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Pete Docter

Pixar on How Personal Experiences Influenced Soul

Soul marks a series of firsts for Pixar. It’s the first film the studio has ever released with a Black protagonist, a music teacher voiced by Jamie Foxx; it’s the studio’s first film with a Black co-director in screenwriter Kemp Powers; and the first Pixar film to go straight to streaming. Due out on Christmas via Disney+, Soul follows Joe Gardner (Foxx), a music teacher whose aspirations of performing jazz come to fruition after he nabs a cushy performing gig with a well-respected group. That is, until he falls to his death. Now, left as a metaphysical soul, Joe endeavors to return to Earth to his body before it’s too late. It’s an imaginative journey that the Emeryville, California-based animation studio brings to life with a startling array of visuals that feel unprecedented. Edito...

Composers of the Year Trent Reznor and Atticus Ross: “It’s Been an Intimidating Journey”

“You’re naming us Best Composers of All Time, right,” Trent Reznor asks over the phone. His partner-in-crime Atticus Ross laughs on another line. He’s joking, of course, but he’s also not exactly out of his element. While all-time might be a stretch — at least, for now — the two are certainly in contention for the last decade. After all, it’s been a wild 10 years for Reznor and Ross, one that began with a deafening bang. That big bang arrived at the 83rd Academy Awards in 2011, when Reznor and Ross triumphed over the likes of Hans Zimmer and Alexandre Desplat to win Best Original Score for David Fincher’s The Social Network. Their debut score wound up being an opening salvo as Hollywood came calling — and fast. Since then, they’ve amassed an eclectic resume that most composers spend decade...

The 25 Most Anticipated Movies of Fall 2020

“New year, new decade, new films, right?” That was January, back when we were still looking ahead at 2020 with blind optimism and ill-fated excitement. Sigh, hindsight is 20/20 they say, right? Who knew. At the time, we had 50 exciting new titles we were anticipating, most of which have since been either postponed, dumped to VOD, or relegated to a limbo state. It’s been an unnerving year for the film industry, to say the least. A year fraught with shutdowns, furloughs, layoffs, bankruptcies, and re-evaluations. All of that change has prompted a seismic shift in how everything’s run across the media landscape, and no one truly has a grip on things just yet. Odds are they won’t for quite some time. Because of this, anticipating anything right now — let alone anything in pop culture — seems l...