It’s not everyday that a funeral videographer makes the switch into electronic music. But for Melbourne-based Laces, who first released music in 2018, this pivot has given birth to forward-thinking fusions of euphoric, Porter Robinson-styled synths and choppy, Cashmere Cat-reminiscent percussion. With his latest six-track EP, Field Fallacy XVI, Laces builds upon this vision with newfound maturity. Completed during Melbourne’s second lockdown last fall, the project was released March 12th via NLV Records, Nina Las Vegas‘ imprint. The label has also supported Anna Lunoe, Kota Banks and UNIIQ3. From the rich soundscape of “Sunvocus” to the introspective subtlety of “Drop My Cell” with Darcy Baylis, Field Fallacy XVI easily m...
Since 1975, International Women’s Day has been designated as a global day of recognition for women, taking place annually on March 8th. It also coincides with the American Women’s History Month. But historically, the event dates back to the early 1900s, linked to early feminist and workers’ rights movements. From protest movements to a celebration of women’s suffrage, the date has become a focal point and rallying cry for gender equity worldwide. It’s no secret that we’ve still got a long way to go in ensuring equal opportunities, pay and platforms for women, along with non-binary individuals. This is especially true in the electronic music industry—a 2020 study from the USC Annenberg Inclusion Initiative found only 21.7% of artists in th...