Something I never expected to see in Dodger Stadium during Elton John’s last live concert in North America — a peek at his belly. But due to the poor fit of the icon’s first wardrobe choice (a sequined tuxedo jacket with tails, and pants that needed adjusting every time he stood up to acknowledge the crowd), at a certain point a bit of pink skin became visible through a gap in his button-down shirt. This tiny wardrobe malfunction was the only notable misstep during an intense marathon of music seeped in legacy, and it proved to be charming, in a way — a moment of human fallibility that felt all too relatable. Especially because this semi-final stop on the “Farewell Yellow Brick Road: The Final Tour” was otherwise transcendent, an invitation into the passion Elton John has for his work...
The Pitch: Several years ago, German creative/romantic partners Jantje Friese and Baran bo Odar made their mark with Netflix’s sci-fi/thriller series Dark. Centered around “A missing child [who] sets four families on a frantic hunt for answers as they unearth a mind-bending mystery that spans three generations,” it was heavily praised by critics and audiences. Thus, the roughly two-and-a-half-year wait to see what the duo would do next has been tough, to put it mildly. That brings us to their second succinctly-yet-enigmatically-titled show for the streaming service, 1899. This time, “multinational immigrants traveling from the old continent to the new encounter a nightmarish riddle aboard a second ship adrift on the open sea.” Along the way, various truths and connections are discovered ab...
The Pitch: In Season 5 of The Crown, one unifying theme stands out — being royalty is not a good time. The stately Netflix drama’s penultimate run of episodes has now clearly reached the beginning of the end, as Queen Elizabeth II (Imelda Staunton, succeeding Olivia Colman) faces her age, Prince Charles (Dominic West, succeeding Josh O’Connor) and Princess Diana (Elizabeth Debicki, succeeding Emma Corrin) face their infamous divorce, and Prince Philip (Jonathan Pryce, succeeding Tobias Menzies) faces… getting really into carriage racing. As grey and somber as ever, the fifth season continues the show’s march towards the one seismic event that will shake Britain to its core. But it takes its time, while continuing to explore both the symbolic power of the royal family — as well as the diffi...
It’s not a good sign that Blockbuster, a workplace sitcom set inside a literal metaphor for late-stage capitalism, feels the need to call out the problem with its premise seven minutes into the pilot episode. “Isn’t it ironic that the small business taking a stand against the big corporation in this scenario is actually a franchise of a once-huge corporation, named after the exact type of big corporate movies that killed off smaller movies?” Blockbuster employee Eliza (Melissa Fumero) says, as her boss Tim (Randall Park) tries to rally his underdog staff. I’m admittedly coming to the show with a bias, as a former video store clerk who spent about two and a half years behind the counter of independent stores — stores that always struggled to compete with the Walmart of the industry. But des...
[Editor’s note: The following contains spoilers for The Simpsons, Season 34 Episode 6, “Treehouse of Horror XXXIII.”] The popular attitude for decades now is that The Simpsons, Fox’s beloved, iconic, and seemingly undying animated tentpole, is past its prime — despite regular renewals year after year, as a critic there very rarely feels like much urgency in checking in on the show. However, “Treehouse of Horror XXXIII,” arriving in the show’s 34th season, is full of genuine surprises, the least of which being that the annual anthology of horror tales seems like the show has found a spark of new creative energy. Okay, it’s primarily the second two parts of the episode which inspire that statement — not that the initial story, “The Pookadook” is bad, but it’s a pretty straightforward riff on...
After an eleventh-hour cancellation on Saturday, October 22nd for high winds just moments before the gates were set to open, the debut edition of the When We Were Young festival blasted off Sunday, October 23rd, welcoming 60,000 emo and punk fans with a stacked lineup of 65 acts. The black-clad masses poured inside the Las Vegas Festival Grounds, previously home to hip-hop fest Day N Vegas, around 10:00 a.m., while winds continued to gust and the temperatures dropped well below forecast. Located at the corner of Sahara Avenue and Las Vegas Boulevard, a prime spot in the corridor between the Strip and Downtown, the famed Bonanza Gift Shop served as the backdrop of the dual Pink and Black stages, which switched off headlining acts until a stunning closing set by My Chemical Romance. Advertis...
The Pitch: A racist scavenger (Tim Blake Nelson) uncovers the ultimate score in the storage locker of a dead Nazi. A desperate grave robber (David Hewlett) gets more than he bargained for on his latest excursion. A medical examiner (F. Murray Abraham) autopsies a dead body from a mine explosion and finds a passenger hiding within the flesh. An awkward, frumpy bank teller (Kate Micucci) is tempted with the secrets of beauty by a mysterious skin cream. An art student in 1909 (Ben Barnes) grows obsessed with the horrific paintings of a strange new colleague (Crispin Glover). A desperate man (Rupert Grint) searches for his dead twin sister through the veil of spiritualism. A reclusive billionaire (Peter Weller) gathers a group of illustrious talents to view his latest otherworldly find. A...
[Editor’s note: The following contains spoilers through the Season 1 finale of House of the Dragon, “The Black Queen.”] Probably the most unintentionally hilarious part of House of the Dragon’s first season finale came at the very end, if you were watching with subtitles on: When Queen Rhaenyra (Emma D’Arcy), having just learned of her son’s death, turned away from the fire to reveal her grief-stricken face, the captions acknowledged a shift in composer Ramin Djawadi’s score like so: [Vengeful music plays]. It was funny because the captions really didn’t need to say anything — D’Arcy’s face said it all. It was all a jaw-dropping capper to a largely gripping season of television, because as we come to the finale, it can be said: If the goal was to create a new series that would please even ...
The Pitch: David (George Clooney) and Georgia (Julia Roberts) are two hugely successful, extremely divorced people, with 19 years of bitter animus between them. In fact, the only times they even see each other are for the major milestones in the life of their daughter, Lily (Kaitlin Dever), and even then they can’t help but snipe at each other through forced smiles. But they’re forced back into each other’s orbits when Lily shacks up with a handsome seaweed farmer (model Maxime Bouttier) on her post-graduation trip to Bali, and invites them to her whirlwind wedding on the Indonesian island paradise. Recognizing that throwing her career away for idle island living and a guy she’s just met is a Bad Idea, the two plot to sabotage the wedding from the inside. Along the way, though, t...
The Pitch: Thousands of years ago, in the fictional Middle Eastern kingdom of Kahndaq, an evil king enslaved his people to mine for a precious ore. One young boy rose up to challenge the king, and his bravery was noticed by some wizards with the ability to grant the pure-of-heart awe-inspiring powers. (Cool idea for a superhero origin — definitely sounds familiar.) Stories about what happened to the boy once he was able to harness those powers and defeat the king are vague, but the resulting hero, known as Teth Adam (Dwayne Johnson), was not heard from again. Until the present day, that is, a time when Kahndaq is largely under the control of outside mercenaries who are also trying to mine for the unobtanium vibranium adamantium eternium there. Despite their strict control, the mercenaries ...