The controversy surrounding Spotify’s divisive “Discovery Mode” has not subsided since the streaming giant announced the initiative in late 2020. The feature offers some artists and record labels a chance to boost the rankings of their music in the platform’s playlisting algorithm—a crucial tool for exposure—in exchange for a reduced royalty rate. Considering the notion that royalties are already extremely low—fractions of one penny per stream, to be exact—the contentious “Discovery Mode” feature seems to make things even more difficult for artists hoping to get their music in front of as many people possible while earning fair compensation for their works. “Discovery Mode” has now come to the attention of Representative Jerrold Nadler (chair...
Proceeds will be distributed to ACM Lifting Lives’ COVID-19 Response Fund. Cameo, the app and tech company that allows users to pay celebrities for personalized videos, has struck a charitable partnership with ACM Lifting Lives, the philanthropic arm of the Academy of Country Music. The resulting campaign, “Cameo Goes Country,” will benefit ACM Lifting Lives’ COVID-19 Response Fund and music therapy programs for both physical and mental health-related issues. Going live today and running through June 30, “Cameo Goes Country” allows fans to book personalized messages and purchase virtual meet-and-greet tickets in support of the charitable campaign. Participating country artists, who will donate 100% of their proceeds to the cause, include Carrie Underwood, Chrissy Metz, Deana Carter, ...
So when 400,000 total BTS fans joined a May 25 “Butter” streaming party on Stationhead hosted by user @BTSCHARTDATA, Stationhead says they drove 5.4 million streams of the song during the session. Then, they did it again — and again — with marathon streaming parties all week from users like @lifeofbts and @purplehourradio. “Butter” topped the chart due to a number of factors including 18.1 million radio airplay audience impressions and 242,800 download sales in the tracking week, according to MRC data, and the streaming figure provided by Stationhead wasn’t U.S.-specific or audited by the streaming services. Still, the Stationhead parties no doubt contributed to the 32.2 million ...
He’s joined at the Sydney office by director of music and editorial Toni Pipicelli and regional marketing director Bushra Abel. The mood-based listening platform will come online in NZ “shortly,” reads a statement. Moodagent confidently claims a personal and interactive user experience, based on its back-end blend of machine learning, audio analysis and “tens of thousands of hours” of human musicology. The service’s interactive playlists, or “moodagents,” are activated by mood sliders for Sensual, Tender, Happy, Angry and Tempo. Feel angry? The listener can let that out, and the playlists stay in your lane. The app can be downloaded from the Apple App Store and Google Play, with its premium tier priced at A$11.99 ($9.30) per month. Headquartered in Copenhagen, Denmark, Moodagent was ...
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-05-26T19:02:54+00:00“>May 26, 2021 | 3:02pm ET The Pitch: Seventeen years after Ross (David Schwimmer), Rachel (Jennifer Aniston), Monica (Courtney Cox), Chandler (Matthew Perry), Phoebe (Lisa Kudrow), and Joey (Matt LeBlanc) walked out of their New York City apartments and off the air in 2004, the six are finally back together for a one-off reunion special on HBO Max. But where most networks are dusting off their old properties for decades-late revivals, Friends: The Reunion is content to simply be a look back at the show that took the world by storm for a solid decade, and launched its cast into movie stardom. The One With the Origin Story: Let’s get this out of the...
The timing of the proposal comes at a significant juncture for NetEase, which is expecting its music streaming service to “undergo relatively rapid business expansion” moving forward. Earlier this month, NetEase signed a first-ever digital distribution deal with Sony Music, following a similar deal with Universal Music, expanding its catalog significantly at a time when Tencent, its biggest rival, is facing regulatory scrutiny in China over its market dominance and exclusive deals with artists and labels. Reports suggest that regulators could force TME to offload two of its music streaming services and pay a hefty fine. Tencent’s music services claimed 615 million active users in the first quarter of 2021 and 61 million paying users, according to its financial filings. The NetE...
Repost and Nappy Boy Entertainment will first support signee SprngBrk, an artist and producer who has collaborated with the likes of Ty Dolla $ign and Drake and is releasing the new track “Pride” today. Repost will work alongside Perry — who has written and produced hits for artists like P!nk, Christina Aguilera and Gwen Stefani — on the British singer-songwriter Frances Lion, who is signed to Perry’s record label, publishing, management and production firm We Are Hear. “I’m always ready to jump on board when I see a company supporting the independence of an artist, and when I heard of the changes SoundCloud wanted to make to support emerging talent, I immediately said ‘count me in,'” Perry said. “We will be focusing on the art and the ...
At the moment, Spotify says Discovery Mode will only apply to the radio and autoplay playlists (the tracks you hear when the playlist or album you were listening to ends). Make no mistake, Spotify is explicitly clear that they intend to expand this “pay for play” program to other “personalized” areas of the service. More opportunities to connect with new listeners and innovative tools are always appreciated, but Discovery Mode brings into question the credibility of Spotify’s recommendation engine. From its beginning Spotify proudly stated that it would be a good partner and maintain a democratized service that would never allow the proverbial “thumb on the scale.” Again, and again, we were assured that all artists would have a fair and impartial chance of success. We were promised that th...
In 2020, China had the fourth largest music streaming market globally, growing 90.7% to $718 million, according to IFPI. Just as Western music services are jumping into podcasts, TME is making a hard push into long-form audio — mainly audiobooks — in what Cussion Pang, chairman of Tencent Music, said in a statement is an “evolution into an all-in-one online music and audio entertainment destination in China.” TME isn’t turning this plan into more money just yet: average revenue per subscriber dropped 1.1% to 9.3 yuan ($1.44) from the first quarter of 2020. Long-form audio does, however, make the music apps stickier by increasing engagement: in Q1 2021, the percent of monthly active users who listened to long-form audio improved to 20.0%, compared to 5.5% in Q1 2020 and 15% in Q...