Harry Styles just released his third album, Harry’s House, and the 13-song project just further proves that the former One Direction star is heavily influenced by classic rock. As a solo artist, Styles has garnered comparisons to Mick Jagger, but from the sounds of it the Rolling Stones frontman isn’t too pleased with those. During an interview with the Times UK, Jagger made some interesting comments about the pop star. After admitting he has “an easy relationship” with Styles, the rock icon made some subtle jabs. “I mean, I used to wear a lot more eye make-up than him. Come on, I was much more androgynous,” Jagger noted. “And he doesn’t have a voice like mine or move on stage like me; he just has a superficial resemblance to my younger self, which is fine — he can’t help that.” Styl...
Mick Jagger, a fan of Machine Gun Kelly and Yungblud? You better believe it. In a new interview with radio station P4 (via The Independent), the Rolling Stones singer praised the two artists who have become firebrands. “You have Yungblud and Machine Gun Kelly. That kind of post-punk vibe makes me think there is still a bit of life in rock and roll.” Continuing, the rocker said that “in rock music you need energy and there have not been a lot of new rock singers around. Now there are a few.” Bet you didn’t have that on your 2022 Bingo card, eh? As for Stones news, Jagger said don’t expect the band to throw in the towel any time soon. The band will embark on their 60th anniversary European Tour that kicks off on June 1 in Madrid at Wanda Metropolitano Stadium (home of Atlético Madrid) “I am ...
As the world hobbles back to normal with the rollout of COVID-19 vaccines, Mick Jagger released a rocking new song about how much he hated staying at home all year. “It’s a song that I wrote about coming out of lockdown, with some much-needed optimism,” Jagger said in a statement. The Rolling Stones singer recruited none other than Dave Grohl to assist on drums, bass, and guitar. The Foo Fighters musician plays all three in the gritty new lyric video for “Eazy Sleazy,” as Jagger begs for a lobotomy after a year spent learning how to cook in his home “prison.” We can relate! “It’s hard to put into words what recording this song with Sir Mick means to me,” Grohl said in a statement. “It’s beyond a dream come true. Just when I thought life couldn’t get any crazier.” Watch the video below...
The Rolling Stones’ legendary Rock and Roll Circus concert film is a documentation of the last appearance of the band’s original line-up — and today (Oct. 30) the first-ever public performance of “Sympathy For The Devil” from that Dec. 12, 1968 show is available online for the first time. “It was an incredible shoot, I think, 36 hours or something,” guitarist Keith Richards recalled in a statement. “I remember not remembering everything towards the end… but it was fun… we went through two audiences… wore one out… it was great!” In addition to the Stones, featured are iconic performances of artists in the glory of their careers: The Who, Jethro Tull (featuring Black Sabbath’s Tony Iommi on guitar), Taj Mahal, Marianne Faithfull, impromptu supergroup The Dirty Mac (John L...
The Rolling Stones have been rolling out remixes of their previously unreleased single “Scarlet” from the likes of the Killers and the War on Drugs, but Mick Jagger and Jimmy Page, who’s featured on the 1974 track, can’t seem to agree on where the original was recorded. The Stones frontman swears it was done at Olympic Studios in London, while the Led Zeppelin guitarist insists it was Ronnie Wood’s basement, though he hadn’t yet joined the Rolling Stones’ lineup at that point. During a recent interview with Rolling Stone, Jagger had this to say about the session: “I spoke to [Jimmy Page] the other day. I said, ‘I’m sure we did that at Olympic.’ He said, ‘No, no I remember it really well. We did it in Ronnie Wood’s basement.’ And I said, ‘Well, that’s weird, why isn’t Ronnie on it, the...
Pearl Jam, R.E.M. Sia, Lorde and more have joined forces with the Artists Rights Alliance to demand that the political parties “establish clear policies requiring campaigns to seek the consent of featured recording artists, songwriters, and copyright owners before publicly using their music in a political or campaign setting,” the Artist Rights Alliance announce in a statement. The letter also points out “the fundamental right of music creators to decide who can use their music and on what terms.” And if they do not comply, the political parties risk legal action. The ARA furthered their point in the following statement: “We’ve seen so many artists and estates dragged into politics against their will and forced to take aggressive action to prohibit the use of their music – usually songs th...
Take it from Rob Halford: It is difficult pulling leather chaps over sweaty legs. The Judas Priest frontman would learn that lesson anew when his band arrived at the since-demolished John F. Kennedy Stadium in Philadelphia to perform as part of Live Aid, which unfolded on two continents 35 years ago today. “It was an absolutely boiling, scorching, muggy day — I remember that,” Halford recalls of the ambitious, 16-hour-long benefit concert experienced globally by more than a billion people in over 140 countries. “As I was putting my leathers on, I was going, ‘Oh, here we go again … mad dogs and Englishmen going out in the midday sun.’” As Live Aid was happening, Halford — like all of the big-name musicians and actors who’d brave the Philly summer heat that sweltering day — knew that the fir...