Listen to “Valentine,” the title cut on the latest album from Matador recording artist Snail Mail, and you feel transported back to the early years of Lollapalooza, if not earlier. The song opens with waves of ‘80s synth and staccato bursts of Police-style guitar, then segues into a crunchy power-pop chorus that Billy Corgan might have scripted. Snail Mail grew up in the D.C. suburbs as Lindsey Jordan. She is 23. Surely, she is not a Billy Corgan fan. You ask anyway. “I have a Smashing Pumpkins tattoo,” she replies. She holds it up to the Zoom camera. Spin the latest albums by Lindsey or Marissa Nadler or Shannon Lay, and you will hear the fruits of a modern singer-songwriter movement, a string of masterful recordings by young, mostly female artists who grew up listening to their parents’ ...
It’s that time of the week again — a new Two Minutes to Late Night cover has dropped! Marissa Nadler takes on the lead vocals on the Dusty Springfield’s version of the moody track, “Spooky.” (The song was initially done as a jazz instrumental by Mike Sharpe in 1967.) “Trick or treat! We covered that Dustry Springfield song from every Guy Richie movie (which is actually a gender-flipped cover song),” the caption accompanying the video said. Nadler is no stranger to Two Minutes and has covered Steely Dan’s “Reelin’ in the Years.” But of course, Nadler isn’t alone. Cave In and Mutoid Man leader Stephen Brodsky and Earth’s Dylan Carson are both on guitar while Emily Lee of Shearwater and Loma takes the keys and the mini theremin. She also “mysteriously” transforms into a cat at some point in t...