Soon, The Weeknd’s acting resume will consist of more than his perfect cameo in Uncut Gems: the singer born Abel Tesfaye is set to star in, co-write, and executive produce a new show coming to HBO Max. Titled The Idol, the upcoming drama comes from co-creator Sam Levinson, known for his work on Euphoria and Malcolm & Marie. Deadline reports that The Idol will center around a female pop singer who begins romantically seeing a mysterious LA club owner, the latter of the two just so happening to lead a secret cult on the side. Tesfaye and Levinson created the series together alongside “nightlife entrepreneur-turned-writer” Reza Fahim. We don’t know much else about the series yet, but we’re excited. Stay tuned here for more info as we hear about it. Though it’s been over a year since the W...
Indian streaming service Gaana has raised $40 million in debt funding from Tencent, the Chinese tech giant that owns 20% of Universal Music Group. Gaana, which is also backed by The Times Internet, the digital arm of India media conglomerate the Times Group, also passed a resolution to increase its commercial borrowing ceiling in order to get funds from Tencent Cloud Europe, according to a report at Entracker. Gaana previously raised $51 million in debt funding in September 2020 — $41 million from Tencent and $10 million from The Times Internet — and $115 million through an equity sale to Tencent in February 2018. Gaana leads the Indian music streaming market with 185 million monthly users, as ...
Anyone with an internet connection can post their music to YouTube or Spotify. The challenge now is getting people to listen to it. To reach audiences, aspiring musicians can hook up with TikTok influencers who will dance to their songs for money. Or they can pay the thousands of independent playlisters on Spotify to add their tunes to popular playlists. An entire subindustry of social media music promotion has sprung up specifically to assist musicians with these endeavors. Historically, the justifications for regulating payola were (i) that it harmed consumers, and (ii) that it harmed competition. But as we describe in a forthcoming law review article exploring the history of payola, in the 1950s and 1960s, these “harms” were often used as a cover for run-of-the-mil...
While Microsoft encouraged co-streaming this year’s massive Twitch-hosted E3 showcase, Nintendo took a different approach in warning streamers against it. E3’s 2021 showcase took place mostly online, in light of concerns surrounding the COVID-19 pandemic. Nintendo opted out of co-streaming the event from the official Twitch platform, and warned that co-streamers may receive DMCA copyright strikes for streaming E3 due to licensing issues with the music that was used in this year’s festivities. Microsoft actually obtained retransmission rights for all of the music that was used in this year’s streamed event, though those rights will expire after one year. Should co-streamers not delete their VOD (video on demand) before that year-long period is up, they may rece...
Outside of podcasting, Somethin’ Else’s TV and social media business will be integrated into Sony Music U.K.’s 4th Floor Creative division, broadening the company’s ability to provide creative and commercial opportunities for its artists, labels and partners. In a statement, Kooker said that Sony Music’s podcast division “is key to our plans for a fast-paced expansion in the market, diversifying our creative abilities and providing a home for exciting content that will benefit millions of podcast-lovers around the world.” Since first getting into business together, Sony Music and Somethin’ Else have partnered on podcasts including David Tennant Does A Podcast With…, Power: The Maxwells, The Fault Line: Bush, Blair & Iraq and Cheat!. “Having collaborated with Somethin’ Else on a number ...
MusicWatch’s latest project on music discovery surveyed 1000 music listeners in the US, covering their music listening habits and topics around the discovery experience. For generations, radio, retail and recommendations drove music discovery. These “3 R’s” helped to create awareness of new music; curated by DJ’s, record store staff and our closest friends. By the late aughts the discovery scene began to shift, with digital downloads and nascent streaming models taking a greater role, CD sales waning, and increasing emphasis on re-discovery of catalog music. Fifteen years ago MusicWatch collaborated with MusicBiz (then NARM) on a comprehensive study devoted to understanding music discovery. Broadcast radio was the top source of music discovery. We implored ret...
In a possible bid to compete with competitive hosted listening services such as Apple Music’s Apple Music One, Amazon Music’s newly launched “DJ Mode” function finds a balance between the modalities of yesteryear’s radio and today’s on demand streaming. “DJ Mode” has launched with an offering of four curated listening experiences, each led by DJs, artists, and music commentators. This most notably includes an artist takeover channel piloted by none other than the barnstorming Billie Eilish. Titled “The Billie Eilish Takeover,” the playlist—curated by the Grammy-winning pop star herself—brings listeners closer to her music than ever before. Eilish shares her favorite songs, stories, and influences behind her music during a...
A new battleground is coming into focus in the ongoing clash between emerging tech companies and established music rights holders. Roblox has been hit with a hefty nine-figure lawsuit filed on behalf of a large collective of music publishers. Plaintiffs in the suit include one of the largest independent music publishers, Downtown Music Publishing, as well as Sony’s Kobalt Music Group, Universal Music Publishing, and high-profile artists such as deadmau5. The suit alleges that Roblox enabled its users to illegally stream copyrighted music across its platform. According to the $200 million complaint, Roblox sells players virtual boomboxes which effectively allow players to stream copyrighted, unlicensed music in the game. The gear has been available since 2015, but it was s...
The Pitch: Birdtown’s most endearingly dysfunctional duo is back, and they haven’t really changed that much. Toucan Tuca (Tiffany Haddish) is the same boisterous, ebullient, troublingly irresponsible thirtysomething she always was; same with Bertie (Ali Wong), a neurotic songbird wrestling with deep-seated impostor syndrome and a stable, if unexciting, relationship with longtime live-in boyfriend Speckle (Steven Yeun). Bertie’s shopping around for the right therapist to figure out her myriad personal issues, including reeling from the sexual harassment she experienced at the hands of a celebrity chef she worked under last season. Tuca, for her part, wrestles with her neediness and insomnia, and the sudden responsibilities thrust upon her by a rapidly passing sense of adulthood. Togeth...
The letter’s signatories are calling for a government referral of the multinational corporations that wield “extraordinary power” over the music business to the U.K. competition enforcer, the Competition and Markets Authority (CMA), which can act against businesses engaging in anti-competitive behavior. The U.K. Parliamentary probe has seen major labels’ dominance of the market emerge as a central issue. The first stage of the inquiry concluded with government minister Caroline Dinenage saying she would support a referral of the three biggest music companies — Universal Music, Sony Music and Warner Music — to the CMA. The committee expects to publish their report next month before Parliament breaks for its summer recess, although a date has not been announced. Ministers will then have eigh...