McKinley Dixon will make his Spacebomb Records debut on May 7th with the new album For My Mama and Anyone Who Look Like Her. The emerging MC is previewing the release with the lead single, “make a poet Black”. In 2018, with little industry support, Dixon put himself on the map with a pair of self-released LPs, The Importance of Self Belief and Who Taught You to Hate Yourself? That output attracted the attention of Matthew E. White’s Spacebomb label, which is better known for folk- and funk-inflected artists like Natalie Prass, Hiss Golden Messenger, and Fruit Bats. But setting genre aside, Spacebomb has become a home for incisive lyricism, and in that sense, Dixon fits right in. For My Mama and Anyone Who Look Like Her is an album-length exploration of trauma and time. As Dixon m...
Ryley Walker has announced the new album Course in Fable. It arrives April 2nd from his own Husky Pants Records, and you can catch a preview with the winding, witty “Rang Dizzy”. Walker’s last album in the traditional sense of the word was 2018’s Deafman Glance, though with its leisurely instrumental interludes, ‘traditional’ might be a bit of a stretch. He followed that with The Lillywhite Sessions, a not-especially-faithful cover of a lost Dave Matthews Band record, the jazzy Charles Rumback collaboration Little Common Twist, and, last week, the jam-heavy live set Deep Fried Grandeur performed with Kikagaku Moyo. Over the last three years he’s been busy, bordering on prolific, but the music hasn’t always accommodated itself to popular tastes. If “Rang Dizzy” is any in...
Rapper/producer Pell has formed the new musical collective GLBL WRMNG with dozens of his fellow artists from New Orleans. Their debut album glbl wrmng vol. 1 is out February 19th, and today they’ve shared the lead single, “501”. GLBL WRMNG is an expansive project, with contributions from dozens of producers and artists including Jelly of Tank and The Bangas, Malik NinetyFive, Jzzle, Lil Iceberg, Kr3wcial, and $leazy EZ. That inclusivity is by design; Pell set out to foster connections in the NOLA songwriting community. As he explained in a statement, “I wanted to make records with all my hometown friends that didn’t have to be just Pell records that could showcase the talent of New Orleans and what we had to offer. I wanted to executively produce this record and then give us all somet...
For decades, musicians have recorded music with the specific intent of helping foster child development in utero and teach soon-to-be kids iconic rap hooks. Now the tables have turned: an unborn baby has recorded her debut album, presumably for the enjoyment of full-grown humans. The baby, named Luca Yupanqui, is the soon-to-be child of Psychic Ills bassist Elizabeth Hart and Lee “Scratch” Perry collaborator Iván Diaz Mathé. Yupanqui created the songs on her album using biosonic MIDI technology that translated her in-utero movements into sound. The MIDI device was hooked to Hart’s stomach, recorded the vibrations created by Yupanqui, and transcribed them into Mathé’s synthesizers, a meditative process that took place over five hour-long sessions. Hart and Mathé then edited and mixed the re...
The holidays are over, but the Neil Young Archives is the gift that keeps on giving. Young has announced a pair of projects centered around his 1982 album Trans. The first is the unreleased LP Johnny’s Island, recorded with the Trans band in 1982, and the second is a new film entitled Trans: The Animated Story. Trans was a significant departure from Young’s folk-inflected rock, and its release became one of the more controversial moments in his career. With synthesizers and heavy doses of vocoder, it was inspired by the robopop of Kraftwerk as well as his own attempts to communicate with his nonverbal son, Ben. Many fans hated it, and Geffen Records sued Young for not sounding like himself. Almost 40 years later, time has dulled some of the sharper takes, and while few would...
Acclaimed musicians Pino Palladino and Blake Mills have combined their talents on a new joint album. Notes with Attachments is due for release on March 12th via New Deal/Impulse! Records. The forthcoming LP was originally envisioned as a solo album from Palladino, a Grammy-winning songwriter, producer, and bassist best known for his work on D’Angelo’s Voodoo and Black Messiah albums, as well as projects with Nine Inch Nails, Adele, and Perfume Genius. However, Mills’ input eventually led to the realization that a full-fledged collaborative effort would bring out the best in them both. “It all evolved from me playing Blake a few ideas, getting a reaction from [him] and seeing if he’d be interested in working on [them],” Palladino explained in a statement. “As the project evol...
Hardcore quartet Regional Justice Center have announced their sophomore full-length, Crime and Punishment. The band has also shared two fiery songs from the LP, “Absence” and “Inhuman Joy”. The album follows a prolific string of 7-inch splits and EPs by Regional Justice Center, who paired their output with an exhaustive touring itinerary prior to the pandemic. In the meantime, the band’s calculated intensity has grown even more ferocious, as heard on new tracks “Absence” and “Inhuman Joy”. The songs operate in a duality, the former holding to a classic hardcore template of blasting rhythms and urgent lyricism, and the latter pitched down to a bass-heavy dirge. The distinct writing style of vocalist/multi-instrumentalist Ian Shelton shows through on both tracks. In a press release, the...
Former Norma Jean and The Chariot singer Josh Scogin has announced a new album from his current project ’68. It’s called Give One Take One and due out on March 26th via Cooking Vinyl. He’s has also shared the music video for the lead single, “The Knife, The Knife, The Knife”. Scogin himself created the video for the heavy single, which leans more toward garage rock as opposed to the metalcore and hardcore punk of his previous bands. Hints of blues fuse with a noisy post-hardcore edge, resulting in a massive wall of sound — impressive considering ’68 are only two individuals: Scogin and drummer Nikko Yamada. “Of all the music I’ve created over the years, this album holds some of my very favorite moments, lyrically, musically, and even mentally; I travel down several roads that are...