David Byrne and Mitski teamed up for the indie-rock jam “This Is A Life,” the first single off the soundtrack for the upcoming sci-fi film Everything Everywhere All At Once. [embedded content][embedded content] The track was scored by Son Lux, and is one of the 49 tracks off the soundtrack for the Daniel Kwan and Daniel Scheinert sci-fi action-adventure. The massive record arrives on April 8. “This Is A Life” follows the heels of Mitski’s sixth studio record, Laurel Hell, and Byrne’s long-running Broadway musical, David Byrne’s American Utopia. Everything Everywhere All At Once hits the big screen April 8, and features actors Michelle Yeoh, Stephanie Hsu, Ke Huy Quan, Jenny Slate, Harry Shum Jr., James Hong, and Jamie Lee Curtis. Everything Everywhere All At Once Soundtrack ...
After months of fan anticipation, Mitski’s recent album Laurel Hell debuted at #5 on the Billboard 200 and earned the #1 spot for album sales. The indie darling has seen a steady rise in fame over the past few years following her beloved two most recent albums. Laurel Hell has brought the singer a new level of chart success, propelling her further into the mainstream than ever before. ‘Laurel Hell’ album cover The album has earned the #1 spot on several categories including Top Alternative Albums, Top Rock Albums, Vinyl Albums, and Tastemaker Albums. According to Billboard, the Indie superstar had “the largest vinyl sales week for any album released in 2022, and largest vinyl debut for an album by a female artist since Adele’s 30” was released.” She also debuted at #6 in the UK, #7 in Aust...
After years of fan anticipation, Mitski has finally released her new album Laurel Hell. Alongside the album release, Mitski unveiled a Victorian-inspired video for “Stay Soft,” a song appearing on the new album. The video features her wandering through a succulent, but haunting, garden. Inspired by Romanticism and paintings from the Victorian era, the video utilizes contrast to cast a shadow of precariousness within the delicate feeling of the luscious garden setting. In the seemingly peaceful start of the video, the beauty of the garden contrasts the eerie sense of surveillance from two eerie figures lurking in the garden. [embedded content][embedded content] The video takes a more explicitly dark turn as dusk turns to nightfall. The singer enters a half-synchronized-performance half batt...
In March, Mitski Miyawaki will play her first sold-out show at Radio City Music Hall — by far the largest headlining performance of her career, nearly quadruple the size of her last top-billing gig in New York City. Surely the indie noble will be scared shitless; who wouldn’t? That’s 6,000 people you’re supposed to entertain! But during that milestone set, there will be a moment, maybe several, when the full, pounding impact of Laurel Hell, Mitski’s exhilarating sixth LP, envelopes the cavernous theater in synth and the understated artist — who two albums ago was playing tiny clubs to 100 fans — transforms into a bonafide, beaming pop star. OK, maybe that’s assuming too much, but still — the new album, out this Friday, marks the relentlessly acclaimed singer’s first attempt at writing song...
We’re less than a month out from Mitski’s latest album being released. The rollout has felt like forever (the first single “Working for the Knife” was released in October), but every song has been worth it. The latest one, “Love Me More,” which was released today, joins that club. The song is an upbeat, new wave-infused that really takes off. Yet at the same time, the song has the same wrenching lyrics that’s made Mitski a favorite in the first place. [embedded content][embedded content] “As ‘Love Me More’ was written pre-pandemic, lyrics like ‘If I keep myself at home’ had different meanings than what they would now, but I kept them on the album because I found that some of the sentiments not only remained the same, but were accentuated by the lockdown,” she sad in a statement. “‘Love Me ...
Mitski unveiled the latest single from Laurel Hell in the form of “Heat Lightning.” The brooding song is three minutes of the artist ruminating about the perils of insomnia (we’ve all been there before). “Heat Lightning” was originally written by Mitski on piano, where she sings “And there’s nothing I can do // Not much I can change // Can I give it up to you / Would that be okay? / There’s nothing I can do / Not much I can change // I give it up to you / I surrender.” The animated video for “Heat Lightning” was created by Alex Moy. [embedded content][embedded content] Describing Laurel Hell in a release, Mitski said that she “needed songs that could help me forgive both others and myself…I needed to create this space mostly for myself where I sat in that gray area.” Mitski wrote...
Mitski is set to release her sixth album on February 4, and just unveiled her latest single “The Only Heartbreaker.” Laurel Hell is available for pre-order via Dead Oceans. Breaking her three-year hiatus with “Working for the Knife” last month, her newly released single is also accompanied by a video. “The Only Heartbreaker” video was co-directed by Maegan Houang and Jeff Desom, and it was the indie rocker’s first time being filmed almost entirely in front of a green screen. Mitski said of the upcoming Laurel Hell, “I needed to create something that was also a pep talk.” The record will follow her 2018 Be The Cowboy. She will embark on her 2022 North American tour in February, first stopping at the Orange Peel in Asheville, North Carolina. [embedded content][embedd...
After a three-year absence, Mitski is back. She just dropped her newest single “Working for the Knife,” and it’s as strong as you’d expect. [embedded content] “It’s about going from being a kid with a dream, to a grown up with a job,” Mitski said of the song in a statement. “And feeling that somewhere along the way you got left behind. It’s being confronted with a world that doesn’t seem to recognize your humanity, and seeing no way out of it.” Dressed as a classy, leather cowgirl, the synth laden track echoes throughout the empty halls Mitski dances between. Stripped down to a nod to the cover of Blink 182’s Enema of the State—bearing long blue latex gloves, red lace bra, and bright blue eye shadow—an empty audience applauds as she freely jumps, sways, and bobs on stage. Huffing and puffi...