Rappers, coups, drugs, zombies, grandmas, and hummingbirds all got the spotlight in some of 2024's best Sundance movies. Sundance 2024 Review Roundup: The Best Films We Saw This Year, Ranked Consequence Staff
This charming and intimate documentary gives nature's tiny feathered acrobats their close-up. Every Little Thing Is About Life as Much as It Is About Hummingbirds: Sundance Review Liz Shannon Miller
In Josh Margolin's debut feature film, Nebraska's June Squibb is on a mission of vengeance. Thelma Review: A Grandma Goes Full John Wick In Light and Fun Sundance Premiere Liz Shannon Miller
A powerful breakout performance from Lily Collias anchors this small, delicate indie. Sundance Review: Good One Tests The Limits of Familial Trust Clint Worthington
Theda Hammel's acerbic queer comedy stars John Early, crumbling under the stress of COVID and other issues. Stress Positions Puts John Early In the Middle of Pandemic Hell: Sundance Review Clint Worthington
No word on when 'Freaky Tales' will officially hit theaters or streaming platforms, but we're already lowkey hyped for it and can't wait to see what $hort has in store for us on a cinematic level.
This review is part of our coverage of the 2023 Sundance Film Festival. The Pitch: “You need to know that only 3% of people make it. The rest end up in a mental facility — or a Go Go box in Hell’s Kitchen.” Welcome to AdirondACTS, a cozy, scrappy theater camp where such nuggets of wisdom are imparted upon young thespians. Over the course of the summer, we see the minutiae of theater camp play out in a mockumentary-style film, sharply directed by Nick Lieberman and Molly Gordon (both making their feature directorial debuts). First framed as a documentary following AdirondACTS founder Joan (Amy Sedaris), things begin to go awry when she falls into a coma — a result of “the first Bye Bye Birdie-related injury in the history of Passaic County” — leaving former campers, best friends, and devote...
This review is part of our coverage of the 2023 Sundance Film Festival. The Pitch: Killian Maddox (Jonathan Majors) wants one thing, and one thing only: To be remembered. Following in the footsteps of his idols (including one he writes to regularly, played by four-time Mr. Universe Michael O’Hearn), he’s committed himself to bodybuilding, shoving down 6,000 calories of chicken breast and pumping iron morning, noon, and night. He practices his poses in front of cameras, molds his physique to near perfection, rips through steroids like they’re Diet Cokes. He chugs protein shakes while watching porn, but doesn’t masturbate — whether that’s due to steroid-induced impotence or some unstated facets of his sexuality, we don’t yet know. He competes in amateur bodybuilding competitions, but ju...
This review was part of our coverage of the 2022 Sundance Film Festival. The Pitch: Emily (Aubrey Plaza) just can’t catch a break. She’s a college dropout, reeling from a felony aggravated assault conviction that follows her to every job interview, tens of thousands of dollars in student loan debt weighing her down like a ball and chain. It’s calcified her to the world, approaching each new interview just waiting for the next reason she’ll be rejected. All she’s got to her name are her wits and a can of pepper spray. But a rare opportunity appears when a coworker at her degrading catering gig turns her onto a way to make some extra money: show up at a warehouse at the proper hour, perform a small-scale credit card scam with boosted flatscreens, and you earn $200 in an hour. You ...
This review is part of our coverage of the 2022 Sundance Film Festival. The Pitch: Before his marriage to (and subsequent divorce from) Kim Kardashian, before his abortive 2020 presidential campaign, before the wild tweets and outrageous behavior that would define his public persona in the 2020s, there was just Kanye West and the music. From the beginning, the Atlanta-born, Chicago-raised producer turned rapper knew he was going to be one of the greatest musicians of all time; his first album, 2004’s The College Dropout, is studded with lines to that effect (“I was born to be different”). But it took the world a while to catch up with his ambition, and the problems didn’t stop there even after he finally broke through. By his side for the last twenty years was Clarence “Coodie” S...
This review is part of our coverage of the 2022 Sundance Film Festival. The Pitch: I Love Lucy is so inextricably tied to pop culture that many of its trademarks are still recognizable today, over seventy years since the show first aired. The central duo, brought to life by Lucille Ball and Desi Arnaz, has been an object of fascination for almost as long — look at Aaron Sorkin‘s current project, Being the Ricardos, which has the edge in flashiness thanks to the star power of Nicole Kidman and Javier Bardem. Director Amy Poehler‘s thoughtful documentary on the subject has one extremely important thing Sorkin’s series lacks, though — access to the real thing. Thanks to a treasure trove of audio tapes and home movies shared by the daughter of Lucille Ball and Desi Arnaz, Lucie Arnaz, Luc...