Our 2022 Annual Report continues with the announcement of Rhea Seehorn as our TV Performer of the Year, who joined us for an interview about Better Call Saul and beyond. As the year winds down, stay tuned for more awards, lists, and articles about the best music, film, and TV of 2022. Plus, check out our Top 25 TV Shows of 2022 list here. After years of Better Call Saul, there’s one question Rhea Seehorn gets all the time, and here is the answer. “It is mostly my own hair,” she says of the famous Kim Wexler ponytail, which she sported for most of the show’s six-season run. “And then there’s one extra piece that’s put in the center that is false, that can be curled and sprayed really tight, which your natural hair wraps around, and it can stay up for a longer period of time. Because if...
Breaking Bad and Better Call Saul creator Vince Gilligan has landed his next series, and it’s set to star a familiar face: Rhea Seehorn. Described as a blended, grounded genre drama, the currently untitled project has already been picked up for a two-season straight-to-series order from Apple TV+. According to Deadline, the show has been compared to The Twilight Zone. Though it is set in our world, the series is said to be focused on “bending reality and focusing on people and exploring the human condition in an unexpected, surprising way.” Advertisement Related Video Gilligan will serve as showrunner and executive producer through his own High Bridge Productions as part of an overall deal at Sony Pictures Television. The series marks a reunion with Apple heads of worldwide video Zack Van ...
[Editor’s note: The following contains spoilers through the series finale of Better Call Saul, “Saul Gone.”] There’s so much to be asked, when one of television’s great achievements comes to an end. So the morning after the Better Call Saul series finale aired, co-creator Peter Gould and stars Bob Odenkirk and Rhea Seehorn very generously spoke with reporters via Zoom for a press conference that explored so many aspects of the final episode, “Saul Gone.” Below, Gould, Odenkirk, and Seehorn answer maybe not all, but at least a few of the biggest questions from the end of the season, from the choice to continue filming in black and white, what was cut from the finale, and when the idea to have Jimmy end up in prison first came up (and why that nearly caused problems with another Breaking Bad...
[Editor’s note: The following contains spoilers through the series finale of Better Call Saul, “Saul Gone.”] Sometimes you hit play on an episode of television and see the runtime and groan to yourself, “This did not need to be longer than an hour.” But with the Better Call Saul series finale, coming in at a cool 70-plus minutes (per AMC+, anyway), every extra second of goodbye was quite welcome. After Gene Takovic (Bob Odenkirk)’s unsuccessful attempt to flee the law, as summoned by that nice old lady Marion (Carol Burnett), the identity of Gene is shed forever (following one last diligent phone call to Krista at Cinnabon). Instead, Saul Goodman suits up (eventually literally), using his formidable weaseling abilities to weasel out of “life plus 190 years” for the many, many crimes he com...
[Editor’s note: The following contains spoilers for Better Call Saul, Season 6 Episode 12, “Waterworks.”] As we reach the finish line on Better Call Saul, a theme has emerged from these final episodes: How tragic it is, and the tragedies that can result, when someone lives in fear. That at least seems to be Kim Wexler (Rhea Seehorn)’s takeaway from the last several years of her life, as we see how making contact with her ex-husband Jimmy/Saul/Gene (Bob Odenkirk) caused her to return to the scene of her crimes — even if she may not end up actually having to pay the price for them. Written and directed by Vince Gilligan, “Waterworks” is a masterclass in making the mundane seem both important and suspenseful. The action begins with a tour through Kim’s black-and-white state of existence — a n...
[Editor’s note: The following contains spoilers for Better Call Saul, Season 6 Episode 9, “Fun and Games.”] For the past few episodes of Better Call Saul, a pretty dark pattern has emerged: As the countdown towards the end of the series continues, each week we’ve seen one of the show’s primary characters, who we always knew didn’t appear in sequel series Breaking Bad, be eliminated. Episode 7 ended with the casual execution of Howard Hamlin (Patrick Fabian). In Episode 8, Lalo Salamanca (Tony Dalton) laughed his last laugh after a fierce firefight with Gustavo Fring (Giancarlo Esposito). And Episode 9, “Fun and Games,” also ended with a casualty: Specifically, the death of Jimmy McGill (Bob Odenkirk), with the shell of Saul Goodman left behind in his place. Advertisement Of course, another...
[Editor’s note: The following contains spoilers for Better Call Saul, Season 6, Episode 7, “Plan and Execution.”] What other show would devote a five-minute sequence to establishing its villain’s shower and nap routine? What other show would make it so captivating? That’s the special magic of Better Call Saul, which delivered a mid-season finale on Monday that redefined the concept of changing the game. For a good long portion of its runtime, so much of “Plan and Execution” fits with Better Call Saul as we’ve always known it. Central to the episode is the ultimate culmination of Jimmy and Kim’s plan to force a settlement of the Sandpiper lawsuit by ruining Howard Hamlin’s (Patrick Fabian) reputation — a combination of actual justice and petty revenge, motivations which both Jimmy (Bob Oden...
[Editor’s note: The following contains spoilers for Better Call Saul Season 6 Episode 4, “Hit and Run.”] Case Summary After last week’s seismic installment, Episode 4 of Better Call Saul was a bit more easygoing, even if things grow more and more uneasy for everyone. As the old saying goes, it’s not paranoia if someone is actually out to get you, and while things actually do seem to be going pretty well for Kim Wexler and Saul Goodman, attorneys-at-law, Kim at least is not sleeping easy these days. The centerpiece scam this time focused on Jimmy and Kim’s ongoing campaign to ruin Howard Hamlin’s reputation, which pays off last week’s key-copying adventure. While a blissfully ignorant Howard sits down for therapy, Jimmy uses his duplicate key for Howard’s car for a wild little bit of sketch...
The Pitch: “Meticulous.” “Chilling.” “Engrossing.” There are so many words that come to mind when sitting down with a new installment of Better Call Saul, the Breaking Bad spin-off which has somehow soared to a whole new tier of quality over the years. No spoilers (for fear of the Salamancas knocking at the door), but it can be said that the first two episodes of Season 6 keep this proud tradition going. As the show gears up for its last hurrah (the first seven episodes of the final season debut starting Monday, April 18th, with the second half of the season returning in July), every element of one of TV’s best-made shows is working hard to invest us in so many of the show’s biggest questions, including the most important one of all: How’s it going to end? Where Were We? Season 5 of Saul e...