Reviews
Paul T. Goldman Is Hard to Describe, Impossible to Forget, and One Wild Ride: Review
The Pitch: “In 2012, a man named Paul T. Goldman tweeted at me,” is how director Jason Woliner (Borat Subsequent Moviefilm, Nathan for You) begins a note to the press about his new Peacock series. “He said that he had an incredible story to tell and had written a book – and a screenplay – about it. He asked for my help bringing it to the screen.” Ten years later, Woliner has done exactly that — though the form this story has taken probably wasn’t what Paul T. Goldman anticipated. Instead, the series is less a shocking tale of sex and crime and more a fascinating portrait of a man and his ambitions: his desire for fame, for revenge, or maybe just being seen. And seen he is, through a lens that is alternately dark, strange, bizarre, and, more often than not, very funny. Pieces of a Man: In t...
Whitney Houston Comes to Life (At Least On Stage) In I Wanna Dance With Somebody: Review
The Pitch: In 2012, America lost its Voice — Whitney Houston, the once-in-a-generation pop music icon, tragically died at the too-young age of 48. She was on the verge of a comeback after a stint in rehab, haunted by the twin specters of drugs and expectation; that we never got to see that beautiful second act makes her passing all the more tragic. In the meantime, we’ve got the songs and story Whitney left behind, and Kasi Lemmons’ I Wanna Dance with Somebody (or, as Sony’s SEO-focused title change goes, Whitney Houston: I Wanna Dance with Somebody) tries to stuff that into a two-and-a-half-hour speedrun of her life and career, featuring Naomi Ackie as the tragic figure. We see her early days as a gospel singer, groomed for greatness by her ambitious mother Cissy (a perfectly-balance...
The Recruit Review: Netflix’s Spy Thriller Asks Too Much of Noah Centineo
The Pitch: Owen Hendricks (Noah Centineo) is a fresh-faced, 24-year-old lawyer at the CIA’s Office of the General Counsel, and though he’s only been there for a couple of weeks, he finds himself way in over his head, beginning with an investigation into an already chaotic “graymail” attempt on the CIA. by Maxine Meladze (Laura Haddock). A former asset and CIA spy who was stationed in her native Belarus, Meladze is imprisoned in Arizona when Hendricks takes her case, and she threatens to reveal incriminating evidence against the CIA unless Hendricks can get her out of prison and back home to Europe. It’s a lot to ask for the relatively inexperienced Hendricks, who claims to have a passion for law but frequently finds himself jumping straight into the deep end, navigating murderous mobsters,...
Damien Chazelle’s Babylon Proves He Loves and Hates the Art of Cinema: Review
The Pitch: It’s 1926, and the movie business is a-boomin’. If you’re on top, you ride along with big-time movie producers to glittery bacchanals out in the California desert, uninhibited orgies stuffed with ticker tape, booze, cocaine, and elephants trudging through the masses of people. If you’re not, well, you sneak in anyway and hope for your big shot. It’s at one of these parties that we meet six figures who represent the end of one era and the beginning of another: Jack Conrad (Brad Pitt), a silent film star whose shine is wearing off after decades in the biz; Nellie LaRoy (Margot Robbie), a hard-partying Jersey girl desperate to make it in the pictures; and Manny Torres (Diego Calva), a hustling assistant climbing the ladder one ludicrous favor at a time. There’s also Elinor St....
Emo’s Not Dead Cruise Proves It Wasn’t Just a Phase: Recap, Photos and Video
With the onslaught of reunion tours and themed festivals that have popped up since the pandemic has simmered down (but let’s be honest, has it?), it only seemed right to throw in a scene fest amongst the jam bandy, stadium rock gatherings we’ve been seeing. There was When We Were Young, its own little toe dip into devotion of an era when Hot Topic was still kind of cool, but why see burned CD classics on land? How 2019 of us. Thankfully, scene king Matt Cutshall took his “emo’s not dead” bit to the shallow seas (we sail) with a freaking cruise… and it was awesome. The inaugural Emo’s Not Dead Cruise was a bit of curveball. Emos and water? Here’s where you’d insert a joke about turning the ocean black with our tears. Yet, something about it just… worked. From acoustic sets to bands playing ...
Guillermo Del Toro’s Pinocchio Breathes New Life Into the Classic Fable: Review
The Pitch: 2022 has really seemed like The Year of Pinocchio. While the original 1883 Italian novel by Carlo Collodi has had its fair share of adaptations over the years (from classic Disney delights to, well, Pauly Shore in middle-aged twink mode), this year saw new takes on the material from two of cinema’s most acclaimed directors. But where Robert Zemeckis’ retelling felt morbid and soulless, master of the macabre Guillermo del Toro returns to gift us with a version that hits the classic beats of the fable, while slotting it handily into the concerns and aesthetics the director has pursued his entire career. The lumber is the same, but the construction is quite different: Pinocchio (the cherubic Gregory Mann) is still the wooden boy whittled into existence by old carpenter Geppett...
With Indigo, RM Makes Fleeting Moments Feel Permanent
The album cover of RM’s Indigo includes artwork by Korean artist Yun Hyong-keun, a painter known for meditative, contemplative pieces characterized by splashes of umber and ultramarine. While the contemporary paintings are relatively minimalist, they’re technically complex, and all the more layered considering the artist was a bold, persistent figure who survived one of the most turbulent and traumatic periods in South Korea’s history. The streaming press preview of Indigo included extensive notes on the record; it’s there that Yun Hyong-keun is noted as RM’s favorite painter. RM, who was born Kim Namjoon, is the leader of BTS, the biggest pop group on the planet. He’s also a vocal supporter and passionate collector of contemporary art, particularly interested in elevating work by South Ko...
Willow Review: Fantasy Television That’s Here For a Good Time
The Pitch: It’s been quite a time for super-serious sci-fi and fantasy epics, as anyone who’s attempted to keep up with House of the Dragon, The Lord of the Rings: The Rings of Power, The Sandman, and many, many other shows will tell you. But here comes Disney+’s Willow, with a modern rock song in its heart, a young hot ensemble ready to jump into action, and its own take on swords and sorcery to share. Willow? You Mean Three-Time MTV Video Music Award Nominee Willow, Don’t You? Okay, as a longtime fan of the 1988 film Willow, a person who has spent a lifetime yelling “What do you mean, you haven’t seen Willow?” at people… I know that there’s a good chance that most people are not familiar with the original Ron Howard-directed fantasy adventure. So here’s the deal: In the original movie (w...
Little America’s Second Season Offers a Much-Needed Dose of Optimism: Review
The Pitch: It’s often very difficult to feel optimistic about the general state of things in this country. For people who have grown up and lived through crisis after crisis, the many who were thrust into unsteady job markets and a Sisyphean uphill battle of debt and financial instability, the elusive American Dream sounds like just that — a dream. For the particularly vulnerable, like people of color and members of the LGBTQ+ community who face a rapid increase in life-threatening rhetoric, there’s an intersectionality to the frustration and fear that can accompany everyday life in the US. While film and television aren’t an immediate salve for wide-reaching systemic issues, stories do matter, as does representation. Little America, the Apple TV+ anthology series developed by Le...
The Guardians of the Galaxy Holiday Special Is Sweet, Slight, and (Kevin) Bacon-Flavored: Review
The Pitch: Did you know that in Britain, there’s a long and proud tradition of ongoing series putting out special episodes for the holidays? More often than not, they’re even broadcast on Christmas Day, when it seems that entire nation turns into couch potatoes. In America, though, our more couch potato-y holiday happens to be Thanksgiving, and our biggest ongoing series happens to be the Marvel Cinematic Universe. Thus, this week’s release of The Guardians of the Galaxy Holiday Special feels pretty apt. Clocking in at 42 minutes (including post-credits scene), James Gunn’s breezy holiday confection offers a little bit of set-up as to where the titular Guardians, including Peter Quill (Chris Pratt), Mantis (Pom Klementieff), Drax (Dave Bautista), Nebula (Karen Gillen), Rocket (Bradley Coop...
Andor Season 1 Told the Star Wars Story We Need for Times Like These
[Editor’s note: The following contains spoilers through the Season 1 finale of Andor.] A lot of major plot points are packed into the Season 1 finale of Andor, but really, one of the year’s most powerful episodes of television came down to a speech from a dead woman. Fiona Shaw’s work was the definition of Emmy-worthy in the back half of the season, as Cassian Andor (Diego Luna)’s adoptive mother, fully aware that she was nearing the end of her days, became fully committed to one goal: doing whatever she could to combat the rise of the Empire. Her passing in Episode 11, as seen from the point of view of her loyal droid B2EMO, was already a heartbreaking moment for the show — the childlike sadness of “I want Maarva” jerking tears from anyone who’s ever lost a loved one. But then came her sp...
The Smile Prove They Aren’t Just a Radiohead Side Project at New York City Show: Recap + Setlist
Thom Yorke and Jonny Greenwood are many things, but flashy certainly isn’t one of them. Along with drummer Tom Skinner of Sons of Kemet, the two Radiohead members quietly re-emerged together earlier this year as The Smile. The trio released their debut album, May’s A Light for Attracting Attention, with relatively little press or social media promotion surrounding it; as with most good things involving Radiohead, the music speaks for itself. With the exception of Greenwood’s prolific output of consistently beautiful film scores, even the most ardent fans would have to admit that many Radiohead members’ side projects (solo endeavors, the Flea-featuring supergroup Atoms for Peace) have up to this point typically paled in comparison to their main band’s discography. But when Yorke, Greenwood,...
