At the onset of what became the tangled COVID era, practically everyone found themselves wrestling with serious existential questions. But Garbage singer Shirley Manson, at a wisdom-seeking 54, wound up grappling with a lot more than most. Figuratively, she began questioning either herself and society in general – as demonstrated on her band’s probing new No Gods No Masters treatise, their seventh overall — and in reality, through the cavalcade of music celebrities she’s been interviewing on The Jump, her new podcast, now in its second 12-episode season. And she’s learned a lot about herself in the process. Just pinning her peers down on the one crucial song that changed their careers, she says, has given her “a whole new appreciation of journalism, of music journalism, and just peopl...
Garbage might only be happy when it rains, but they certainly pleased a lot of fans today by releasing the title track for their next album, No Gods, No Masters. It’s not the first track off the band’s seventh album (out June 11 via Stunvolume/Infectious Music), but the new track provides a more complete look at the band’s latest project following last month’s “The Men Who Rule the World.” Inspired by a trip to a rioting Santiago, Chile by frontwoman Shirley Manson, “No Gods, No Masters” is rooted in an appropriate place given the current discontent in American culture as well. “We were driving down the street, and the whole city was covered in graffiti,” Manson said in a statement. “The beautiful people that I was with said, ‘But why are you so shocked? We’re protesting human lives a...
Seven is looking to be Garbage’s lucky number as the alt-rock veterans shared a new single and video, ‘The Men Who Rule The World.” They also announced their seventh studio album, No Gods No Masters, which is out on June 11. A deluxe CD/digital version features covers of classic tracks by David Bowie’s “Starman” and Patti Smith’s “Because the Night” along with a slew of originals like “No Horses,” “On Fire,” “Time Will Destroy Everything,” “Girls Talk,” “The Chemicals” and “Destroying Angels.” The latter three feature Brody Dalle, Brian Aubert, and John Doe and Exene Cervenka of X respectively. > “This is our seventh record, the significant numerology of which affected the DNA of its content: the seven virtues, the seven sorrows, and the seven deadly sins,” singer Shirley...
Nirvana’s Nevermind continues to endure nearly 30 years, but would its legend be what it is if it was released today? Butch Vig isn’t so sure. The album’s producer observed that if Nirvana’s culture-shifting album was released now, “despite being a great record, it would not have the same cultural impact” today. In an interview with NME, Vig, who is also the longtime drummer for Garbage, said that the iconic Nirvana record, if released today, would have a different trajectory. “I think it would be tough to repeat that zeitgeist moment. It was perfect timing coming out when there was a shift in music and it felt like a revolution. I can see that happening again, but not in the same way.” The producer/musician continued: “I saw something similar with Billie Eilish. I’m fr...
It sounds like we can expect new music from Garbage soon. On Friday night, Shirley Manson confirmed the band finished its seventh album, after facing delays due to the COVID-19 pandemic. “There were far more important things happening this week so I didn’t want to crow but we have big news in the house of garbage,” she wrote on Instagram. “It is official. We have finally finished #7 and delivered it, hook line and sinker to our new business partners @bmguk.” “I sat tonight with our engineer (and my long suffering husband) to listen to it from top to bottom and I have to admit, I felt pretty smug about it all, if the truth be told,” she continued. “Love you lots. Wish you were here to enjoy the initial listening process with us. However you will get to judge it for yourselves...
Shirley Manson doesn’t do nostalgia. Cooped up in her Los Angeles studio, the fierce frontwoman has agreed to chat about the days she spent writing and recording Garbage, the double-platinum debut LP that launched her band as genre-smashing harbingers of a new alt-rock sound. But she’s going to tell the story her way. “You try walking in insane 100-degree heat through Madison, Wisconsin in black combat boots, thick black tights, a kilt, and you’re sweating your fucking arse off,” Manson tells SPIN, speaking of the unromantic trudges she spent nearly a year retreading between her hotel room and Smart Studios — then a headquarters for well-traveled producers Butch Vig, Steve Marker, and Duke Erikson. It was summer 1994 (then fall, then winter, then spring ‘95) as the foursome methodically wo...