Paul Westerberg
25 Artists, 25 Albums, 25 Years of Vagrant Records
For much of the last quarter-century, Vagrant Records has been synonymous with the emo and alternative scenes. Much like how Epitaph Records and Fat Wreck Chords have become well-established homes for punk, Vagrant remains one of the most significant labels in the world thanks to a catalog featuring hundreds of beloved albums and dozens of all-time classics. Beginning with the launch of the Get Up Kids’ Something to Write Home About on Sept. 28, 1999, Vagrant went on a several-year run that included some of the biggest names of the 2000s, ranging from Saves the Day to Alkaline Trio, Dashboard Confessional to Rocket from the Crypt. But rather than hanging the past when artists left for to major labels, breaking up, or otherwise parting ways with Vagrant, the label adapted, expandi...
The 100 Greatest Rock Stars Since That Was A Thing
Three of the 100 are in this picture! The Rolling Stones, in 1964, from left to right: Bill Wyman, Mick Jagger, Keith Richards, Charlie Watts and Brian Jones. The problem with lists like this is they are invariably bullshit. So our prime objective was to make sure we didn’t do a bullshit list. I’m not saying we did a scientific one either. Because that isn’t possible — actually, it is, if you wanted some compilation of who sold the most records/concert tickets/has the most fans/got the most death threats, etc., and someone could come up with a bunch of very empirical metrics and create a “heat index” or something, and could deliver an actual scientific ranking! But we, um, didn’t do that. In fact we didn’t even, technically, do the “we...
The 25 Best Soundtrack Albums of the 1990s
In the 1980s, music and film collided for cross-promotional blockbusters both transcendent (Purple Rain) and transcendently cheesy (Footloose). In the ‘90s, soundtracks continued to sell in the millions, capturing cultural moments like the Seattle grunge of Singles or the Britpop and electronica of Trainspotting. Auteurs like Quentin Tarantino and Wes Anderson reached deep into their record collections to set the mood while movies like Above the Rim and Menace II Society pioneered the concept of soundtracks as hip-hop mixtapes. A great soundtrack can propel an unsuccessful single, like Seal’s “Kiss From A Rose,” to the top of the charts, or revive a decades-old hit, like Queen’s “Bohemian Rhapsody.” It can also push a cult singer-songwriter like Elliott Smith or Aimee Mann to an Oscar perf...
