Warner Bros. has shared a new trailer for Matt Reeves’ The Batman ahead of the film’s March 4th, 2022 release. Clocking it at just under three minutes in length, “The Bat and the Cat Trailer” offers the most revealing look yet at the upcoming comic epic, including new footage of Robert Pattinson’s Kurt Cobain-inspired Bruce Wayne / Batman, Zoë Kravitz’s nature doc-influenced Catwoman, and Paul Dano as the menacing Riddler. There’s also plenty of new footage of the Batmobile, as well as intriguing scenes featuring Colin Farrell as Penguin, Andy Serkis as Alfred, and Jeffrey Wright as Commissioner Gordon. Watch the full trailer below, or head to Reeves’ Vimeo page to see it in 4K. Initially conceived as a standalone film, the anticipation surrounding The Batman already has Warner Bros. plott...
Robert Pattinson’s upcoming version of Bruce Wayne was inspired by Kurt Cobain, according The Batman writer and director Matt Reeves. “When I write, I listen to music, and as I was writing the first act, I put on Nirvana’s ‘Something In The Way,’” Reeves explained in a new interview with Empire. “That’s when it came to me that, rather than make Bruce Wayne the playboy version we’ve seen before, there’s another version who had gone through a great tragedy and become a recluse. So I started making this connection to Gus Van Sant’s [2005 film] Last Days, and the idea of this fictionalized version of Kurt Cobain being in this kind of decaying manor.” Reeves said he was convinced Pattinson was perfect for the part after seeing his performance in Good Time. “In that movie you could really ...
It’s been over a year since we got the first trailer for Matt Reeves’ The Batman. Robert Pattinson’s debut as the Dark Knight was originally targeting an October 1st, 2021 debut, but following the star catching COVID-19 last September and the industry’s slow return in the midst of the pandemic, it was shoved back to March 4th, 2022. As the new date approaches, Warner Bros. has finally unleashed another new look at the film, debuting a fresh trailer during the DC FanDome event. The clip finds Pattinson’s Batman squaring off with Paul Dano’s The Riddler — a far darker take on the classic villain than, say, Jim Carrey’s version from 1995’s Batman Forever. In fact, Bats himself seems grittier in response, as Pattinson’s hero is clearly dealing with some aggressive anger. In addition ...
Our Annual Report continues today with a look back on the year’s curious run of accents in film and television. Stay tuned for more awards, lists, and articles in the days and weeks to come about the best music, film, and TV of the year. If you’ve missed any part of our Annual Report, you can check out all the coverage here. Watching John Patrick Shanley’s new movie Wild Mountain Thyme is, in many ways, a picturesque experience. It’s set in the Irish countryside, and stars Emily Blunt and Jamie Dornan, two very attractive people. But as I watched a very odd man played by Dornan buzz around his romantic feelings for a very charming woman played by Blunt, something began to nag at me. Somewhere in the distance, outside the movie itself, I heard sirens. I could tell that the Accent...
HAIM have really got this “appearing on a late night talk show during quarantine” thing down. Last month, they set up outside of Los Angeles’ The Forum for a performance on Kimmel. Then on Thursday night, the siblings brought Halloween — and a special guest — to Seth Meyers. The trio’s rendition of “3 AM” from their latest LP, Women in Music Pt. III, opened with a call from Robert Pattinson. Listed in HAIM’s phone as “Emotional Vampire” (get it? ‘Cause of Twilight? You get it…), Pattinson recreated the booty-call intro from the album version of the song. After sending him to voicemail, the band revealed themselves in wedding gowns as (slightly) undead brides set in an exceedingly well-lit backyard. The vibe put a spooky sheen on the R&B jam, including a comically threatening call ...
The Pitch: Set against the mud-covered backdrop of southern Ohio and West Virginia in the ’50s and ’60s, we see the ways that faith, violence, and lost innocence play out against an interconnecting web of characters. There’s Willard Russell (Bill Skarsgård), whose experiences in WWII haunt him even as he tries to make a life back home with a sweet waitress (Haley Bennett). There’s also Carl (Jason Clarke) and Sandy (Riley Keough), who get their kicks picking up hitchhikers, photographing them, then slaughtering them. There’s Sandy’s brother, Lee (Sebastian Stan), a portly, corrupt sheriff constantly gunning for re-election and turning a blind eye to his sister’s wrongdoing. Caught in the middle of it all is Alvin (Tom Holland), Willard’s orphaned son, trying to navigate his way throug...
Put the Batmobile back in the garage, Matt Reeves’ The Batman has been delayed again. After resuming filming just three days ago, production has been halted because, according to Deadline, a person on set has tested positive for coronavirus. Update: Vanity Fair reports that The Dark Knight himself, Robert Pattinson, is the one who tested positive. Principal photography kicked off in January of this year in London. Then, like everything else, it underwent a great shock in March as the pandemic overran the globe. According to Reeves, they had only shot about 25% of the movie. After a five-and-a-half month hiatus, the Batgang got Battogether on Monday. Oh well, it was Batnice while it lasted. In a statement, Warner Bros. said, “A member of The Batman production has te...
Pitch: For months, Christopher Nolan’s Tenet has been promoted more as a canary in a coal mine than an actual film. With every shifted release date, the reality of the dangers surrounding COVID-19 only increased, all while the film flirted with those same hazards. Nolan had hoped his blockbuster would bring back theaters, but that dream still feels fanciful — even as the blockbuster nears its questionable release. Given his insistence for the theater experience, Nolan’s reputation has likely taken a hit, but his rank as a cinematic puzzlemaker remains intact. Mirroring the film’s perplexing route to release, Tenet is a murky globetrotting spy thriller, elevated by cinema-changing set pieces, and yet lowered by a classic case of visual ambition thwarting basic storytelling. The Past: To des...