Last year, Tame Impala rang in the 10th anniversary of their debut album, Innerspeaker, by rolling out a limited-edition box set. It looks like those celebrations won’t stop anytime soon either, because Kevin Partner and co. have just announced a special livestream event featuring a full performance of the album. The concert, titled “Innerspeaker Live From Wave House”, will go down on Wednesday, April 21st via streaming platform Moment House. For those not in the know, Wave House isn’t a real venue. It’s the name of the studio where frontman Kevin Parker recorded the album a decade ago. Expect the audio to be perfect and the views to be even better; Wave House is a four-hour drive from Tame Impala’s hometown of Perth, Australia and has a scenic view of the Indian Ocean waves. Tickets for t...
POND are back. The Australian psych-rock weirdos have just released “Pink Lunettes”, their first new song in two years, along with a hazy, lo-fi music video. Stream it below. “Pink Lunettes” takes an unexpected twist compared to the band’s 2019 album Tasmania. Over relentless drumming and retro synth swells, POND do their best to get your blood pumping with hectic dance-punk that brings to mind LCD Soundsystem mixed with Suicide. It’s chaotic and manic, but it suits POND well, and they don’t lose their stride at any point across the track’s four-minute-long runtime. That feeling is all the more drawn out in the song’s music video, too. Directed by Jamie Terry, the clip peppers purple strobe lights around frontman Nick Allbrook as he sings along, karaoke-style, to the lyrics sprawled across...
Ready for some serious FOMO? King Gizzard & The Lizard Wizard have shared a new performance video of them playing to a live audience in Australia last month. Dubbed Live In Melbourne ’21, the hour-and-a-half-long set was professionally shot at the Sidney Myer Music Bowl on February 26th. For music fans in the US and Europe, the idea of a band performing to a crowd in a 10,000-capacity venue seems like a far-off fantasy right now, but those types of events are happening all over Australia right now. The entire continent has suffered less than 1,000 COVID deaths since the pandemic began, while the US experienced over 1,500 deaths yesterday alone. Fortunately for our sake, the Melbourne-based psych-rock act are giving us a taste of what we can return to when this catastrophe fin...
Montreal’s TEKE::TEKE have unleashed the new song “Yoru Ni” from their upcoming debut album Shirushi. The surf-psych seven-piece originally formed as a tribute band to Japanese guitar icon Takeshi Terauchi. But from that singular purpose, TEKE::TEKE have developed an expansively off-kilter identity, layering on the beauty of Japanese folk and the ferocity of UK punk into the perfect soundtrack for dropping acid at the beach. “Yoru Ni” means “At night,” and as guitarist Serge Nakauchi-Pelletier said in a statement, the song had a spookily nocturnal inspiration. He explained, “‘Yoru Ni’ (which translates from Japanese to ‘At night’) was literally written in the middle of the night. I woke up suddenly and had this melody in my head, as if it had come to me from another world. It really felt l...
When he’s not playing a Staten Island-based vampire in What We Do in the Shadows, the English actor Matt Berry makes freaky psych-rock music. He’s released upwards of ten albums over the last 25 years, and now he’s announcing that his latest will be titled The Blue Elephant. The full album is out in May, but today he’s giving fans a taste with a new song called “Aboard”. Like his previous six records, most of which have arrived in the last ten years, The Blue Elephant will be released via the legendary London label Acid Jazz. The imprint is famous for putting out music that’s super out-there, and Berry’s ear for tantalizing psychedelia fits snugly into their renowned catalog. His 2020 record Phantom Birds was a detour into classic folk, but a press release promises that...
Pink Floyd’s “Have a Cigar” is a scathing critique of the music industry. The third track off of 1975’s Wish You Were Here is sung from the perspective of a record company executive, who cynically implores the band to “ride the gravy train” by following the proven formula of their prior blockbuster, 1973’s Dark Side of the Moon. “Which one’s Pink?” the song asks. It’s a standout line that resonates in this particular recording all the more because neither David Gilmour nor Roger Waters sings it. In fact, no one in the band sings it. Roy Harper does. Who is Roy Harper? He’s an English artist raised on Romantic poets like Shelley and Keats and later inspired by the performances of Bob Dylan and Paul Simon. He’s a revered figure among singer-songwriters and musicians across the world — s...
Joe Keery introduced us to his Djo musical moniker last year with his debut album, Twenty Twenty. Today, the Stranger Things actor returns with a new single encouraging you to “Keep Your Head Up”. A funky psych-pop tune that nods to George Clinton, the track aligns Djo with fellow experimental contemporaries like Jacob Collier. A heavy beat with a fat synth drone loop under a cacophony of dancing piano notes, swinging horns, and dazzling electronics in an intoxicating if heady mix. “Got to love yourself/ Go ahead touch yourself,” Keery sings on the opening verse. “Take that time alone before your heart belongs to someone else.” Take a listen via the “Keep Your Head Up” visualizer below. Editors’ Picks Keery will join The Flaming Lips frontman Wayne Coyne today (Wednesday, September 9...
All Them Witches are offering up a nice respite from all the chaos going on in the world. The Nashville rockers have announced the forthcoming release of a new album, Nothing as the Ideal. Moreover, the band is teaming up with Heavy Consequence to share a taste of what’s to come with opening track “Saturnine & Iron Jaw”. Nothing as the Ideal will arrive on September 4th via via New West Records. The album was recorded at London’s Abbey Road Studios, where the Beatles famously laid down most of their iconic catalog. Regarding the song “Saturnine & Iron Jaw”, guitarist and songwriter Ben McLeod tells us, “We very specifically wanted to lead with this track. I think it’s the most well-rounded track on the record; it’s constantly changing, it has a lot of different vibes to it.” He giv...