Reviews
Pearl Jam Mark Return to Road with Joyous Three-Hour Concert in San Diego: Recap + Setlist
“I’m not gonna talk this much at other shows, but this feels like home, and I missed ya,” Eddie Vedder told the San Diego crowd on Tuesday night. The first time I saw Pearl Jam, it was December 1991 and they were the relatively unknown openers for Nirvana and Red Hot Chili Peppers. My friend had bought a Pearl Jam shirt before the concert (even though the “cool” thing was to get Nirvana merch), when suddenly a long-haired Vedder ran up from somewhere and thanked her. More than 30 years later, Vedder is still filled with this kind of enthusiastic gratitude. He showed plenty of tokens of it throughout Pearl Jam’s nearly three-hour set at Viejas Arena in the city he said “feels like home,” the place where he lived before moving to Seattle. Advertisement Related Video This was the first stop i...
Black Star’s No Fear of Time Proves Even 24 Years Is Just a Number for Hip-Hop Greats
Time is crazy, right? It’s the one thing we never have enough of and, sometimes, can’t wait to have in the rearview mirror. Time is on the mind of Black Star, the duo who surprised hip-hip 24 years ago with a debut album still spoken about in hushed tones today. Talib Kweli and Yasiin Bey (f.k.a. Mos Def) capitalized on that success with their own solo careers. Still, fans kept asking — sometimes incessantly — where’s the next Black Star album? After two decades, the day finally arrived as the Brooklyn group released their sophomore album, No Fear of Time (currently only available on Luminary). While mere mortals might quake in their boots simply thinking about the prospect of releasing a new record so many years after a landmark debut and finding a way to match those lofty expectations, K...
Arcade Fire’s We Is a Sign of the Times
Arcade Fire’s We — a project of resolute, zeitgeisty grandeur — is not only an album built for 2022. It reflects this week, this day, this moment. Why? Because it’s deliberate in its thesis that America is fucked beyond repair. There is no space for misinterpretation. And at this deeply troubling juncture in our history — pick a reason why — nuance is no longer a luxury we can afford. If you have something to say, you better say it now — the scroll of horrifying headlines and Met Gala memes will resume momentarily to numb us anew. But even as subtlety is stampeded by the constant demands of our self-imposed digital captivity — such was the crux of Everything Now, Arcade Fire’s polarizing 2017 LP; remember the lyric “infinite content, infinitely content” — this new album’s soapbox approach ...
Jessica Biel Can’t Help Hulu’s Confused Candy Coalesce: Review
The Pitch: The story of Candy Montgomery is almost too gruesome and eerily-timed to feel true: On Friday, the 13th, one June in 1980, a pleasant, well-liked suburban housewife in a bucolic northeastern Texas town went over to her friend and neighbor Betty Gore’s house, and murdered her with an axe. She slashed her 41 times, 40 of them while her heart was still beating. Then, she took a shower in Betty’s home to clean off the blood, and drove back home to continue her day like nothing had happened… with Betty’s newborn infant crying in her dead mother’s home for thirteen hours before the body was found. Even crazier than that? Candy would end up being found not guilty. Naturally, it’s the kind of lurid true-crime story that would spawn not one, but two miniseries in our murde...
Better Call Saul Recap: There’s Proving and Then There’s Knowing
[Editor’s note: The following contains spoilers for Better Call Saul Season 6 Episode 4, “Hit and Run.”] Case Summary After last week’s seismic installment, Episode 4 of Better Call Saul was a bit more easygoing, even if things grow more and more uneasy for everyone. As the old saying goes, it’s not paranoia if someone is actually out to get you, and while things actually do seem to be going pretty well for Kim Wexler and Saul Goodman, attorneys-at-law, Kim at least is not sleeping easy these days. The centerpiece scam this time focused on Jimmy and Kim’s ongoing campaign to ruin Howard Hamlin’s reputation, which pays off last week’s key-copying adventure. While a blissfully ignorant Howard sits down for therapy, Jimmy uses his duplicate key for Howard’s car for a wild little bit of sketch...
Redveil Comes of Age on learn 2 swim
Most people at rapper-producer redveil’s age are working on an identity outside a prescribed cycle of routines–at school, at work, at home–to ready themselves for the independence and uncertainties of early adulthood. On the Maryland artist’s latest project, learn 2 swim, released on his 18th birthday, this search has been a public as well as a personal journey. He’s overcome struggles with insecurity and self-doubt while attempting to build his own unique sound across the self-produced album. His first album, Niagara, was released in 2020 when he was just 16. An abstract hip-hop mashup of noisy samples and soulful vocal loops with earnest and introspective raps, redveil launched himself into conversation with his older, more established peers–including his personal inspiration Tyler, the ...
Florence + the Machine Dazzles at Intimate Los Angeles Show: Recap + Setlist
Florence Welch is almost always moving when she performs. With the exception of the occasional sip of water or a dramatic pose at the end of each song, the bewitching British singer-songwriter is constantly on her feet, her body nimbly maximizing as much space on stage as humanly possible, all while singing with unshakable gusto. Many were lucky enough to both witness Welch’s captivating moves and hear her signature guttural mezzo-soprano alongside her backing band The Machine at the 2,000-capacity Los Angeles Theatre on Friday evening (April 29th), the first stop on her 2022 North American tour. Of course, Welch’s flailing, skipping, twirling, and air punching served more than just a function of spectacle. Florence + the Machine’s upcoming record Dance Fever (out May 13th) drew inspiratio...
Paul McCartney Kicks Off His Tour in Spokane With a Little Help From His Friends
The emotion started welling up during, of all songs, “Ob-La-Di, Ob-La-Da.” Something about the sight of a gaggle of teen girls, singing the nonsense chorus of that White Album classic started to crack my critical resolve. By the time Paul McCartney hit the chords of “Hey Jude,” already two-plus hours into the opening night of his 2022 American tour, the tears were soaking into my face mask. This was not the reaction I anticipated having after a long drive to Spokane, Washington to be on hand for the kick-off of this 16-date run of shows. Going into the evening, I was carrying with me a not-too-small amount of Macca fatigue. Even during a global pandemic, the man was everywhere. Unpacking his career amid artful lighting with Rick Rubin. Straining to keep his former band together while...
Melody’s Echo Chamber’s Emotional Eternal Offers a Cure for a Dour Present
When we first met Melody Prochet, the Paris-based singer-songwriter wasn’t mourning love lost; she was patiently feeding lost love to a sonic kaleidoscope and minting a DayGlo, beat-assisted species of shoegaze as lush, warm, and candied as Cam’ron’s 2002-2005 wardrobe or an interactive Yayoi Kusama installation. Her project’s 2012 debut remains a psychoactive magic carpet ride of an LP where sentiments matter far less than the euphoria the surrounding music evokes in a listener: smeared effects bubbling out of caldrons, glistening guitars rambling along in multi-tracked splendor, reverb forever, infinite hooks. Fans of Stereolab and My Bloody Valentine might find common cause in the yearning of “I Follow You” or the sprawled elation of “Mount Hopeless.” Prochet sings with a breathy intens...
Bloc Party Relishes in Their Signature Sound on Alpha Games
When Bloc Party released their debut studio album, Silent Alarm, in 2005, it garnered the kind of praise that young, bright-eyed musicians fantasize about. Earnest comparisons to legendary acts like Blur, U2 and The Cure were just the beginning. They, alongside bands like Franz Ferdinand and The Futureheads, were considered an intricate part of indie rock’s revival in the aughts. Syncopated rhythms and feverish vocals — paired with a distinctive approach to quality craftsmanship — made for dancefloor gold. This momentum would continue with Bloc Party’s subsequent full-length albums, A Weekend in the City (2007) and Intimacy (2008). Both records were soaked in the same kind of urgency and passion as their wildly successful debut. It noticeably came to a halt on their fourth album, though, t...
One Nation Under a Stylus
Vinyl Nation, a new documentary from directors Kevin Smokler and Christopher Boone, is, as the title may suggest, as much a chronicle about a growing community than it is about the medium of vinyl records. To be clear, the history of vinyl pressing, from its early market dominance to its later decline due to the advent of the compact disc, to its glorious return over the past decade — nearly 42 million records were sold in 2021(outselling CDs for the first time since 1986!) — is thoroughly covered (occasionally bordering on repetitive) by the filmmakers. The focus, however, is more on the collectors. The film opens outside the Mills Record Company in Kansas City. It’s Record Store Day, an annual celebration of independent record stores across the country, and a long line of collectors, obs...
Spiritualized Deliver an Ethereal Space Rock Album With Everything Was Beautiful
At a time when it would be understandable to pack things in, Spiritualized leader J Spaceman (Jason Pierce) found himself thriving in the past few years of isolation. As he’d walk through an eerily silent London, Spaceman found himself inspired by the world “full of birdsong and strangeness and no contrails.” The experience allowed him to create a largely self-referential record run by an overwhelming sense of urgency within the tracks. With that in mind, Spiritualized’s latest album, Everything Was Beautiful, is an homage to themselves. The album is curated like a museum, preserving the best of their sound while polishing the crucial details. Spaceman continues to fine-tune his astral pop sound with shocking consistency throughout the familiar but delightfully hypnotic space rock album. T...
