The actor took inspiration from Elvis' favorite sandwich, the Fool's Gold Loaf. Jacob Elordi Ate “A Pound of Bacon a Day” to Play Elvis Presley in Sofia Coppola’s Priscilla Eddie Fu
The actor took inspiration from Elvis' favorite sandwich, the Fool's Gold Loaf. Jacob Elordi Ate “A Pound of Bacon a Day” to Play Elvis Presley in Sofia Coppola’s Priscilla Eddie Fu
Sofia Coppola's biographical look at the King's queen enters wide release on November 3rd. In Priscilla, Sofia Coppola Finds the Girl Behind the Icon: Review Mary Siroky
Phoenix and music supervisor Randall Poster didn't have the rights to big Elvis hits when crafting the musical world of Priscilla Presley. Phoenix on the Challenges of Creating a Score-Less Soundtrack for Sofia Coppola’s Priscilla Liz Shannon Miller
The Pitch: The Godfather trilogy has to be the most beloved hated idea in popular cinema. The Godfather, about the semi-reluctant rise of Michael Corleone (Al Pacino) to become the head of his family’s criminal organization, is one of the most watched and venerated American movies. The Godfather Part II, about Michael leveraging the last bit of his soul for control that isn’t his to take, broke a rule it could just as easily have created: it’s a sequel every bit as good as the original. The third Godfather movie, which sees Michael’s past replay itself in a violent burlesque? That’s a movie over which people are still personally aggrieved. They’ll come out of the woodwork to tell you The Godfather Part III sucked. Go ahead and post about it on social media, someone will find you and tell y...
Next month brings the release of Francis Ford Coppola’s recut of The Godfather: Part III, now titled Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone. The famed director has already finished the edit, and even screened it for a number of the film’s stars. As far as first reviews go, Diane Keaton’s couldn’t be more glowing, as she called watching the new version easily “one of the best moments of my life.” December 20th marks the 30th anniversary of the third installment of The Godfather series, a movie that was less than favorably received by critics and moviegoers upon release. To honor the pearl jubilee, Coppola decided to tinker with the film to highlight previously overlooked parts and give “a more appropriate conclusion” to the beloved trilogy. He reordered scenes, swap...
This review is part of our coverage of the 2020 New York Film Festival. The Pitch: Laura (Rashida Jones) is in crisis. From the outside, it might not seem so: She’s a published author with another book deal on lock, she’s got a handsome husband named Dean (Marlon Wayans) and two beautiful girls, and they live in the kind of well-furnished Manhattan apartment you only see in sitcoms. But Dean’s started to spend more time outside of the home, ostensibly to work on his social media startup with his tall, gorgeous colleague Fiona (Iron Fist‘s Jessica Henwick), and his excuses for his absence have grown increasingly flimsy. Hence, the crisis: She can’t concentrate on her book, she’s increasingly aloof to her school pickup mom-partner Vanessa (Jenny Slate), and she can’t quite get Dean to c...