The Lowdown: Who in 2020, a year defined almost exclusively by fear, hate and unprecedented political division, has the nerve to release a record called Love Is the King? That might sound a little too optimistic for Jeff Tweedy, but while the Wilco frontman doesn’t always paint a rosy picture in his songs, he knows how to offer calm reassurance in dark times. Few songwriters possess such an acute ability to make sense of the craziness around them, and if Tweedy’s latest solo endeavor proves anything, it’s that sometimes that’s good enough. [embedded content] The Good: There was a time when recording a record amid such social or personal turmoil would have sent Tweedy down the path toward artful rancor. But Love Is the King is the latest in what has been a string of relatively calm releases...
In 2018, Bruce Springsteen stood at the bedside of George Theiss. He’d come to say goodbye to his lifelong friend, the guy who’d dated his sister, Virginia, and in 1965 had encouraged him to join his first band, the Castiles. In Springsteen’s 2016 autobiography, Born to Run, he’d described George as “both Elvis and Paul McCartney (the King AND a Beatle, the true double whammy!)” who “was our resident lothario.” They’d made music together for three formative years, blasting it out at high school dances, union halls, and nightclubs around the Jersey shore. This experience had set Springsteen on his way to becoming the legend we know today. Now Theiss was dying of lung cancer and leaving Springsteen behind as the sole surviving Castiles member. Nostalgia and death have always been central the...
The Lowdown: Ever since they first stole our hearts about 20 years ago, Gorillaz — the genre-splicing virtual band spearheaded by Damon Albarn, Jamie Hewlett, and now Remi Kabaka Jr. — have provided about as much visual flamboyance and experimentation as musical. In other words, they’ve always made exceptional use of things like music videos, 3-D concert projections, and web-based gimmicks to not only enhance the impact and mystique of their albums and lore but also to push the limits of what modern, multimodal artistry can achieve in a broader sense. Earlier this year, they announced arguably their most ambitious endeavor yet: Song Machine, a web series wherein each “episode” features a new song/music video that encapsulates Gorillaz’s trademark tongue-in-cheek bizarreness, stylistic flex...
The Lowdown: Despite how prolific Griselda have been in 2020, it has been a full year since we have gotten a solo Benny the Butcher project. In that time, Griselda have signed a Roc Nation management deal, dropped a group album, performed on Fallon, and tested the limits of how many solid albums a collective can drop in a short period of time. People have been waiting on Benny ever since 2019’s The Plugs I Met, an EP that brought him to a higher level of fame for its coke tales, OJ comparisons, and 38 Spesh’s lamb and stick. Benny is a man of history. The East Buffalo-bred MC has studied the game to a tee and has all of the co-signs that other rappers spend a whole career wishing they could boast. Growing up on the infamous Montana Avenue, he has spent a lifetime waiting for this moment to...
GOTV Meets WFH: We’re eight months into a global pandemic and 17 days away from the strangest presidential election in modern memory, so it’s no huge shock that this year’s get-out-the-vote efforts look drastically different than past cycles. Mostly, that’s meant a shift away from performing at rallies and towards ensuring that all votes get counted safely and fairly. Those efforts have taken various shapes that conform to our current isolation, from the swing state organizing of Justin Vernon’s for Wisconsin initiative to charity Bandcamp compilations like Talk-Action=Zero Vol. 2 and Good Music to Prevent the Collapse of American Democracy to weary remote testimonials shared in a recent Pitchfork feature. Enter Run the Jewels. The Atlanta hip-hop duo of Killer Mike and El-P already owned ...
The Lowdown: Public Enemy’s Chuck D has long advocated that the history of Black music in America — from the blues and R&B to soul and hip-hop — is inextricably linked to the history of the Black community. To understand, for instance, the origins of hip-hop — its power to give a voice to the once voiceless and shine light on both the cultural richness and profound systemic suffering found in urban communities — is to know something vital about the Black experience in America. Candace McDuffie’s new book, 50 Rappers Who Changed the World, does a service to both the history of a genre and of a people by paying tribute to the game-changing emcees from rap’s earliest days right up through artists topping present-day charts. <img data-attachment-id="1077449" data-permalink=&qu...
The Lowdown: If you’ve ever scrolled TikTok, you’ve heard beabadoobee’s sweet single “Coffee”. It — plus a song that samples it — has been used to soundtrack almost every clip that includes any of the following: a nausea-inducing relationship montage, a racoon (or other wild animal) doing something kind of cute, or a craft project that you will absolutely never do but bookmark anyway. “Coffee” had taken off even before it made its way onto the omnipresent app, when it was posted by 1-800-LOVE-U, a popular YouTube channel with 700,000-plus subscribers. Characterized by a soft, almost dissolvable voice, the song is just under two minutes of simple guitar chords, doughy lyrics, and pleasant feelings. It’s charming, the equivalent of a gentle hug and kiss on the forehead. If, at times, the son...
By the early 1990s, Tom Petty was enjoying his second big wave of success. He’d spent two high-flying decades making hits and touring with his band, the Heartbreakers. He’d released two platinum albums as part of the Traveling Wilburys, a supergroup featuring Bob Dylan, George Harrison, Roy Orbison, and ELO’s Jeff Lynne. And, with Lynne as producer, he’d crafted two critical and commercial monsters: 1989’s solo debut Full Moon Fever and 1991’s full-band effort Into the Great Wide Open. Creatively, the sky was the limit but personally, his life was a shambles. His marriage to first wife and partner since his teenage years, fellow Florida native Jane Benyo was falling apart. It was time to move on. Wildflowers was Petty’s sprawling, sometimes painfully self-aware, and often idiosyncrat...
The Lowdown: Future Islands first truly caught the world’s attention with the Letterman performance of “Seasons (Waiting on You)” that brought lead vocalist Samuel T. Herring’s confident and expressive singing style into the viral limelight. This coincided with the release of Singles, their most polished album thus far and an encapsulation of all their post-wave aspirations. Now, two albums and six years later, they’re back again with As Long as You Are, a twinkling and pulsating slow burn that finds them employing many approaches that by now feel familiar to their sound, but still cohesive and captivating. [embedded content] The Good: It opens with seagulls and it ends with the coast. This is an album that deals with expanse and immensity that feels difficult to conceive of, let alone to ...
The Pitch: COVID-19. Sorry, but there really are no breaks from this fucker until we have actual, steady control over this present strain of novel coronavirus. When the culture is illness, you don’t hide under coats until the whole thing blows over. You deal head-on. And this review for this particular movie will treat the issue in that way. Despite President Trump’s assertions that COVID-19 is “totally under control,” no, it’s not. And that, in a dish served cold and fast, is the case of the new documentary Totally Under Control. With 210,000 dead in the United States and rising, millions infected, and a president unwilling to acknowledge the hubris of his actions while himself testing positive for the disease, we’re far away from anything remotely resembling “control” at this present mom...
The Lowdown: After the success of Savage Mode in 2016 and Without Warning in 2017, 21 Savage and Metro Boomin return to the scene with their latest collaborative album, Savage Mode II. Although some time has elapsed since they released their last project as a dynamic duo, both have kept plenty busy on their own, providing the streets and clubs with hit after hit. Savage dropped the highly acclaimed I Am > I Was in 2018 while Metro Boomin has crafted a plethora of hits with his signature trap sound. Featuring guest appearances from Drake, Young Thug, and Young Nudy, there’s plenty of reason why Savage Mode II became one of the most highly anticipated albums of 2020 the moment it was announced. The Good: The album begins in cinematic form with the masculine voice of God, none other than A...
The Lowdown: On Shiver, his first solo album in 10 years, Icelandic artist Jónsi presents atmospheric electronic art-pop, which balances uplift with glitchy dread. With band Sigur Rós on indefinite hiatus, and after separating from his longtime partner/collaborator, the singer-songwriter-composer now lives in LA and had his first visual-art exhibition last fall. Those themes of the uncomfortable freedom of dislocation and transition are reflected on the songs of Shiver, which soar, short-out, crash and re-boot. [embedded content] The Good: While Jónsi’s mystical countertenor voice has often been associated with glacial fjords and forests thick with elves, Shiver evokes dark landscapes that are more industrial and interior. The 45-year-old multi-instrumentalist teamed up with en vogue young...