R.E.M. is a hard act to follow, which explains why drummer Bill Berry has never been in another full-time band since his 1997 departure — until now. Berry has teamed with Five Eight’s Mike Mantione in The Bad Ends, whose debut album, The Power and the Glory, will be released Jan. 20 on New West Records. The Bad Ends are rounded out by bassist Dave Domizi, keyboardist Geoff Melkonian and guitarist/mandolinist Christian Lopez. The project was initially a means to work on songs for a potential Mantione solo album, but a run-in with Berry in their shared home base of Athens, Ga., led to a series of jam sessions and a pivot to a group project. “In very early 2017, a chance pedestrian encounter in downtown Athens found me face to face with one Mike Mantione,” Berry recalls. “At that point it had...
Four years ago, Cuban-born musician Hector Tellez Jr. was living in Havana: playing local clubs several nights a week, delivering passionate performances of well-oiled melodic blues rock. His style, merging the grit of Muddy Waters wailing on electric guitars with the tender-hearted yet mysterious air of Jeff Buckley, was not always welcomed by the locals, however. “In Cuba, it’s a Spanish language country, so I struggled a bit singing rock songs in English,” Tellez Jr. tells SPIN on a recent FaceTime video call from a friend’s backyard, looking every bit the brooding rocker, save for some frequent smiles. He’s wearing a cut-off muscle tee that shows off a few tattoos and a pair of round-rimmed sunglasses that look straight out of the John Lennon playbook. “There were a lot of naysayers, p...
R.E.M.‘s Peter Buck and Soundgarden’s Kim Thayil joined the reunited The Black Crowes at their show in suburban Seattle at Chateau Ste. Michelle Winery Amphitheatre on Tuesday. Buck joined the band for a cover of “The One I Love,” and was joined by Thayil for a cover of The Velvet Underground‘s “Rock & Roll.” The show was the latest stop on the reunited Robinson’s tour. They’re playing their biggest hits and songs from their debut album, Shake Your Money Maker. Future dates include stops in Santa Barbara, Denver and London. The Crowes also just announced that they’ll be playing in Japan in November You Deserve to Make Money Even When you are looking for Dates Online. So we reimagined what a dating should be. It begins with giving you back power. Get to meet Beautiful peo...
R.E.M. will celebrate the 40th anniversary of its classic, five-song debut EP, Chronic Town, by releasing it as a standalone CD for the first time in the U.S. on Aug. 19 via I.R.S./UMe. Augmented by extensive new liner notes from original producer Mitch Easter, the project will also be available on picture disc vinyl and cassette and can be pre-ordered here. Chronic Town was recorded in October 1981 at Easter’s Drive-In Studios in Winston-Salem, N.C., a few months after the release of R.E.M.’s debut single, “Radio Free Europe.” The EP introduced R.E.M.’s distinctive early sound to the wider world on staples such as “Gardening at Night,” “Wolves, Lower” and “1,000,000,” setting the stage for the band’s debut full-length, Murmur, in April 1983. “There is a certain spare, almost live quality ...
R.E.M.’s Peter Buck and Mike Mills are in the studio with producer Mitch Easter for the first time in more than 30 years, according to a Twitter post. The musicians are recording a new album at Easter’s Fidelitorium Recording studio in Kernersville, N.C., with The Baseball Project, their long-running group featuring former R.E.M. sideman Scott McCaughey, The Dream Syndicate’s Steve Wynn and drummer Linda Pitmon. Easter produced R.E.M.’s 1981 single “Radio Free Europe” and its 1982 debut EP, Chronic Town, at his Drive-In studio in Winston-Salem, N.C., and went on to produce the group at other area studios for its 1983 full-length debut Murmur and its 1984 follow-up, Reckoning. Easter has been working out of Fidelitorium since the mid-1990s and has consulted on anniversary reissue editions o...
In further celebration of R.E.M.‘s recently released New Adventures in Hi-Fi 25h Anniversary Edition, the iconic rockers just released a newly HD-restored video for “Electrolite.” [embedded content][embedded content] “Electrolite” is the closing track of the band’s September 1996 release, the 14-track New Adventures in Hi-Fi. The record’s 25th anniversary edition was released on October 29 this year, via Craft Recordings. “‘Electrolite,’ I didn’t want to put it on the album, I didn’t think it was good enough,” frontman Michael Stipe said in NAIHF‘s liner notes. “I thought it was simplistic and obvious, and I didn’t see the beauty or the poetry in it. And of course later I realized what an astonishing song it is. But it took me a while to come around to that.” The band previously ...
Vinyl sales have gone up 94% this year, according to a report by the RIAA. That helps the massive flux of reissues that dotted the fall. But that’s not the good news. What really makes this column hum remains the variety of choice titles that are released on CD, and sales of that sturdy little plastic silver disc went up 44% in the first half of 2021 as well. And with the slew of choice archival titles that dropped like so many acorns across the autumn landscape, both formats will certainly be seeing a significant bump in those numbers as the holiday season closes in. Now let’s get into it. Here are the best reissues of Fall 2021. Violent FemmesWhy Do Birds Sing? Expanded Edition (Craft Recordings) For a lot of kids who came of age in the 1980s, the first real taste of college rock came co...
It’s been 25 years since alt-rock legends R.E.M. released their tenth album, New Adventures in Hi-Fi. To celebrate, the band is reissuing the album, featuring b-sides, rarities, previously unreleased video footage, archival photos and more via Craft Recordings. New Adventures is the tenth studio record by R.E.M. and is widely accepted by fans and the band as one of its greatest records. One of the best-selling albums of 1996 includes “E-Bow the Letter” (featuring Patti Smith), “Bittersweet Me,” and “Electrolite.” A group whose fans consist of dad rockers and grunge teens alike, the hardcore listeners can also enjoy an alternative version of “Leave.” Lead singer Michael Stipe said in a statement that “I actually might prefer this version to the one that’s on the record… Well, I wouldn’...