Publishing
Publishing Briefs: Rodney Jerkins Puts Hipgnosis Under His Spell, Primary Wave Acquires Stake in Devo
Hipgnosis Songs Fund Limited has acquired the 982-song music catalog of four-time Grammy winner Rodney “Darkchild” Jerkins, who under the terms of the deal will also join Hipgnosis’ Investment Adviser’s Advisory Board. The agreement includes 100% of Jerkins’ writer’s share of income for his early works and 100% of his publishing interest and writer’s share of income for his later works. Jerkins’ long list of hits includes tracks for Mary J. Blige (“I Can’t Love You”), Brandy (“The Boy Is Mine”), Whiney Houston (“It’s Not Right But It’s Okay”), Destiny’s Child (“Say My Name”), Beyoncé (“Déjà Vu”), Spice Girls (“Holler”/”Let Love Lead the Way”), Michael Jackson (“You Rock My World”), Sam Smith (“Stay With Me”), Lady Gaga (“Telephone” feat. Beyoncé), Jennifer Lopez (“If You Had My Love”), Jus...
Alice Ivy Signs Global Publishing Deal With Concord, Native Tongue
Alice Ivy has struck a new worldwide publishing deal through a joint venture with Concord Music Publishing and Australian independent publisher Native Tongue. “Publishing is something I’ve taken my time with,” said Ivy of the new arrangement, which is effective immediately. “I wanted to hold off until I’d matured as a songwriter and a producer and wait for the right partners to come along. Between the team at Native Tongue, who’ve always looked out for me, and my new family at Concord, it feels like the best possible set-up for me at this exciting stage in my career. When it came down to it, they asked what I was looking for and I said, ‘I want to be jumping on planes and writing music every day’ and they said, ‘we can do that.'” The Melbourn...
DOJ Workshop on ASCAP & BMI Consent Decrees Lays Out Key Issues With Heavy-Hitter Speakers
Pharrell Williams, LeAnn Rimes, top executives from the performing rights organizations and other leading trade groups all spoke at Tuesday’s session. At the top of Tuesday’s (July 28) Department of Justice public workshop regarding the federal consent decrees that govern ASCAP and BMI, assistant attorney general for the antitrust division Makan Delrahim laid out the main focus for the two-day hearings and panel discussions: competition. Or more specifically, as he put it, “Competition for the benefit of the American consumer, competition for the benefit of innovation and competition for the benefit of songwriters, composers and artists.” That set the tone for four hours’ worth of discussion on the potential review, which was undertaken by the DOJ as part of i...
Halsey’s ‘Without Me’ Wins Song Of the Year at BMI Pop Awards; Khalid & Post Malone Share Songwriter of the Year
“We look forward to celebrating with everyone in person at next year’s ceremony,” said BMI’s Barbara Cane. “Without Me,” which was co-written by BMI writers Halsey and Delacey, was awarded song of the year at the 68th annual BMI Pop Awards. The single reached No. 1 on the Billboard Hot 100, becoming Halsey’s first No. 1 as a lead artist. It’s also the first song that Halsey wrote under her given name, Ashley Frangipane. Khalid and Post Malone shared the award for songwriter of the year at the event, which, due to the COVID-19 pandemic, was held virtually. Both singer/songwriters co-wrote four of BMI’s top-performed songs of 2019 — in each case, three songs on which they were the lead (or co-lead) artist and one on which they were the featured artist. Khalid sc...
Executive Turntable: Royalty Network Names Black Empowerment Advisory Council, Grand Hustle Founder Launches Music Incubator
Indie publisher The Royalty Network has launched Black Empowerment Thru Music, a new program designed to connect emerging black musicians, producers, songwriters and entrepreneurs with music industry leaders. As part of the initiative, the company is now inviting professional and established musicians, artists, attorneys, songwriters and others to get involved in the effort in a multitude of ways – whether by providing free studio time, financially supporting designated organizations, donating instruments to schools, matching grants or mentoring, among other activities. A number of established industry players have signed up to serve on the Black Empowerment Thru Music advisory council, including artists stic & M-1 of hip-hop duo dead prez, producer Darien Bankhead, entrepreneur and ex...
BMI Announces Winners of 2020 Film, TV & Visual Media Awards
The winners of BMI’s 36th annual Film, TV & Visual Media Awards were announced Monday (June 15) across the organization’s social and digital platforms. Honorees — who were awarded for their work on the top-performing films, TV shows and other visual media from the previous year — include composers Tyler Bates, Hildur Guðnadóttir, Atli Örvarsson, Mike Post, Mac Quayle and Brian Tyler. Örvarsson was the top winner this year, with a total of five awards (known as “crystals”) for his work on TV series including Chicago P.D., Chicago Med, Chicago Fire, FBI and FBI Most Wanted. Elsewhere, Tyler, Quayle and Bates received three apiece. Tyler won for his work on Hawaii Five-0, Magnum P.I. and Yellowstone; Quayle won for 9-1-1, 9-1-1: Lone Star and American Horror Story;...
Twitch Users Are Getting Takedown Notices En Masse for the First Time: Here’s Why
A flurry of copyright takedown notices hit Twitch users last week, causing a storm on social media. Here’s what’s really going on and what to watch for next. Over the last week, users on gaming-focused livestream platform Twitch received a sudden flurry of takedown notices for clips of old videos using unlicensed background music. The more than 2,500 notices — which the RIAA filed on behalf of rights holders for recordings including Ariana Grande’s “7 Rings” and DNCE’s “Cake By The Ocean” — caused a storm on social media, with users complaining on Twitter they felt blindsided by the requests, some for clips dating as far back as 2017. Contrary to some users’ claims, Twitch’s Music Guidelines — which explicitly prohibit users from incorporating music into their streams wit...
NMPA Touts Cross-Industry Legislative Cooperation, New Friendship With Peloton & More at Annual Meeting
Kicking off the National Music Publishers’ Association’s annual meeting Wednesday, the organization’s president and CEO David Israelite applauded RIAA CEO Mitch Glazier for his leadership in pulling together around 65 music trade groups to lobby Congress for CARES Act relief for self-employed music industry workers. Glazier himself applauded the industry for coming together and noted that in times of tragedy, artists are quick to respond, playing live concerts to raise money for any number of worthy causes. “But sometimes they are not so good at raising money for themselves” in their own time of need, he said. Israelite also pointed out the industry was forced to respond to California’s AB5 law, which was enacted to try and protect gig economy workers. That law, however, would have created...
NMPA Annual Meeting Celebrates Continued Publishing Growth, Warns of Pre-Pandemic Threats
The National Music Publishers’ Association announced its fifth consecutive year of increased revenues, while noting the industry’s high-stakes legal cases still ahead. The National Music Publishers’ Association’s annual meeting was held virtually Wednesday (June 10) due to COVID-19, where president and CEO David Israelite reminded membership that music publishing is still facing pre-pandemic threats to its business. Namely digital streaming services’ Copyright Royalty Board appeal and the Department of Justice’s review of ASCAP and BMI consent decree — which could also be an opportunity, depending on how the DOJ rules. “We are now 2.5% years into the new [rating] periods but we still don’t have certainty on our rates because Spotify and...
How We Work Now: Concord Senior VP Synch Licensing Brooke Primont
In a series amid the coronavirus pandemic, Billboard is asking individuals from all sectors of the music business to share stories of how they work now, with much of the world quarantined at home and unable to take in-person meetings, attend conferences or even go into the office. Submissions for the series can be sent to HowWeWorkNow@Billboard.com. Read the full series here. This installment is with Brooke Primont, Concord’s senior vp of synch licensing. Brooke Primont: I commute into [Manhattan] every single day. I live in a small town about 40 minutes outside of New York, so when this came down, it wasn’t as painful for me because it’s an hour and 15, sometimes two hours, door to door, depending on the day. So the idea of working from home was welcomed, in a sense. But there...
How We Work Now: NMPA President/CEO David Israelite
In a series amid the coronavirus pandemic, Billboard is asking individuals from all sectors of the music business to share stories of how they work now, with much of the world quarantined at home and unable to take in-person meetings, attend conferences or even go into the office. Submissions for the series can be sent to HowWeWorkNow@Billboard.com. Read the full series here. This installment is with David Israelite, the president/CEO of music publishing trade association NMPA. David Israelite: We’ve just been in a kind of holding pattern. We have a lot of of pending issues [for which] we’re waiting for decisions from government bodies or legal bodies. Right before the shutdown, on March 10, we had our oral arguments regarding the appeal of the copyright royalty board rates by Spotif...
Anuel, Ozuna Hitmaker Gaby Music Is BMI’s Latin Contemporary Songwriter of 2020
If you’ve listened to any of the top names in Latin music today –Bad Bunny, Anuel, Ozuna, Lunay– you’ve listened to the work of Gaby Music and Chris Jeday. The songwriting/production duo are the sonic brains behind major hits like “Vaina Loca” (Ozuna), “China” (Anuel) and “Bad Con Nicky” (Bad Bunny and Nicky Jam). The partnership began as a grade school friendship in Puerto Rico that became a professional alliance when Jeday and Gaby Music met again years later in Yandel’s house. By 2013, they were officially a team. “We work practically on everything together,” says Gaby. “Sometimes Chris comes with a fully developed idea, sometimes I do. I’d say most songs start with Chris’ ideas, and I’m a little bit more technical, more into the recording and the mix. But the final product is a j...
