As theaters have again pushed their planned opening dates in light of the surging pandemic, Disney has announced a massive shakeup of its upcoming release schedule. The biggest news is that the next Star Wars trilogy and the long-awaited Avatar sequels have all been shoved back, as Variety reports. Disney still plans to stick with a Christmas-timed release pattern for Star Wars . The first in the unspecified trio of new movies set in a galaxy far, far away will now debut on December 22nd, 2023, instead of 2022 as originally planned. Each follow-up has also been pushed a year, with the second coming December 19th, 2025 and the third hitting December 17th 2027. It’s still unclear if these films are connected to the movies rumored to be in the works from Rian Joh...
It’s been almost thirty years, but the third installment of the Bill and Ted franchise will have to wait a little longer. Bill & Ted Face the Music has been pushed back two weeks to avoid sharing the calendar with Tenet. Both movies have been shuffling around release dates. Most recently, Tenet was scheduled for July 31st, but it was delayed yet again amidst a surge of COVID-19 cases. Now Christopher Nolan’s latest mindbender is hoping to land sometime between August 12th and 14th. Bill and Ted had planned to Face the Music on the 14th, but rather than compete with a sci-fi blockbuster juggernaut, Bill & Ted’s producers are content to catch the next dance on August 28th. As a sequel to 1989’s Bill & Ted’s Excellent Adventure and 1991’s Bill & T...
David Lynch has announced that he will premiere his 2015 short film Fire (Pozar) on his YouTube channel tomorrow. The short was written, directed, and animated by Lynch years ago, but has never formally been released digitally until now, reports The Playlist. On Monday, Lynch broke the news over Twitter while on a break from his weatherman duties. “Dear Twitter Friends,” he wrote. “David Lynch Theater presents Fire (Pozar) on Wednesday, May 20th at 10 a.m. PDT.” Find that tweet below. Fire (Pozar) features music by Marek Zebrowski, a frequent collaborator of Lynch’s. In an interview with the USC School of Music back in 2015, he discussed the mood of the short film and the ways in which he tried to draw it out through sound. “I thought it was a very melancholic film in a certain sense ...