The Pitch: The world of documentary film seems to believe in one thing: Why have just one documentary covering a disastrous music festival when you can have two? Unlike the paired Netflix and Hulu documentaries which investigated the wildness of Fyre Fest, though, Netflix’s new docuseries Trainwreck: Woodstock ’99 at least has a good year or so of distance from HBO’s Woodstock ’99, while rehashing much of the same material. It’s Not a Three-Hour Movie: Trainwreck (previously known as Clusterfuck, and streaming today on Netflix), does have a distinct advantage over the HBO doc — rather than compressing the full breadth of the three-day disaster into one 110-minute film, the series consists of three episodes, structured to mirror the three days of the actual festival. While the episodic stru...
[Editor’s note: The following contains spoilers for Better Call Saul, Season 6 Episode 11, “Breaking Bad.”] On April 26th, 2009, a television show called Breaking Bad aired an episode called “Better Call Saul.” Thirteen years later, a television show called Better Call Saul aired an episode called “Breaking Bad.” Here we are at a full-circle moment for one of television’s great creative achievements, and yet the significance of Bryan Cranston and Aaron Paul’s long-promised return as the iconic Walter White and Jesse Pinkman manages not to overshadow the action just now revving up in Omaha, Nebraska. The elegance of this new episode’s name choice, which is split between two very different periods of time for one Jimmy McGill/Saul Goodman/Gene Takovic (Bob Odenkirk), cannot be overstated, es...
Of all the times to be visiting Montreal, this past weekend (July 29th-31st) was the one: not only was the annual comedy festival Just For Laughs wrapping up at various venues throughout the city, Osheaga Festival was making its grand return at the Parc Jean Drapeu for the first time since 2019. These events, along with near-perfect weather and a summertime spirit, saw thousands flocking to the city, with musicians, comedians, and lovers of both enjoying all that Montreal has to offer. Osheaga is more than just a typical city festival — over the last several years, Osheaga has gotten all the more curated, with many festival exclusives, local favorites, and some undeniable stars gracing their many stages. This year, which marked the 15th anniversary of the festival, was no different, but th...
Day four of Lollapalooza 2022 went down on July 31st, wrapping up the legendary Chicago festival. The day featured towering sets from headliners Green Day and j-hope, the latter of which making history as the first South Korean to headline a main stage at a major American music festival. Other notable sets came by way of Maneskin, Blackstarkids, Porno for Pyros, and Beach Bunny, as well as DJO, BANKS, and Buffalo Nichols. Check out action shots of such artists in our Lollapalooza day four photo gallery below, courtesy of photographer Josh Druding, who was on the ground for Consequence all weekend long. You can also revisit day one, day two, and day three, as well as a full review and gallery from j-hope‘s set. Related Video Advertisement [flexi-common-toolbar] [flexi-form class=”flex...
“I’m j-hope from BTS,” he told the Lollapalooza crowd, doing nothing more than introducing himself and nothing less than making history. BTS are perhaps the most overwhelming musical force the world has ever known, having conquered the globe with an ARMY bigger than Beatlemania. The septet became such an institution that when they announced a “hiatus,” to pursue solo projects, the resulting panic cost their management label HYBE $1.7 billion in market cap in just two days. “We are not disbanding,” the group clarified. j-hope said it in a different way under the banner of Chicago’s skyline in Grant Park Sunday night: “I’m j-hope from BTS.” Advertisement Related Video He’s a lot more than that. With this appearance at Lollapalooza 2022, j-hope became not just the first of...
Day three of Lollapalooza 2022 took place on Saturday, July 30th, with more incredible acts taking the stages at Grant Park. Headlined by J. Cole, the day saw acts like Big Sean, Turnstile, Wallows, and Dashboard Confessional rock the crowd. Also performing on Saturday were the likes of Fletcher, Alexander 23, and Meet Me @ The Altar. Advertisement If you missed all the action, you can relive it vicariously through our extensive Lollapalooza day three photo gallery below. Revisit our recaps from day one and day two, and stay tuned for our full coverage of the remainder of the festival. Advertisement [flexi-common-toolbar] [flexi-form class=”flexi_form_style” title=”Submit to Flexi” name=”my_form” ajax=”true”][flexi-form-tag type=”post_t...
Arcade Fire pick and choose their moments very carefully. It’s fitting that the Montreal band decided to release their first album in five years, the ambitious and heartfelt WE, in a pandemic-affected universe, urging us to relish in the fact that we are still, in fact, alive. It’s even more fitting that Arcade Fire began their extensive WE tour in Montreal, the band’s birthplace, at Osheaga Festival, which is celebrating its first year back since 2019. However, Arcade Fire’s appearance at Osheaga on Friday night (July 29th) was a stroke of good and bad luck: originally scheduled to headline were Foo Fighters, who cancelled all their tour dates after the untimely death of drummer Taylor Hawkins. But nabbing Arcade Fire as a replacement headliner is an excellent booking, and their pres...
The Pitch: It’s Hell Day 1988 — the waning hours of Halloween Night, and four girls are out on their paper route in a sleepy Cleveland suburb. There’s Mac (Sofia Rosinsky), the chain-smoking rebel whose haircut and leather jacket are giving 1991 Edward Furlong; KJ (Fina Strazza), the young Jewish girl from a well-off family; Tiffany (Camryn Jones), an adopted Black girl and certifiable tech nerd; and Erin (Riley Lai Nelet), the shy daughter of Chinese immigrants who just moved to town. They don’t know each other very well, but they’ll have to band together after the sky turns purple and they’re suddenly shot into the far-flung future of… 2019. Turns out they’re caught in the middle of a war between feuding factions of time travelers — the orthodox “Old Watch” and the rebellious STF, o...
The Pitch: Ben (B.J. Novak) is a guy who doesn’t necessarily have something to say, but he wants to be the type of guy who says stuff worth hearing. That’s why, despite being a working writer in New York, with publication credits including The New Yorker, what he really wants is to make a podcast. “Not every white guy needs a podcast,” producer Eloise (Issa Rae) tells him when he tries to hard-sell her on his ideas at a party, but things change when a former hookup of Ben’s ends up leading him to podcasting gold. Awakened in the middle of the night by a phone call from a stranger, Ben finds out that a girl named Abilene Shaw, who he’d slept with a few times and texted casually, has died, and her family back home in small-town Texas thinks he was the love of Abby’s life. So, after a guilt t...
If there’s been one deserving criticism of Maggie Rogers since Pharrell Williams famously likened the then-NYU student to the Wu-Tang Clan in 2016, it’s that the singer-songwriter entered the pop zeitgeist too fully formed. Sure, songs from the Maryland-born artist’s anticipated debut LP, 2019’s Heard It in a Past Life, were deftly penned — a sharp cross-section of her folk and soul-heavy upbringing and later French club obsessions. But they also were rightly dinged for being overproduced. As with so many buzzy debuts, a major label’s efforts to prove a young star’s maturity breeds contrivance. Flash forward three years, much of which Rogers spent self-sequestering on the coast of Maine, and the singer, now 28, returns Friday with Surrender, an emphatic and generally more unbuttoned sophom...
[Editor’s note: The following contains spoilers for Better Call Saul, Season 6 Episode 10, “Nippy.”] In its fourth-to-last episode, “Nippy,” Better Call Saul executed its most abrupt pivot yet. From just the title, we knew something different was in store, as a totally different naming scheme was in play (Saul does switch up its approach to episode titles from season to season, but within each season they typically remain consistent). But after seeing Saul Goodman (Bob Odenkirk) in all his sleazy glory at the end of the previous episode, “Fun and Games,” it was clear that whatever was going to come next would be a departure from the past. However, this episode, written by Alison Tatlock and directed by Michelle MacLaren, catapulted us viewers a lot further forward than we might have e...