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Rose Glass

Saint Maud Is Wholly Terrifying: Review

This review was originally part of our coverage of the 2020 Beyond Film Festival. The Pitch: Maud (Morfydd Clark) does palliative care for a private healthcare facility and becomes the maid for Amanda (Jennifer Ehle), a former avant garde dancer and choreographer. Maud has found God following a traumatic event at work, hinted at through flashbacks and haunting visions, and has now taken a pious approach to work that borders on fanaticism. Faced with antagonism from Amanda, Maud slowly spirals more and more into religious fueled actions and experiences — talked to and touched by God — that will lead to a string of actions that have an irreversible impact and her and those around her. This Cast and Crew Are Doing the Lord’s Work: British writer and director Rose Glass boldly shows off her ch...

A24’s Saint Maud Is A Captivating Debut Full of Human and Psychological Terror: Beyond Fest Review

The Pitch: Maud (Morfydd Clark) does palliative care for a private healthcare facility and becomes the maid for Amanda (Jennifer Ehle), a former avant garde dancer and choreographer. Maud has found God following a traumatic event at work, hinted at through flashbacks and haunting visions, and has now taken a pious approach to work that borders on fanaticism. Faced with antagonism from Amanda, Maud slowly spirals more and more into religious fueled actions and experiences — talked to and touched by God — that will lead to a string of actions that have an irreversible impact and her and those around her. This Cast and Crew Are Doing the Lord’s Work: British writer and director Rose Glass boldly shows off her chops and gives viewers a lot to appreciate and more importantly a lot to look forwa...