<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-04-15T14:38:38+00:00“>April 15, 2021 | 10:38am ET The members of French electronic duo Justice haven’t just spent the pandemic sitting around drafting cease and desist letters over Justin Bieber ripping off their logo. It turns out one half of the pair has been working on his debut solo material, and now Gaspard Augé is giving us our first taste of those efforts with his first-ever solo single, “Force Majeure”. The track serves as an early preview of Escapades, Augé’s upcoming solo LP from Genesis/Ed Banger Records/Because Music. If “Force Majeure” is any indication, fans are in for a treat of ’80s cinematic maximalism. Press play and instantly be taken to a wild montage of ret...
Last month, Rostam set Amanda Gorman’s now-famous Inauguration poem to music using piano arrangements. The former Vampire Weekend member is back today, this time with a dazzling original song of his own dubbed “These Kids We Knew”. Stream it below. This new offering revolves around a musical pulse meant to reflect the innocence of youth and the impermanence of stability. According to a press release, Rostam wrote “These Kids We Knew” in a “fever-dream state” in March of last year — during which he was recovering from COVID-19 — while reflecting on the push and pull of societal responsibility. “I was thinking of three generations while I was writing this song,” he explained. “There’s a generation of adults who don’t see global warming as their problem because they think they won’t...
This October marks the arrival of Shiver, the new solo album from Jónsi. His first such effort in 10 years, the album been teased thus far with the songs “Exhale” and “Swill”. Now, a third single, “Cannibal”, is being shared by the Sigur Rós frontman. A collaboration with Liz Fraser of the Cocteau Twins, the track unfurls like an airy, almost dreamlike spell. The Icelandic artist’s otherworldly vocals move in tandem with Fraser’s like swirling smoke, before eventually floating off into the ether. While the ambient moments here recall Jónsi’s work with Sigur Rós, there are also plenty of new sounds welcomed into the fold — namely bright and striking synths courtesy of futurist pop producer and PC Music founder A. G. Cook. “When Sigur Rós was starting, we were always compared ...
After years of punching in the clock for both The Kills and The Dead Weather, frontwoman Alison Mosshart made her solo debut with last month’s single “Rise”. Assuring fans this isn’t a one-time affair, the frontman has returned with her second solo offering in “It Ain’t Water”. Both minimalistic and atmospheric in tone, the four-minute track sees Mosshart brooding quietly over lonesome guitar and wispy percussion. “I don’t know your name, but I like the way you look at me in that suspicious way,” she sings. According to a statement, the new song was recorded with veteran musician and producer Alain Johannes (Queens of the Stone Age, Chris Cornell, PJ Harvey). “He’s such a talent and such a kind person. His mind is wide open,” Mosshart said of Johannes. “He understands and sees th...