Reviews
The Marvelous Mrs. Maisel Season 4 Review: More Mediocre Than Magical
The Pitch: When we last saw the titular character in Amy Sherman-Palladino’s Amazon Prime comedy, things were looking quite bad for her. Despite killing at The Apollo, Miriam “Midge” Maisel (Rachel Brosnahan) has been fired from Shy Baldwin’s tour, thanks to some jokes that alluded a bit too closely to his status as a closeted gay man. This left her abandoned on the tarmac with Susie (Alex Borstein), who, unbeknownst to Midge, had lost all of Midge’s hard-earned money thanks to a combination of gambling problems and general managerial irresponsibility. Meet Me on the West Side: Season 4 of The Marvelous Mrs. Maisel picks up shortly after these events in a familiar setting — Midge, onstage, cigarette in hand, seemingly killing at a club in The Village. The cliffhanger of Season 3 seemed to ...
Space Force Season 2 Review: A Big Improvement That Leaves You Wanting More
The Pitch: The original pitch was simple: In 2019, the 45th President of the United States announced a plan for a Space Force branch of the U.S. military. To Steve Carell and Greg Daniels (who previously worked together on The Office), that sounded pretty ridiculous, so they successfully pitched Netflix on a satirical version of what such a “space force” would look like, with Carell as the general in charge. Unfortunately, Season 1 of Netflix’s Space Force… didn’t quite work. Despite the assembly of a surprise-packed ensemble, including awkward comedy G.O.A.T. Carell, human live wire Ben Schwartz, secret MVP Tawny Newsome, and wild card John Malkovich, there was something just off in how the writing and acting and directing jelled together — and to the credit of Carell and Daniels, they no...
Uncharted Review: An Indiana Jones Riff That Still Delivers Some Unique Thrills
The Pitch: For non-gamers, Uncharted is a remarkably straightforward project: Hot treasure hunters go on an action-packed adventure to track down a centuries-old treasure? Sure, checks out. Maybe these particular treasure hunters aren’t as nobly intentioned as, say, one Dr. Henry Walton Jones Jr., but that doesn’t mean 25-year-old bartender/history buff/aspiring thief Nathan Drake (Tom Holland) isn’t just as dedicated to tracking down some long lost gold. We first meet Nathan as a 10-year-old living with his older brother Sam in an orphanage, though Sam makes his escape from the place after a run-in with the law, leaving his brother with a family artifact (an engraved ring), followed by, in the ensuing years, a trail of vague postcards from exotic locals. Now (ostensibly) an adult, Nate’s ...
Ghost and Volbeat Bring the Fire in the Home of the Devils: Recap + Photos
You might not expect a rock or metal show to kick off with a saxophone rhythm that slaps, but that was the first sound the fans at the Prudential Center in Newark, New Jersey, heard onstage as Twin Temple began to play on Thursday night (February 10th). Vocalist Alexandra James and her husband, guitarist Zachary James, took to the stage in an opening ritual with swords and all. The singer asked for Satan to burn down sexism, racism and ignorance. If the big man downstairs is wise, he’ll heed her request. Alexandra’s vibe is part Elvira, with the soulful essence of an Amy Winehouse, and a sprinkle of a Lars von Trier film — but she has created an innovative style that is all her own. The height of her beehive hair was impressive, but nothing could outmatch her vocal talent as she belted out...
Jean-Pierre Jeunet’s BigBug Is a Glitchy Robo-Farce: Review
The Pitch: It’s the year 2050, and advances in artificial intelligence have led to a bright, bubbly utopia where robotic servants and maids see to our every whim, from cleaning our homes to, well, cleaning our pipes. But when one brand of security robots, the Yonyx (François Levantal), decides to take over and wrest control of Earth from humanity’s hands, the domestic robots of one suburban home decide to lock their humans inside their well-manicured domicile — for their own safety, of course. As the hours and days pass, the unwitting hostages of domesticity — including divorced couple Alice (Elsa Zylberstein) and Victor (Youssef Hajdi) and their respective new partners Max (Stéphane de Groodt) and Jennifer (Claire Chust), daughter Nina (Marysole Fertard), Max’s bratty son Leo (Hélie ...
Big Thief’s Mammoth New Album Overflows With Indie-Folk Ambition
To label Big Thief’s panoramic new project a “double album” is something of a misnomer. In totality, the 81-minute mammoth that is Dragon New Warm Mountain I Believe In You is not two halves but four quarters, divided by as many distinct recording sessions, in upstate New York; Topanga Canyon, California; the Colorado Rocky Mountains; and Tucson, Arizona. The acclaimed indie-folk foursome has become known for their deliberate recording techniques, especially evident in 2019’s celebrated sister LPs U.F.O.F. and Two Hands — the former captured the lushness and claustrophobia of the Washington state forest where it was laid down, while the latter was purposefully open and austere, mimicking western Texas’ desolation. For the band’s fifth album, however, the sessions do not so much attempt to ...
The Best Way to Enjoy The Book of Boba Fett Is to Embrace the Mess
[Editor’s note: The following contains spoilers through the season finale of The Book of Boba Fett, “Chapter 7: In The Name of Honor.”] The funny thing about The Book of Boba Fett is that a whole lot of people would have been a lot happier if they’d just done something different with the title. While the series started off as a stand-alone tale of the famed bounty hunter’s (Temuera Morrison) transformation into a new kind of crime boss, as seen with Episode 5 the show took an abrupt turn by bringing back famed Space Daddy Din Djarin (Pedro Pascal), with the second half of the season serving as a clear sequel to the end of The Mandalorian Season 2. Now that we’ve reached the end of the season, all that’s left to do is try to sort out what, exactly, happened here. Because nothing feels in ba...
Inventing Anna Review: Shonda Rhimes Reminds Us That She’s the Master of Captivating TV
The Pitch: If there is one constant running through the work of Shonda Rhimes, it’s this: Her instincts for what makes a good story are dead on. Not every show with her name on it is an out-of-the-gate hit like Bridgerton or Grey’s Anatomy — rest in peace, The Catch, a great little show about con artists that deserved more of a chance. But it’s impossible to say that a Shondaland series is ever boring. Speaking of con artists, though… Inventing Anna, the new limited series premiering this Friday on Netflix, represents Rhimes’ first Netflix project that bears her name as not just a producer, but a creator. And you can sense why she chose not to hand this project off to someone else, given how many delicate elements are involved in these nine episodes — primarily, the depiction of its two le...
Sparks Kick Off North American Tour at Walt Disney Concert Hall: Recap + Photos
As Edgar Wright’s exhilarating documentary The Sparks Brothers illustrated so well, Ron and Russell Mael, aka Sparks, are “your favorite band’s favorite band” for good reason. The duo have been making delightfully dramatic, experimental yet accessible art rock for over 50 years. Whether they were prancing on Top of The Pops in the ‘70s or blasting from transistor radios on KROQ 106.7 FM in the ‘80s, they never really “fit in” with what was popular at the time. But last night (February 7th) at Los Angeles’s Walt Disney Concert Hall, illuminated by an array of multi-hued stage lights and backed by a solid five-piece band, they were a splendid fit. The Hall is home to the LA Philharmonic, and its grand aesthetic and layout (inside and out), not to mention its unmatched acoustics, make seeing ...
Mitski Blazes Forward on the Enigmatic Laurel Hell
Mitski had made up her mind after finishing her “Be The Cowboy” tour in late 2019: after months of frequent shows, press, and supporting her biggest album to date, she was quitting music for good. “I felt it was shaving away my soul little by little,” said Mitski in a recent profile, describing the anxiety, pressure, and existential dread she was experiencing as simply too much to bear. Of course, endings aren’t always that simple. She began working on Be The Cowboy’s follow-up quickly after, but only because she was contractually obligated to do so; yet, after over two years of writing and recording in the midst of a global pandemic, Mitski arrives this week (February 4th) with her sixth studio album, Laurel Hell. And by all measures, Laurel Hell is yet another phenomenal entry in Mitski’...
On Laurel Hell, Mitski Dashes for the Dance Floor
In March, Mitski Miyawaki will play her first sold-out show at Radio City Music Hall — by far the largest headlining performance of her career, nearly quadruple the size of her last top-billing gig in New York City. Surely the indie noble will be scared shitless; who wouldn’t? That’s 6,000 people you’re supposed to entertain! But during that milestone set, there will be a moment, maybe several, when the full, pounding impact of Laurel Hell, Mitski’s exhilarating sixth LP, envelopes the cavernous theater in synth and the understated artist — who two albums ago was playing tiny clubs to 100 fans — transforms into a bonafide, beaming pop star. OK, maybe that’s assuming too much, but still — the new album, out this Friday, marks the relentlessly acclaimed singer’s first attempt at writing song...
Thom Yorke & Jonny Greenwood Take The Smile for a Round in 24-Hour, Three-Show Concert Series: Recap
The Smile, the English trio formed by Radiohead’s Thom Yorke, Jonny Greenwood and Sons of Kemet’s Tom Skinner, officially became audience-tested as they completed their first run of in-person performances over the weekend (January 29th-30th) with three shows in just over 12 hours. The trio convened at the Greenwich venue Magazine London for three consecutive concerts at 8:00 p.m., 1:00 a.m., and 11:00 a.m. GMT, which were simultaneously broadcast with time zone considerations for virtual audiences watching in Europe and Africa, the Americas, and Asia and Australia, respectively. The venue’s rounded central stage was packed to the edges with an array of gear and sound equipment that promised a more elaborate set than the relatively spare setup for their surprise debut at the Glastonbury Fes...
