The brilliance of Björk can extend interminably outward, filling out the starry firmament from which she finds inspiration and unity. To call Björk unique is an infinite understatement. She’s more of a protean polymath exploring the outer rims of the psyche with an unflappable lust for life. Because, in her own words: “The unknown turns me on.” As an impressionable teenager of the late ‘70s, Björk was bedazzled by the punk conquest. She drifted in and out of mainly arty, transient post-punk projects from the self-formed Exodus to Tappi Tikarrass to KUKL, the last of which morphed into her most well-known pre-solo band, The Sugarcubes, in 1986. That final installment of short-lived groups garnered enough attention to break out of domestic Icelandic success only, and for her to break out of ...