Universal Music Group is relaunching EMI Records, the iconic British record label which UMG acquired for $1.9 billion in 2012. As part of the relaunch, UMG’s Virgin EMI is renamed EMI Records, effective immediately. The Virgin Records imprint will continue under the new EMI Records banner. At the helm is newly-appointed EMI president Rebecca Allen, a 20-year UMG veteran and former Billboard Women In Music honoree. Closely associated with the British pop movement of the 1960s, EMI’s star-studded roster in the UK in the ’60s and ’70s included The Beatles, Marvin Gaye, Stevie Wonder, Diana Ross and the Supremes, the Jackson Five, The Temptations and Smokey Robinson. EMI continued to be home to the UK’s top music stars in the 1990s, when it signed acts l...
The new outposts, in Tel Aviv and Casablanca, continue the arms race among the labels of overseas resources sniffing for new talent. After broadening its footprint in Asia in 2019, Universal Music is continuing its global expansion with new offices in Israel and Morocco, marking the label as the first major music company to open standalone operations in either country. The new outposts in the Middle East and North Africa will add to UMG’s existing network of A&R and marketing in more than 60 countries. UMG Morocco will be based in Casablanca, while the Israel office will operate out of Tel Aviv. The moves come one month after Universal officially opened a new hub for hip-hop label Def Jam Africa based in Johannesburg, South Africa, and Lagos, Nigeria. And the push into North Africa and...
A flurry of copyright takedown notices hit Twitch users last week, causing a storm on social media. Here’s what’s really going on and what to watch for next. Over the last week, users on gaming-focused livestream platform Twitch received a sudden flurry of takedown notices for clips of old videos using unlicensed background music. The more than 2,500 notices — which the RIAA filed on behalf of rights holders for recordings including Ariana Grande’s “7 Rings” and DNCE’s “Cake By The Ocean” — caused a storm on social media, with users complaining on Twitter they felt blindsided by the requests, some for clips dating as far back as 2017. Contrary to some users’ claims, Twitch’s Music Guidelines — which explicitly prohibit users from incorporating music into their streams wit...
In the wake of international protests against the death of George Floyd and other Black men and women at the hand of police officers, BMG has committed to action. And timeframes. One week on from “Black Out Tuesday,” BMG has set out its stance on racism and inequality. The music company circulated a message to thousands of its artists and songwriters with a pledge: “We need to play our part in addressing historical injustices inflicted on black people.” Mindful of the music industry’s “record of shameful treatment of black artists,” the message reads, “we have begun a review of all historic record contracts. If any inequities or anomalies are found, BMG will create a plan to address them within 30 days.” BMG also promises to address diversity within its workplace. “...
Former Apple Music executive Austin Daboh is moving over to Atlantic Records UK as executive vp, parent company Warner Music UK (WMUK) announced Tuesday (June 9). As Apple Music’s head of editorial for the UK and Ireland, Daboh oversaw the streaming platform’s playlist ecosystem, developing the Agenda brand which built out playlists with live concerts and immersive marketing initiatives. In his new role at Atlantic UK, he will be responsible for signing and developing domestic artists, and will join the WMUK leadership team. He’ll also work with Atlantic Records in the U.S. to “break the label’s black music roster in the UK,” according to a press release. Daboh will report to Atlantic co-presidents Ed Howard and Briony Turner, reporting more broadly...
On June 2, the music industry will unite for “Blackout Tuesday”—a day to disconnect from work and reconnect with the community—but most importantly, as a call-to-action to end racial injustice and police brutality. “As gatekeepers of the culture, it’s our responsibility to not only come together to celebrate the wins, but also hold each other up during loss,” reads a statement that’s being circulated under the hashtag #TheShowMustBePaused. In response to the recent murders of George Floyd, Breonna Taylor, Ahmaud Arbery and countless other Black citizens at the hands of police, the initiative was created by music executives Jamila Thomas and Brianna Agyemang, “two Black women in music in observance of the long-standing racism and inequality that exists from the boardroom t...
Expanding its strategy to build a multi-label structure, Big Hit is now the largest shareholder of PLEDIS Entertainment. South Korea-based powerhouse Big Hit Entertainment has become the largest shareholder of record label PLEDIS Entertainment, home to K-pop superstars Seventeen and NU’EST, it was announced Monday. Under the terms of the deal, PLEDIS will retain its independence as a label, though its artists will now receive support from Big Hit’s business entities and support organizations to expand their reach into overseas markets — similar to the way Big Hit turned boy band BTS into a top-charting phenomenon across the globe. The PLEDIS deal is the latest move in Big Hit’s strategy to expand its multi-label structure following the company’s acquisition of Source Music last ...
In China, virtual tipping provides a widespread, legitimate revenue stream for artists. Some think the pandemic will help (finally) normalize the practice Stateside. Andy Bothwell, a Brooklyn-based artist who performs under the moniker Astronautalis, has an online hub that lists links to his music, social media accounts and merch site. But after the coronavirus pandemic cut off the touring income he relies on to pay his bills, he added two new links to the top of the list: His Cash App and Venmo accounts, allowing fans to send him money directly. “I’m curious to see if I keep it there,” he says. His decision is more than a curiosity. As the pandemic has shut down economies across the globe, many artists are asking fans directly for cash — and music companies like SoundCloud and Spoti...
“Any new service that Big Hit will present all starts from our business philosophy of ‘What content will fans enjoy the most?'” A decade into his tenure at Big Hit Entertainment, Lenzo Yoon is gearing up for some big moves — both in the company and in his personal life. One of the biggest takeaways of last week’s executive changeups at Big Hit Entertainment — the South Korean label home to the record-breaking BTS, Tomorrow X Together and GFriend — came in co-CEO Lenzo Yoon’s expanding his role to Global CEO and soon leading from the United States. The move not only pointed to a more global outlook for the company (which had its biggest year ever with a record $500 million in revenue in 2019), but also that it was official...
Nearly 60 artists in 15 countries participated in the Sony Latin festival. It started as a conference call in the middle of the pandemic. Everyone was on lockdown, but everyone had been doing livestreams and podcasts and performances from home. What could Sony Music Latin Iberia do that was unique and involve different artists? “We felt a full-on festival was something that hadn’t been done,” says Ruben Leyva, senior vice president of artist services and premium content for Sony Music U.S. Latin. By “festival,” Leyva of course meant some sort of livestream of musical performances, as well as featuring artists doing everyday things like cooking and working out. The label then sent asks to artists throughout Sony’s Latin territories, asking for a performan...
At 17, pop artist Pia Mia (born Pia Perez) was a fresh Los Angeles transplant from Guam — and landed her first recording contract with Interscope in 2013. “I was an Island girl, basically out here alone navigating Hollywood, trying to figure out the music industry and how am I going to make my dreams a reality,” she recalls. “It was just a lot to deal with.” Through the label, she released one EP, 2013’s The Gift, but it was her R&B-influenced pop single “Do It Again,” that arrived two years later and featured Chris Brown and Tyga, which helped her reach a much larger audience and score her Hot 100 debut (the track peaked at No. 71). In spite of her momentum, though, she faced a series of delays for her following project and as a result, decided to pursue her career as an independent a...