance is less visually chaotic, with fewer scene changes, and has an expanded focus on the player experience. In Grande’s world — which looks like if the Lisa Frank brand were an entire planet — players aren’t just watching the show, but actively participating in it, a key element that will be part of future experiences, according to Phil Rampulla, head of brand at Epic Games, Fortnite‘s parent company. “You’ll ...
HipHopWired Featured Video Source: Jason Koerner / Getty Epic Games is definitely not reading the room following this discovery. As spotted on The Verge, data miners made an interesting find while digging deep into Fortnite’s v17.30 update released on Tuesday (Aug.3) morning. A file containing audio for a new emote from The Migos latest track, “AM to PM,” which features currently embattled Hip-Hop star DaBaby, was discovered. If you have no clue what is going on with the North Carolina Hip-Hop star, he has been embroiled in controversy following his headass homophobic comments toward people with HIV and AIDS he blurted out during his Rolling Loud Miami performance. Instead of apologizing, DaBaby doubled down on his comments leading to “DaBookings” and “DaBags” being fumbled. DaBaby has sai...