Scott Stapp (via “My Sacrifice” video), Frank Sinatra (via Nothing But the Best album cover) We’ve been inundated with some unforeseeable headlines in 2020, and here’s one more before the year ends: Creed singer Scott Stapp is playing Frank Sinatra in an upcoming biopic on Ronald Reagan. Yes, the rock vocalist is portraying the legendary crooner in the movie Reagan, starring Dennis Quaid as the 40th president of the United States. Stapp already filmed the role, telling Billboard, “Sinatra in performance mode was an exercise in restraint. He had this steely, stylish swagger and his sheer presence commanded a room. I was excited to join the cast and blown away by the on-set attention to detail, style, and overall production.” His performance as Sinatra comes during a scene in whi...
During their heyday, Creed were a multiplatinum success, but critics and many music fans have jeered at frontman Scott Stapp’s vocals over the years. Apparently, things aren’t much different among his family members, with his own children poking fun at his “over-the-top” singing. Stapp and Creed rose to fame in the late ’90s with inspirational rock hits like “Higher” and “With Arms Wide Open”. While they were ruling the charts, they were also getting ridiculed, with Stapp’s singing style bearing the brunt of the mockery. Not only did people says that Stapp was trying too hard to sound like Eddie Vedder, they also chided him for the way he over-enunciated his lyrics. In a new interview with The Ringer’s “10 Questions With Kyle Brandt”, Stapp admits that his singing on Creed’s first couple o...
The Pretty Reckless have formally announced their new album, Death By Rock and Roll, which is set for a February 12th release. The band has also shared the album’s striking artwork and second single, “25”. In a literal interpretation of the album title, the cover sees a nude Taylor Momsen… Please click the link below to read the full article. The Pretty Reckless Announce New Album Death By Rock and Roll, Share “25”: Stream Jon Hadusek You Deserve to Make Money Even When you are looking for Dates Online. So we reimagined what a dating should be. It begins with giving you back power. Get to meet Beautiful people, chat and make money in the process. Earn rewards by chatting, sharing photos, blogging and help give users back their fair share of Internet rev...
The Pretty Reckless and singer Taylor Momsen have never shied away from expressing their love for the music of Soundgarden. Now, the hard rockers have paid tribute to the grunge pioneers with a cover of “Loud Love”. Momsen is no stranger to Soundgarden covers, having performed a quarantine version of “Halfway There” with Soundgarden / Pearl Jam drummer Matt Cameron earlier this year. Her vocal ability is well-suited for tackling the impressive vocal range of late Soundgarden frontman Chris Cornell, and she turns in another strong effort on this emotionally charged, faithful rendition of “Loud Love”. It was recently recorded for a virtual festival on SiriusXM’s Octane channel. The two bands’ stories are forever linked after The Pretty Reckless opened for Soundgarden in Detroit on the night ...
It’s been roughly eight years since Creed played their final show after reuniting for a new album and tour. Now, drummer Scott Phillips reveals that the band members have been talking, and that another reunion is a “possibility down the road.” Creed originally broke up in 2004 after a wildly successful ride in which they sold millions upon millions of albums, and scored such No. 1 rock hits as “Higher”, “With Arms Wide Open”, and “My Sacrifice.” The post-grunge outfit built up a massive following, which also led to backlash from critics and rock fans who perhaps didn’t appreciate the band’s righteous music or felt that singer Scott Stapp sounded a little too similar to Pearl Jam’s Eddie Vedder. Upon their breakup, three-quarters of the band joined forces with singer Myles Kennedy to form A...
The Lowdown: Alanis Morissette is back! After an eight-year hiatus, one of the ’90s pinnacle pioneers of alt rock is sweeping back into the spotlight with her ninth studio album, Such Pretty Forks in the Road. After four years of work and a three-month delayed release due to COVID-19, the album applies a trademark Morissette treatment — cutting lyrics and a voice that howls and croons and whispers as deftly as an arrow — to questions of adulthood, responsibility, and creativity to greater and more complete effect than what we’d last seen from her. The resulting album is extremely haunting, immaculately polished, and complexly kind. The Good: Such Pretty Forks in the Road finds Morissette exploring the tenuousness of fame, youth, and passion but in a way that thwarts that tenuousness in its...