Days after musicians Abigail Barlow and Emily Bear performed their Grammy-winning Unofficial Bridgerton Musical to a sold-out audience at the Kennedy Center, Netflix is suing them for “blatant infringement” of the company’s rights to the popular period drama. In a complaint filed Friday (July 29) in D.C. federal court, Netflix accused the duo of piggybacking on “the creative work and hard-earned success” of hundreds of artists and staffers behind Bridgerton – using the company’s copyrights and trademarks without permission to build a “brand for themselves.” “Netflix owns the exclusive right to create Bridgerton songs, musicals, or any other derivative works based on Bridgerton,” the company wrote. “Barlow & Bear cannot take that right—made valuable by others’ hard work—for th...
Ana de Armas takes on Old Hollywood’s biggest star in Blonde, the Marilyn Monroe biopic hitting Netflix September 23rd. Take a look at the new trailer for the film below. Directed by Andrew Dominik and based on Joyce Carol Oates’ 2000 novel of the same name, Blonde will be the first Netflix original to be given an NC-17 rating for “some sexual content” (and reportedly a sexual assault scene) by the Motion Picture Association. “It’s a demanding movie,” Dominik said of the rating. “If the audience doesn’t like it, that’s the fucking audience’s problem. It’s not running for public office. It’s an NC-17 movie about Marilyn Monroe, it’s kind of what you want, right? I want to go and see the NC-17 version of the Marilyn Monroe story.” Adrien Brody, Bobby Cannavale, and J...
Netflix has cut loose the first trailer for Guillermo del Toro’s Pinocchio, the auteur’s new stop-motion adaptation of the classic tail. Directed by del Toro alongside Mark Gustafson from a script by the former with Matthew Robbins (Crimson Peak), the movie marks del Toro’s first feature-length animated movie. He’d been trying to get the project financed since 2010, and fans of Hellboy II: The Golden Army know stop-motion has been a passion of the filmmaker for some time. It finally all came together when Netflix revived the film in 2018, and now we get to see the fruits of del Toro’s labor of love. As the first trailer shows, del Toro’s Pinocchio sees Sebastian J. Cricket (Ewan McGregor) narrating the tall about “imperfect fathers and imperfect sons, about loss and love.” I...
Patton Oswalt has announced We All Scream, his fourth Netflix comedy special and first serving as director. It premieres September 20th. Oswalt’s first special since 2020’s I Love Everything takes material from the 2021-22 “Who’s Ready to Laugh?” tour and was filmed at the Paramount Theatre in Denver, Colorado. According to a statement, it covers “what happens to our bodies as we get older, who [Oswalt] could have been had he just followed the list he created during the lockdown, the Baby Boomer’s last temper tantrum, and much more.” In an interview with The Hollywood Reporter, he expanded on these themes “We all remember before the pandemic, going, ‘If I could just get a month to myself to get my life together,’” he explained. “And then the un...
Netflix’s deal for Breaking Bad has been mutually beneficial for both parties, even leading to the creation of a prequel movie exclusively for the streamer. According to a report from TheWrap, however, the show is one of several titles in the service’s US library that will be departing unless an extension is reached before the current agreement expires in early 2025. Per TheWrap, Netflix’s license with Sony Television for Breaking Bad runs through February 10th, 2025. Netflix also has the streaming rights for the prequel series Better Call Saul, which has seen renewed interest since the final season debuted on AMC in April. Breaking Bad is just one of several popular series that are set to leave Netflix. New Girl, Community, NCIS, and How to Get Away with Murder all hav...
Netflix is cracking down on users mooching off of their family members, friends, and exes: This summer, the streamer will begin to implement an “extra home” fee for those using the same account with people they don’t live with. The small fee, which equates to about $2 or $3, will go into effect on August 22th in Argentina, the Dominican Republic, El Salvador, Guatemala, and Honduras. “If your Netflix account is being used on a TV outside of your home, you will need to pay an extra $2.99 per month for each extra home. You will only be charged when you or someone who uses your account chooses to add an extra home—this fee will NOT be automatically charged,” Netflix wrote on their Honduras pricing page. After a trial period in the previously-mentioned countries, Netflix will start implem...
The Sandman will officially bring us a dream next month, but we’ve got a lot to look forward to now thanks to Netflix’s latest trailer for the Neil Gaiman comic book adaptation. The newest trailer focuses on the conflict between Morpheus (Tom Sturridge) and a rogue nightmare that has escaped to the waking world, the Corinthian (Boyd Holbrook). “My creations do not walk among the living killing mortals for pleasure,” Morpheus says in the new trailer, though his words are undercut by violent spurts of blood. Meanwhile, the Corinthian is having the time of his un-life. “Oh, you don’t think dreams can’t die? Let’s find out,” he smirks. Check out the trailer below. Based on Gaiman’s DC series of the same name, The Sandman premieres on August 5th and co-stars Gwendoline Christie as Lucifer,...
You get what you pay for, the saying goes, and Netflix seems determined to prove that point with a cheaper, ad-supported tier that also comes with a smaller, worse catalog. As Protocol reports, the backbone of the ad-supported tier seems likely to be Netflix originals. Many of the company’s existing contracts for third-party content would allow other companies to take a slice of the ad-money pie, and while co-CEO Ted Sarandos has been trying to renegotiate those deals, it’s hard to convince other companies to willingly take less money. “We will clear some additional content, but certainly not all of it,” Sarandos said. “But I don’t think it’s a material hold-back to the business.” Advertisement Related Video He added, “The vast majority of what people watch on Netflix, we ca...