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SIPPY Celebrates Success With Headbang-Worthy “Run It Up” EP

SIPPY is taking a well-deserved victory lap. After tearing it up with her early-summer Captive EP release on Zeds Dead’s Deadbeats imprint, the surging bass music producer is savoring the moment with Run It Up, a new EP out now on Subtronics’ Cyclops Recordings. Captive was anchored in introspective songwriting with a moody pop flare, but this time around, the Australian dubstep don is dishing out red meat for the rail-riders. SIPPY. Robbie Walcott Kicking out the breaks with the opening salvo, “Run It Up,” SIPPY and Sam King simultaneously celebrate success and embrace chaos with cool and confident lyricism amid blistering bass. Scroll to Continue Recommended Articles The EP continues with “WYKA,” an instrumental where laser-like synths a...

Listen to SIPPY’s Spellbinding “Captive” EP

With SIPPY‘s new EP, she proves her Grammy nomination was merely the first milestone in a career of many. The Australian dubstep star, whose scintillating work on Marshmello’s celebrated Shockwave album can be heard at the world’s biggest festivals, today released a two-track project called Captive. Released via Zeds Dead’s Deadbeats, the record is a feather in the cap of the surging bass music producer. Dark and hypnotic, Captive is a glittering star on a moonless night. The EP kicks off with its titular track “Captive,” an aching melodic trap stunner featuring Bianca, whose alluring topline explores the perils of chasing a temporary high. SIPPY then follows with “Trippin’,” an experimental banger that ties a bow on the ...

Grammy-Nominated Albums Spark Cause for Celebration Among EDM Collaborators and Breakout Stars

It often takes a village to bring a Grammy-quality album to fruition. As the world processed the award show’s recent reveal of their 2022 nominations, many producers and vocalists celebrated the recognition of their work on music’s biggest stage. Though their names may not appear directly at the top of the album credits, today we’re recognizing just some of the many supporting artists who’ve helped make the “best of” the last year in music possible. ILLENIUM received his first ever Grammy nod for his explosive Fallen Embers release. The nomination has simultaneously thrust numerous dance music artists into the limelight, including one of the genre’s most recognizable voices, HALIENE, who lent her talents to “In My Mind.” ILLENIUM’...

5 Cant-Miss Rising Artists at HARD Summer 2021

It’s finally HARD Summer week, and SoCal EDM fans are fired up. After taking last year off as a result of the pandemic, Insomniac Events’ esteemed festival will now debut at the newly expanded NOS Events Center this weekend in San Bernardino. Due to heat and COVID-19 safety concerns, the event will have all open air stages, with the exception of the Pink Stage. The diverse lineup features a wide range of electronic music artists as well as a number of the biggest artists in the hip-hop scene, such as Future and 2 Chainz. For many, it’s not their first rodeo. Some of the fest’s longtime favorites, such as RL Grime, DJ Snake, and Malaa are set to take the stage for the nth time. On the other hand, several rising artists will be performing that you may or may not be familiar with. For a...

Marshmello’s New Album is Bangers Galore—Listen to “Shockwave” Now

After months of teasing, Marshmello has finally released Shockwave, a 12-track masterstroke channeling the producer’s long-lost electronic roots. The record kicks off with the spellbinding “Fairytale,” a brooding beat that eventually culminates in a thick melodic trap drop with booming hip-hop 808s. The tongue-in-cheek “Supernovacane” follows, in which the polarizing producer tips his helmet to his haters with a flippant vocal intro. “Marshmello is the most overrated electronic music artist by the way, ever to exist, of all-time,” whines an uncredited blowhard. “It’s so mediocre. To have it become so popular makes no sense.” One of the album’s most anticipated cuts, “Jiggle It,” delivers thank...

Title, Release Date and Tracklist of Marshmello’s New Album Leaks on Apple Music

Marshmello is set to send shockwaves through the dance music scene. You’ll get that pun in a moment. After months of teasing, Mello’s fourth studio album seems to be on the way after a serendipitous Apple Music leak revealed its title, release date, and tracklist. The record, called Shockwave, will hit streaming platforms this Friday, June 11th. Screenshot of Marshmello’s “Shockwave” pre-release page on Apple Music. [Screenshot by EDM.com] Apple Music The official Apple Music pre-release page indicates that Shockwave will feature a slew of high-profile collaborators across its 12 tracks, such as TroyBoi, Juicy J, Nitti Gritti, Megan Thee Stallion, and DJ Sliink, among others. The electronic and pop music superstar has also tapped a few heavyweights from t...

EDM.com Presents The Heat Check 005: Kumarion, Mersiv, Sippy and More

In modern bass, dubstep and trap music, listeners and tastemakers are always chasing the next big track to blow crowds away at a festival stage. EDM.com Presents The Heat Check is a list of the most ear-catching, incendiary, and ‘fire’ tracks that emerge from the bass and freeform scene. “Pure Action” – Kumarion Turning it up a notch every time out seems to be the only thing upstart drum & bass producer Kumarion knows how to do. His latest accolade? “Pure Action,” a groovy banger that doubles as a stellar debut on Monstercat. “Cake” – SoDown The latest track from SoDown opens with cinematic flair, setting the stage for another epic sonic adventure from the Colorado producer. “Cake” takes aim at the narrative of capitalism and captures 80s hip-hop vib...

EDM.com Presents The Heat Check 003: CharlestheFirst, Kyral x Banko, Player Dave, and More

In modern bass music, listeners and tastemakers consistently find themselves chasing the next big track to blow audiences away. EDM.com’s The Heat Check is a series that highlights the hottest tracks and brightest artists to emerge from the bass, dubstep and freeform scenes. “Wide” – Angelic Root Indie bass prodigy Angelic Root returned earlier this month, releasing The Lost Tapes on Bandcamp Friday. The track opens with bird calls and biomusic elements, which entice listeners before a barrage of low-end bass. Stream or purchase the track on Bandcamp here. “Fleeting Memories” – Charlesthefirst On his latest LP, Solus, Charlesthefirst balances heavy bass and somber melodies. “Fleeting Memories” combines the two, leading fans in with a relaxing piano v...

EDM.com Presents Synth Sisters, Vol. 9 [Women’s History Month Takeover]

There is so much talent within the electronic music community that it’s difficult to keep a finger on its pulse. To assist you on your music discovery journey, EDM.com’s monthly “Synth Sisters” series illuminates releases from brilliant women of all genres and sizes with the hope of celebrating their contributions. In honor of Women’s History Month, EDM.com reached out to WHIPPED CREAM, Lucii, CloZee, and more to curate this month’s volume. WHIPPED CREAM Jora Frantzis “I love the production, energy and the words, I think this song is so iconic! FUCK, LIKE WHAT IS GOIN’ ON? The switch up halfway through gets me. This record deserves 100+ million plays.” Lucii “I really love this song because of the pop elements and how it flows. I&...

Why International Women’s Day Is Important to Me: Aluna, TOKiMONSTA, More Speak Out

Since 1975, International Women’s Day has been designated as a global day of recognition for women, taking place annually on March 8th. It also coincides with the American Women’s History Month. But historically, the event dates back to the early 1900s, linked to early feminist and workers’ rights movements. From protest movements to a celebration of women’s suffrage, the date has become a focal point and rallying cry for gender equity worldwide.  It’s no secret that we’ve still got a long way to go in ensuring equal opportunities, pay and platforms for women, along with non-binary individuals. This is especially true in the electronic music industry—a 2020 study from the USC Annenberg Inclusion Initiative found only 21.7% of artists in th...