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Moisés Zamora Delivers Commentary Track for Alejandro Amenábar’s The Others

Listen via Apple Podcasts | Spotify | Google | Stitcher | Overcast | Pocket Casts | Radio Public | RSS Their obsession. Their words. Someone else’s movie. Hosted by Paul Davidson, The Side Track interviews filmmakers, producers, writers, actors, and film fanatics, then hands them the mic to present their own personal feature-length audio commentaries of the movies that moved them and made them who they are today. This week, writer and producer Moisés Zamora (American Crime, Star) joins the show to discuss his latest creation: Netflix’s Selena: The Series. He shares how a transplant from Guadalajara, Mexico turned a passion for writing into an actual career, what it takes to break into the industry with zero connecti...

Hollywood Will Never Stop Loving the Music Biopic

This past week saw the release of Stardust, a biopic about David Bowie’s first trip to the United States. If you’ve seen any piece of media related to the film, you probably know that the movie was received poorly — to say the least. This isn’t surprising, though. When the film’s first trailer dropped months ago, the film was immediately scorched online for being a very blatant and very poorly executed attempt to piggyback off the recent success of other musical biopics such as 2018’s Bohemian Rhapsody and last year’s Rocketman. Whereas those two films at least had the wherewithal to secure the rights to their stars’ likeness and discography, Stardust opted out of either of those things. Even so, the film chugged along on the strength of its premise alone, but mostly because it’s a musical...