When Chris Rock released his Netflix stand-up special Tamborine in 2018, he managed to garner a whopping 100% score on Rotten Tomatoes — a rare accomplishment for a film, never mind a comedy routine. Now, Rock is treating fans to even more of those critically lauded jokes with Chris Rock: Total Blackout, The Tamborine Extended Cut, which hits the streamer next week. The Tamborine Extended Cut boasts 27 minutes of previously unreleased footage from Rock’s original Grammy-nominated special. The new clips — which include never-before-seen jokes, behind-the-scenes footage, and various interviews — will touch on race, fatherhood, and politics. Because they’re interwoven throughout the stand-up special, Netflix is calling it a repackaged “remix” of the initial release. To hype up the extended cu...
While watching Bridgerton last week, I jokingly referred to the series as “the fancy British sex show” to friends on a text thread. Although that’s perhaps reductive, the description is fairly accurate: Netflix’s new Victorian drama is filled with sex, scandal, pearl clutching, and opulence. Yet, at the same time, it’s also a lot of fun, which is why I happened to binge most of the season in a day. (It was a welcome distraction during a stressful week.) However, there are deeper truths underneath Bridgerton’s addictive exterior. Sure, at first blush, it’s a Victorian romance with a Gossip Girl subplot, but the series cuts much deeper than that. At its core, Shondaland’s latest drama stealthily reveals the damaging lies and practices perpetuated by the patriarchy, particularly the struggle ...
Cobra Kai and music go together like Daniel and Miyagi. Just think back to all the needle drops: Johnny Lawrence brooding to Foreigner in his Firebird. He and LaRusso singing REO Speedwagon together. The Alan Parsons Project closing out the pilot. These moments are all over The Karate Kid spinoff series, and they always get us pumped up. But, what about the actual cast? What songs get them pumped up? In anticipation of Season 3, which premieres on Friday, January 1st, Consequence of Sound sat down with your favorite heroes of Cobra Kai to hear what they take to the dojo with them. From AC/DC to Meek Mill, their responses extended well beyond the show’s ’80s roots. Peyton List, aka Tory Nichols: “I’m sometimes embarrassed by my music tastes. I feel like it’s a lot of Doja Cat or something b...
It’s a Cruel Winter: Dark clouds have descended upon the rolling hills of Encino, California. Miguel Diaz (Xolo Maridueña) remains in a coma following Season 2’s climactic battle at West Valley High. Robby Lawrence (Tanner Buchanan) is on the lam, tortured by his betrayal of Miyagi-Do’s code. And Samantha La Russo (Mary Mouser) is suffering PTSD after being sent to the hospital at the hands of Tory (Peyton List). Meanwhile, Johnny Lawrence (William Zabka) is back in the bottle, stumbling into Reseda sports bars as quickly as he’s being tossed out of ’em. Daniel LaRusso (Ralph Macchio) is losing favor across town and his community, which spells trouble for the future of his dealership. And John Kreese (Martin Kove) is planning his next move at the titular Cobra Kai dojo, where he’s cru...
Come New Year’s Day, you’ll be able to put 2020 in a body bag, because Netflix is dropping the new season of Cobra Kai a full week early. The streaming platform has announced it’s kicking up the Season 3 release date from January 8th to January 1st. The news came via a tweet from the official Cobra Kai account: “QUIET! I hear you all whining about season 3 taking forever. So I called the pawn shop and the guy walked me through this Netflix thing,” read the message in the voice of Johnny Lawrence (William Zabka). “Dude knows his stuff. Now you get it a week early. See you Jan 1, nerds.” Johnny also appears in a teaser clip for the new release date, which you can watch ahead. Season 3 of Cobra Kai picks up with “everyone reeling in the aftermath of the violent high school brawl between dojos...
Netflix’s History of Swear Words has received its first official trailer, and it’s a fuckin’ doozy. The Nicolas Cage-hosted series is a dive into the origins of the words “fuck”, “shit”, “bitch”, “dick”, “pussy”, and “damn”. Fittingly, the trailer begins with a dapperly dressed Cage standing up from his seat and screaming the F-bomb at the top of his lungs, which seems like a good indication of what the show is all about. Netflix describes the six-episode series, which was produced by Funny or Die, as such: “An education in expletives: the history lesson you didn’t know you needed. History of Swear Words, hosted by Nicolas Cage, is a loud and proudly profane series that explores the origins, pop culture-usage, science, and cultural impact of curse words.” Throughout the trailer, Cage is jo...
Our Annual Report continues today with the announcement of Anya Taylor-Joy as our TV Performance of the Year. Stay tuned for more awards, lists, and articles in the days and weeks to come about the best music, film, and TV of the year. If you’ve missed any part of our Annual Report, you can check out all the coverage here. Chess and Anya Taylor-Joy have had quite the year, thanks to The Queen’s Gambit. One month after its October 23rd debut on Netflix, Scott Frank and Allan Scott’s adaptation of Walter Tevis’ 1983 novel became the most-watched scripted miniseries in Netflix history. Not surprisingly, interest in chess skyrocketed with “How to play chess” peaking in Google searches and chess boards being wrapped everywhere throughout this holiday season. At the center of it all, ...
In honor of Ryan Murphy‘s new Netflix film The Prom, the platform is hosting their own digital dance. If you want to relive that special evening or make better memories the second time around, this is your time to shine. The virtual event will go live on Netflix’s YouTube channel Saturday, December 19th at 8PM ET (5PM PT). Of course, it wouldn’t be prom night without music. Headlining the festivities will be Galantis and Janelle Monáe with Queer Eye star Jonathan Van Ness on host duties. To top it off, cast members from the film will be stopping by throughout the event, including James Corden, Nicole Kidman, Keegan-Michael Key, Andrew Rannells, Jo Ellen Pellman, Ariana DeBose, Nico Greetham, Logan Riley, Nathaniel J. Potvin, Sofia Deler, Kerry Washington, ...
Q-Dance, best known for their wildly popular hardstyle festival Defqon 1, has scored a landmark deal with Netflix. On December 22nd, their audiovisual experience Qlimax: The Source will be available to stream for the first time. Q-Dance has enlisted an impressive list of artists for Qlimax: The Source, including performances from Sub Zero Project, Phuture Noize, Headhunterz and JDX, B-Front, KELTEK, and Sefa. While we’ve only been able to view the trailer so far, Qlimax: The Source is looking to be quite the sinister offering. Opening with flare-like flashes in the darkness, the trailer quickly cuts to an intimidating figure with glimpses of each of the contributing artists. To wrap things up, the trailer then gives viewers a preview of the various worlds Q-Dance...
The Pitch: By definition, the word value means “the regard that something is held to deserve; the importance, worth, or usefulness of something.” A person’s value, however, is most often overlooked, under-appreciated or even unknown. To understand one’s worth is a unique ability that not many possess – that attribute alone can change the trajectory of an individual’s life, drastically. Ma Rainey’s Black Bottom digs deep into the core of one of America’s most beautiful artforms, during a time where segregation and racial oppression escalated across the country. Based on August Wilson’s Broadway play, Ma Rainey’s Black Bottom chronicles an emotional recording session housed within a Chicago studio in 1927. Along with a string of talented actors, George C. Wolfe’s direction explores the dicho...
“You’re naming us Best Composers of All Time, right,” Trent Reznor asks over the phone. His partner-in-crime Atticus Ross laughs on another line. He’s joking, of course, but he’s also not exactly out of his element. While all-time might be a stretch — at least, for now — the two are certainly in contention for the last decade. After all, it’s been a wild 10 years for Reznor and Ross, one that began with a deafening bang. That big bang arrived at the 83rd Academy Awards in 2011, when Reznor and Ross triumphed over the likes of Hans Zimmer and Alexandre Desplat to win Best Original Score for David Fincher’s The Social Network. Their debut score wound up being an opening salvo as Hollywood came calling — and fast. Since then, they’ve amassed an eclectic resume that most composers spend decade...