The Lowdown: In 2014, London-born Sam Smith broke big into US pop with two singles: “Latch”, a compellingly histrionic soul-EDM track with Disclosure; and “Stay with Me”, a choir- and piano-backed, naked plea for momentary companionship. These hits reflect Smith’s twin signatures as a performer: the spectacular power of their distinctive voice and the effortlessness with which they plumb vulnerability. On their third full-length album, Love Goes, Smith delivers more of these familiar, emotional-pop crescendos designed to soundtrack sentimental feelings on and off the dancefloor. However, in the midst of personal transformations, this collection of tracks reflects a shifted perspective: The singer doesn’t cry out for their love to return, but instead watches, with a kind of acceptance, as i...
The Lowdown: Finally, Ariana Grande answers the question we were all asking: what would it sound like if a 1940s film star woke to find herself in the 21st century, carved out her own corner of pop music, adopted the world’s most recognizable ponytail, and gathered her soaring vocals and stacked harmonies into an exploration of modern love? Positions, Ariana Grande’s sixth studio album, is a journey. It’s not so much a departure from her two most recent entries, Sweetener and thank u, next, as it is an amalgamation of those works with her lauded and beloved Dangerous Woman. It’s certainly her most explicit album to date, but her musings on romance, lust, longing, and heartache have never sounded more at home than on this orchestral yet beat-heavy record. It’s daring. It’s showy. It’s wildl...
Xenia Rubinos has returned with a new song called “Who Shot Ya?”. Following last year’s singles “Diosa” and “Bugeisha”, and this past April’s collaboration with Helado Negro, “Who Shot Ya?” serves as only Rubinos’ third release since dropping her Black Terry Cat album back in 2016. “Who Shot Ya?” includes stark yet glistening production, fluttering Auto-tune, and a choppy chorus that features the phrase “Get it”, delivered like a righteous demand. Our former CoSign definitely has her own unique style, but artists like FKA twigs and Empress Of are reasonable reference points for her artful yet enveloping breed of experimental R&B. Lyrically, the new single touches on a number of racial justice topics that have dominated the discourse throughout 2020 — from police brutality and our ...
The Weeknd has literally lost his head in the gory new music video for the After Hours cut “Too Late”. As it happens, the artist born Abel Tesfaye isn’t the only character in “Too Late” who suffers from neck-connectivity issues. Then there are the female protagonists — err, antagonists? — who begin the video driving home from a rousing session of plastic surgery. They spend all their time wearing elaborate face bandages (and little else) so it’s almost as if they, too, are missing their craniums. The plot developments are disturbingly raunchy, extremely graphic, and almost certainly NSFW. Altogether, watching “Too Late” is like an R&B twist on Washington Irving; call it The Headless Hoes, Man. The video was directed by Cliqua, and you can check it out below. The Weeknd c...
Next month, English indie rocker Marika Hackman will release a new covers album featuring takes on Radiohead, Grimes, Sharon Van Etten, and more. As a preview of the simply titled Covers, Hackman is now sharing her version of the 1997 Elliott Smith song “Between the Bars” and Beyoncé highlight “All Night”. “When it comes to covers, I like to pick songs which I have been listening to obsessively for a while,” the 28-year-old Londoner noted in a statement. “It gives me a natural understanding of the music, and lets me be more innovative with how I transform it.” Hackman just might be underselling herself with the word “innovative”, as her reworks of Smith and Queen Bey are quite remarkable. And not just for their unique arrangements, but also the fact that such contrasting covers somehow exi...
20-year-old British singer Arlo Parks has announced her debut album Collapsed in Sunbeams. It arrives January 29th, 2021, and to herald its release, she’s shared the new single “Green Eyes”, featuring vocals from Clairo. Parks has developed a reputation as your favorite songwriter’s favorite songwriter, with co-signs from Billie Eilish, Phoebe Bridgers, and Florence Welsh. Her breathy voice and sensitive lyrics create an atmosphere of vulnerability. To listen to her songs is to be transported to a specific place and time: listening to a friend’s problems over Taco Bell, or trying to get a depressed person out of their bedroom. That immediacy is why her first album-length statement has developed such a buzz. In a statement, Parks explained the goals for Collapsed in Sunbeams,...
Ghostwriter turned solo artist Tayla Parx has shared the new song “Residue”. It’s the latest single from her forthcoming album Coping Mechanisms, which drops on November 20th. After penning hits for Ariana Grande, BTS, Janelle Monáe, and Panic! at the Disco, Parx experienced a breakthrough in 2019 with her debut album We Need to Talk. But success comes with stress, and as the title of Coping Mechanisms implies, the songwriter has spent the last year working on herself. “Residue” wrestles with unhealthy attractions. Parx sings, “Baby you’re a thought/ A thought that’s stuck to me like glue/ No matter what I do/ You leave your residue (doo doo).” In a statement, she explained the impetus to write “Residue” and analyzed her own “avoidant” behaviors. She said, ‘It’s about one of thos...
The Weeknd’s “Blinding Lights” may be one of the best songs of 2020, but it’s the After Hours single “In Your Eyes” that’s extra sax-y — quite literally. Today, the R&B superstar has shared a new remix of “In Your Eyes” featuring the one and only saxophone legend Kenny G. The unlikely collaborators first debuted a version of this rework at last month’s TIME 100 event, where The Weeknd was honored as one of TIME’s 100 Most Influential People of 2020. While that live rendition saw Kenny G lend a silky instrumental outro, this official studio release of the remix features two additional solos from the jazz musician and Kanye West associate. We never would have guessed we’d be mentioning The Weeknd and Kenny G in the same breath — they each offer their own very different vision of “sexy mu...
Even as he enters his seventh decade on this planet, Stevie Wonder continues to reinvent himself. The legendary singer-pianist has launched his own record label, So What’s the Fuss Music, which he’s christening today with the release of two new songs. After spending his entire career with Motown Records, Wonder launched So What’s the Fuss Music in partnership with Republic Records. The label takes its name from Wonder’s 2005 collaboration with Prince. For the label’s inaugural release, Wonder has dropped a two-song single. The first, “Can’t Put It in the Hands of Fate”, features contributions Rapsody, Cordae, Chika, and Busta Rhymes. The second, “Where Is Our Love Song”, is a collaboration with Gary Clark Jr. Both songs were made with the hope of providing “instruction and inspiration...
Fans had to cool their heels for five years between 2014’s LP1 and 2019’s MAGDALENE, but the wait for FKA twigs’ third album is already nearing its end. In a recent interview, the British songwriter said that she made a “whole album in quarantine.” The news came in conversation with Scott Goldman as part of the Grammy Museum’s Programs at Home. Early on in the pandemic, twigs acknowledged “struggling a little bit to find my rhythm.” A professional dancer before she was a professional musician, twigs missed going to dance studios and pushing her body to its limits. But she eventually settled in, finding a songwriting routine over FaceTime. She explained, “In the beginning of the quarantine I was struggling a little bit to find my rhythm, because I love to train, I love to go to da...
Over the summer, Kali Uchis shared the Rico Nasty collaboration “Aquí Yo Mando”. The track found Uchis singing mostly in Spanish for the first time, and it looks like we can expect a lot more bilingual lyrics from the Colombian-American artist. She’s today shared “La Luz”, the second single from her forthcoming sophomore full-length, which is said to be “her first Spanish language project.” “La Luz” — which translates simply to “the light” — features a guest verse from Puerto Rico singer-songwriter Jhay Cortez alongside production from Tainy. The Latin vibes are strong with this one, bouncing slowly on a sweaty beach groove. Like “Aquí Yo Mando” before it, the track finds Uchis making it very clear who’s in control. “You or if it’s not me/ We’re going to turn the lights off/ And we’re goin...
It’s been a full decade since Sade released a new album. Now, as 2010’s Soldier of Love hits its 10th anniversary, fans will get a chance to revisit it alongside the band’s entire discography in the new This Far vinyl box set. Arriving October 9th through Sony Music, This Far features every Sade album released, well, this far: Diamond Life (1984), Promise (1985), Stronger Than Pride (1988), Love Deluxe (1992), Lovers Rock (2000), and Soldier of Love. But this isn’t just any set of standard reissues, as the music underwent a unique remastering process. It all began at the legendary Abbey Road Studios, where Sade worked alongside frequent co-producer Mike Pela and engineer Miles Showell to make digital transfers of the original stereo master mixes. Those mixes were then put into a restored N...