Los Angeles songwriter Dent May has announced his fifth album, Late Checkout. The project arrives August 21st via Carpark Records, and May is previewing it today with a wonderful new pop-rock song called “I Could Use A Miracle”. Since emerging in the late 2000s as a ukulele-toting psych-pop artist and then pivoting to disco, May has evolved into a much more polished and grandiose songwriter. Fans witnessed flashes of this transformation on 2017’s Across The Multiverse, but this forthcoming follow-up sees May really stepping up to own his new status as a power-pop multi-instrumentalist: not only is the new LP his first to be recorded outside of his home studio, but it’s also his introduction to writing and arranging parts for string players, a horn section, and background vocalist...
Electronic mastermind Kelly Lee Owens is gearing up to release her new album, Inner Song, this summer. To help make the wait a little shorter, she’s released a new song called “On” alongside a mesmerizing music video, and neither disappoints. Fans may recall that Inner Song was originally scheduled to come out this past May. Like other artists wary of the coronavirus pandemic, Owens has decided to push back her record, opting for a new release date of August 28th instead. Thankfully that gives us more time to sit with her new music, like previous singles “Night”, “Melt!”, and a dazzling collaborative track with Jon Hopkins. “On” continues the mood established on earlier album cuts, transitioning from her ethereal, cascading vocals to a harsher, dance-driven beat that blooms in the second h...
Electronic mastermind Kelly Lee Owens is gearing up to release her new album, Inner Song, this summer. To help make the wait a little shorter, she’s released a new song called “On” alongside a mesmerizing music video, and neither disappoints. Fans may recall that Inner Song was originally scheduled to come out this past May. Like other artists wary of the coronavirus pandemic, Owens has decided to push back her record, opting for a new release date of August 28th instead. Thankfully that gives us more time to sit with her new music, like previous singles “Night”, “Melt!”, and a dazzling collaborative track with Jon Hopkins. “On” continues the mood established on earlier album cuts, transitioning from her ethereal, cascading vocals to a harsher, dance-driven beat that blooms in the second h...
Rising songwriter Samia has announced her debut album, The Baby. It arrives August 28th via Grand Jury Music, and Samia has provided a preview with the new single “Fit N Full”. At only 23, Samia has built her buzzy reputation off a series of singles, including “Origins of Artifice”, about which she spoke to Consequence of Sound last year. For her first LP, she’s working with producer Caleb Hinz as well as Jake Luppen and Nathan Stocker of Hippo Campus. Lars Stalfors (Soccer Mommy) handled the mix. But while she’s dealing with crisper soundscapes than ever before, her appeal is still rooted in her incisive, self-reflective lyrics. The new song “Fit N Full” continues in this deeply personal vein. The song is about body image, diets and exercise, and trying to have success in music ...
The Soundflowers, the new musical project of Michael Jackson’s daughter Paris Jackson and her partner Gabriel Glenn, have today released their self-titled debut EP. Stream the five-track effort below via Apple Music and Spotify. Jackson and Glenn first connected on the Sunset Strip after the former caught a performance of the latter’s band, TrashDögs. The pair began sharing music and writing together, finding themselves a natural artistic fit. With Jackson encouraged to share her own music for the first time, they entered the studio with producer Mike Malchicoff (King Princess) and GRAMMY-winning mixer Rob Kinelski (Billie Eilish). The results are something far away from Jackson’s pop lineage, with The Soundflowers focusing instead on acoustic and indie folk sounds with hints of “bluegrass...
Plants and Animals have announced their first album in four years. Entitled The Jungle, it’s set for an October 23rd release through Secret City Records. The forthcoming effort is the Canadian outfit’s fifth overall following Waltzed in from the Rumbling from 2016. Its eight tracks were self-produced and recorded at Mixart, the band’s own studio in Montreal. According to a statement, Plants and Animals’ shortest yet boldest LP recounts “personal experiences made in a volatile world” — a sentiment especially resonant today given the global pandemic. “It’s about the things we inherit not necessarily being the things we want.” Editors’ Picks The indie rockers teased the project with “Sacrifice” earlier this month. Now, they’re sharing preview with “House on Fire”. A driving nu...
Rejoice! Astronautalis has returned with his first new solo single in four years, and his first new track since his 2018 collaboration with POS in Four Fists. It’s called “The Way I Am” and the Florida-Minneapolis bard has paired the melancholy jam with a hilarious new music video featuring a deepfake of Tiger King. Produced and mixed by Subp Yao, “The Way I Am” finds Astronautalis doing a little soul searching over balmy beats that sound like the aural equivalent of a meditative stroll. “I’m drunk on whiskey maybe,” he sings, “Passed in the back of the van/ You seen it all now, ain’t i crazy?/ Can you still love me the way i am?” “I was kind of a mess of a man when I met the woman who would later become my wife,” Astronautalis says of the song. “Thankfully, she saw through all my bullshit...
Anderson .Paak is marking Juneteenth with a new single addressing racism and police brutality. It’s dubbed “Lockdown” and comes with a corresponding music video helmed by famed director Dave Meyers (Billie Eilish, JAY-Z, Ariana Grande). Also known as Freedom Day, Juneteenth celebrates June 19th, 1865, the day the Emancipation Proclamation finally went into full effect throughout all of the Confederate States of America. Legalized slavery may be a thing of the past, but as we’ve seen in just the last few weeks, racism and white supremacy are still very much a(n ugly) fabric of US society, and this is what .Paak focuses on in his latest track. “Sicker than the COVID, how they did him on the ground?/ Speakin’ of the COVID, is it still goin’ around?” says .Paak, referencing the murder of Georg...
Last month, Bully released quarantine-style covers of Nirvana and Orville Peck, as well as teased that a forthcoming album was on the way. Today, the CoSigned rock outfit has formally announced their new record: Sugaregg is due out August 21st through Sub Pop. The new LP is Bully’s third overall and follow-up to Losing from 2017. It was mixed with studio veteran John Congleton (St. Vincent, Cloud Nothings) and represents a shift in approach for leader Alicia Bognanno. “There was a change that needed to happen and it happened on this record,” she told Rolling Stone. “Derailing my ego and insecurities allowed me to give these songs the attention they deserved.” Compared to its predecessor, Sugaregg features “more songs about erratic, dysfunctional love in an upbeat way, like, ‘I’m going down...
Tekashi 6ix9ine and Nicki Minaj have unveiled a new collaborative single called “Trollz”. Stream the new release below. A portion of the proceeds from the song, as well as its corresponding merchandise, will benefit The Bail Project. “The fund provides free bail assistance to low-income individuals who can’t afford to pay bail while awaiting their trial,” Minaj explained on social media. “We want to protect and support the thousands of brave people working on the front lines of social justice, using their voices to demand AN END to the targeting and killing of Black Americans by the police.” For Tekashi, today’s offering marks his second comeback single since being released early from prison due to the coronavirus; revisit last month’s “GOOBA” here. The rapper had originally been sentenced...
Back in March, former R.E.M. frontman Michael Stipe shared a demo of a new song titled “No Time For Love Like Now”. Made in collaboration with Big Red Machine — aka The National’s Aaron Dessner and Bon Iver’s Justin Vernon — the studio version of the song has now been released, complete with a stylish music video. This time around, Stipe is fully immersed in Dessner and Vernon’s soundscapes, giving his vocals a more ethereal quality. There’s depth to the sound now, which isn’t too surprising given that Stipe was literally singing over their recording in the OG demo. While Aaron produced the track, his brother and National bandmate, Bryce Dessner, actually orchestrated it. As for Vernon’s part, he supplied electric guitar, clearly channeling his inner Peter Buck. In an interview w...