This July marks the 25th anniversary of Elliott Smith’s sophomore self-titled album. To celebrate the occasion, Kill Rock Stars has announced a deluxe reissue of the LP, set for release on August 28th. Official Smith family archivist Larry Crane pulled the closest possible recordings to the original Elliott Smith mix downs from scores of reels, cassettes, files, and DAT tapes to give the album a fresh remaster. The special edition comes housed in a 52-page coffee table book featuring handwritten lyrics, stories from Smith’s friends and collaborators about the era, and two dozen previously unreleased images from photographer JJ Gonson. One of those new photographs is the original image that became the album’s cover art. What’s more, the collection includes the previously unreleased Liv...
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With just a week to go before the arrival of Chromatica, Lady Gaga has unveiled the album’s most highly anticipated collaboration: “Rain on Me” featuring Ariana Grande. Check it out below via its official music video. On the new single, the two pop powerhouses take turns belting out lines like, “I’d rather be dry, but at least I’m alive.” The pair took a similar empowering stance in all of the track’s various promos on social media, which featured Gaga and Grande striking poses in outfits straight out of a sci-fi flick. In an interview with Apple Music on Thursday, Gaga recalled how the partnership came together, “I said to her, ‘OK, now everything that you care about while you sing, I want you to forget it and just sing. And by the way, while you’re doing that, I’m going to dance in ...
Indie folk rockers Woods are back with a new album called Strange to Explain. Hear the entire effort below via Apple Music or Spotify. Due out via their own Woodsist label, Strange to Explain marks the group’s 11th (!) full-length to date. In the time since their last LP, 2017’s Love is Love, Woods frontman Jeremy Earl became a father, and guitarist Jarvis Taveniere relocated from Brooklyn to Los Angeles, turning the group bicoastal. The two bandmates also helped produce David Berman’s first and only album as Purple Mountains. Editors’ Picks According to a statement, the new record’s 11 tracks — including lead single “Where Do You When You Dream?” — serve a “sweet reflection for the 15-year-old band, bouncing back to earth as something hopeful and weird and resolute.” Stran...
By this point, our calendars are filled with crossed reminders of the release date for The 1975’s new album. After two years and multiple delays, the circle finally takes the square: The 1975 have today released Notes on a Conditional Form. The follow-up to the truly excellent 2018 effort A Brief Inquiry into Online Relationships was formally announced last summer with an expected due date of February 21st, 2020. Work didn’t progress as anticipated, however, and a month before the release it was pushed to April 24th. Then the full-length faced another hitch along with the rest of the world when the pandemic hit, forcing The 1975 to delay it once again until today, May 22nd. In her review of the album, Consequence of Sound contributor Samantha Small said that the diverse record is...
Doja Cat has learned the power of the remix, especially after “Say So” featuring Nicki Minaj became each woman’s first number one hit. Now she’s teamed up with Canadian megastar The Weeknd, pouncing on a new remix of his After Hours track “In Your Eyes”. She feels right at home in The Weeknd’s tripped-out pop landscape, where the melodies are intoxicating and the artists have been over-served. She begins her verse in tears over her love, even though the rest of the lyrics imply that the relationship is going well. “I can’t stop staring at you” she sings, before spitting raps. “It’s like I forgot that staring is rude/ And that’s what five shots could turn me into.” Check out “In Your Eyes (Remix)” below. In March, The Weeknd shared a deluxe edition of After Hours featuring re...
Lana Del Rey has been teasing a spoken word record for the last few months, but apparently she has even more up her sleeve. In an Instagram post early Thursday, she announced she will release a new album on September 5th, the follow-up to last year’s stellar Norman Fucking Rockwell!. Del Rey also appeared to shade major pop stars of color like Beyoncé and Cardi B in a lengthy discussion about the glamorization of abuse and feminism’s place in pop music. Del Rey’s social media post was predominantly focused on rejecting the criticisms that her music glamorizes abuse. “I’m fed up with female writers and alt singers saying that I glamorize abuse when in reality I’m just a glamorous person singing about the realities of what we are all now seeing are very prevalent abusive relationships all ov...
Having just postponed their summer North American tour due to the COVID-19 pandemic, Guns N’ Roses are offering an alternative “live experience” for fans. The band has launched a new streaming series, dubbed “Not in This Lifetime Selects”, showing pro-shot footage from their mega-successful tour. The “Not in This Lifetime Tour” kicked off in 2016, with Slash and Duff McKagan rejoining Axl Rose in the Rock & Roll Hall of Fame band. Over a four-year period, the extensive trek has earned $563 million, making it one of the highest-grossing tours of all time. The streaming series starts Thursday (May 21st) with select highlights from the band’s October 29th, 2019 show at the Vivint Smart Home Arena in Salt Lake City, Utah. That gig saw GN’R play 25 songs, including seven from their iconic d...
HAIM have dropped a new bop for summer playlists everywhere. “Don’t Wanna” is the latest single from their upcoming third album, Women In Music Pt. III. Listen in below. While today’s offering has a groovy bit of sun and pep in its step, ultimately it’s about trying to save a failing relationship. “Well we both had nights/ Waking up in strangers’ beds/ But I don’t wanna, don’t wanna/ I don’t want to give up yet,” sings Danielle Haim. The HAIM frontwoman also produced the track with assistance from Rostam Batmanglij and Ariel Rechtshaid. The highly-anticipated Women In Music Pt. III was initially slated for release in April, but was pushed back to June 26th due to the coronavirus pandemic. Still, the three-piece band has been busy promoting the record, having previously shared “I Know Alone...
You may not know Belgium-based singer-songwriter Meskerem Mees just yet, but she’s ready to charm you with a formal first impression. At least that’s the plan for her debut single, “Joe”, which she’s released today along with an accompanying music video. Mees is a 20-year-old indie folk artist with Ethiopian roots. Armed with an acoustic guitar and a gentle, scratchy voice, she whisks up music akin to Joni Mitchell, Laura Marling, and Jade Bird in a modest but nurturing style. After stealing the spotlight at local live shows in Europe, she’s finally begun making moves to formally record and release her music. That’s where “Joe” comes in. With a soothing, strolling guitar melody, Mees tells the story of a wandering man who won the protagonist over when she was just a teenager. The narrative...
For all intents and purposes, the 2020 concert calendar has been wiped clear by the coronavirus, with most every major tour and festival having either been canceled or postponed. While concert promoters are experimenting ways to present live music, such as concert drive-ins and audience-less livestreams, it’s unlikely we’ll find ourselves together in a crowded space until at least 2021 (and even that may be ambitious). In other words, we’ll see you in the pit… eventually. Available now in packs of two, four, and six, this “See You in the Pit… Eventually!” is one of four designs available as part of a capsule of specialty designed face masks supporting Consequence of Sound, an independently owned company, and MusiCares’ COVID-19 Artist Relief Fund. The mask is reusable and washable, made in...
Last August, Lana Del Rey released her sixth album, Norman Fucking Rockwell to rapturous acclaim. By the end of 2019, it landed high on numerous publications’ best-of lists, and it even earned an Album of the Year nomination at the Grammys just a few months later. But it was a long journey for Lana, as she writes out in a pointed new note posted to Instagram early Thursday (May 21). “With all of the topics women are finally allowed to explore I just want to say over the last ten years I think it’s pathetic that my minor lyrical exploration detailing my sometimes submissive or passive roles has often made people say I’ve set women back hundreds of years,” she wrote. The catalyst for her note, it appears, is the recent chart success of several female artists she...