lou reed
Hear Lou Reed’s Earliest Demo of The Velvet Underground’s ‘Heroin’
Light in the Attic Records has released another tantalizing piece of Lou Reed and Velvet Underground lore in the form of the earliest known recording of the song “Heroin.” The track will appear on the upcoming archival Reed collection Words & Music, May 1965, due out on Aug. 26. Put to tape by Reed in May 1965, nearly two years before its release on The Velvet Underground’s landmark debut album The Velvet Underground & Nico, this version of “Heroin” finds the artist accompanying himself on guitar. Structurally, it is essentially the same as the album version although it is more than three minutes shorter than what was eventually released in 1967. This demo predates by two months a version of “Heroin” recorded by Reed and Velvet Underground bandmates John Cale and Sterling Morrison ...
Light in the Attic and Laurie Anderson Announce Lou Reed Archive Series
A Lou Reed archive series is coming, thanks to Light in the Attic records and the late singer-songwriter’s wife Laurie Anderson. The series’ first installment, Watch Words & Music, May 1965, is a collection of previously unreleased tracks taken from Reed’s formative years and features the earliest known recordings of Velvet Underground classics “Heroin,” “I’m Waiting for the Man,” and “Pale Blue Eyes.” According to a press release, these songs were “penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a “poor man’s copyright”—remained sealed in its original envelope and unopened for nearly 50 years.” Anderson, Don Fleming, Jason Stern, Hal Willner and Matt Sullivan produced the project, which also includes liner notes from au...
The 50 Best Albums of 1972
Last year, when helping assemble SPIN‘s 50 Best Albums of 1971, I wondered if that year could have been popular music’s absolute peak. Now I’m asking myself that same question all over again. As I built a spreadsheet for 1972, gathering our writers’ votes alongside my own weird choices, I was once again struck by how many bronze-cast classics came out that year: LPs from David Bowie, Al Green, Aretha Franklin, The Allman Brothers Band, Yes, Stevie Wonder, Roxy Music, and on and on. Run down basically every genre – glam, soul, prog, art rock, Southern rock, metal, folk, MPB — and you’ll find the very best shit, whether eternally famous or sadly obscure. (My poor spreadsheet, swelling each day, originally had hundreds of worthy records. But you have to start chopping eventually.) Here’s wher...
The 50 Best Live Albums of the 1970s
The concert industry exploded in the 1970s, and the live album, a stopgap project once reserved for only the biggest artists, became a compulsory ritual and a pivotal moment for many artists. Live albums captured legendarily loud bands like The Who and The Ramones in their natural element. Once obscure regional acts like Bob Seger, KISS and Cheap Trick exploded into the mainstream with live albums. The Band, The Stooges, and Velvet Underground put their final gigs on vinyl. Jimi Hendrix, Neil Young (as his ongoing archive series shows), and Jackson Browne recorded entire sets of new songs onstage. The Grateful Dead released several official live albums (and continue to do so) that only made fans want to bootleg shows on their own more. With the 50th anniversary of a landmark live album, Th...
To Live and Die in L.A.: Our 1996 Red Hot Chili Peppers Cover Story
This article originally appeared in the April 1996 issue of SPIN. “Los Angeles is my favorite city in the world!” declares super foxy Red Hot Chili Peppers guitarist Dave Navarro, offering as proof of his conviction the city’s name tattooed on the back of his neck. “I would never live anywhere else.” Navarro, drummer Chad Smith, and I are wedged into Newsroom, a trendy Beverly Hills restaurant/coffee house/media mill where omnipresent TV monitors serve up the latest from the E! network with your rice-milk cappuccinos. “But I feel like the bad is taking over,” says Smith, an unadulterated rock dude and Detroit native who, Navarro says, wrote the book on that city’s infamous evening of arson known as Devil’s Night. “I wouldn’t want my kids growing up here,” admits Smith, who at age 33 s...
SPIN’s Music Pardons!
On the august occasion of our 36th Anniversary, we are issuing our first ever music pardons. No longer does Billy Ray Cyrus have to live in shame! The Baha Men can finally sleep easy at night, the awful yoke of their aural crime lifted! Eddie Murphy can live out the rest of his days appreciated as the great actor and comedian he is, the millstone of “Party All the Time” removed. Breathe, Eddie! <!– // Brid Player Singles. var _bp = _bp||[]; _bp.push({ “div”: “Brid_10143537”, “obj”: {“id”:”25115″,”width”:”480″,”height”:”270″,”playlist”:”10315″,”inviewBottomOffset”:”105px”} }); –> Below are the nine pardons we are issuin...
Dave Grohl and Greg Kurstin Close Out ‘Hanukkah Sessions’ With Velvet Underground Cover
To close out Hanukkah, Dave Grohl and Foo Fighters producer Greg Kurstin closed out their ongoing Hanukkah Sessions with a cover of Velvet Underground’s “Rock and Roll.” The band’s late singer, Lou Reed, was Jewish. Grohl issued a lengthy statement on the meaning of the Hanukkah Sessions. As 2020 comes to a close and another Hanukkah ends (my first!) I am reminded of the two things that have gotten me through this year: music and hope. This project, which initially began as a silly idea, grew to represent something much more important to me. It showed me that the simple gesture of spreading joy and happiness goes a long way, and as we look forward, we should all make an effort to do so, no matter how many candles are left to light on the menorah. Toda Raba to ...
The Reissue Section: September 2020
The whole reissue concept didn’t come across my obsession desk until my first tour of duty at SPIN as an editorial intern in the fall of 1997. One of my tasks during my two days in the office — back when it was on 18th St. near Academy Records — was opening the editors’ mail. I’ll never forget ripping open Sealed Air envelopes for Charles Aaron and just being so amazed at all this cool stuff he’d get sent to him. Now, this was during the time when both Rhino Records and the Sony Music catalog division, Legacy Recordings, were really busting out the big guns: We’re talking the soundtrack to Zabriskie Point with a bonus disc of rarities from the Pink Floyd sessions, that gang of Miles Davis reissues that included Dark Magus and Live-Evil. Island Records released the legendary Lee ...
The 25 Best Soundtrack Albums of the 1990s
In the 1980s, music and film collided for cross-promotional blockbusters both transcendent (Purple Rain) and transcendently cheesy (Footloose). In the ‘90s, soundtracks continued to sell in the millions, capturing cultural moments like the Seattle grunge of Singles or the Britpop and electronica of Trainspotting. Auteurs like Quentin Tarantino and Wes Anderson reached deep into their record collections to set the mood while movies like Above the Rim and Menace II Society pioneered the concept of soundtracks as hip-hop mixtapes. A great soundtrack can propel an unsuccessful single, like Seal’s “Kiss From A Rose,” to the top of the charts, or revive a decades-old hit, like Queen’s “Bohemian Rhapsody.” It can also push a cult singer-songwriter like Elliott Smith or Aimee Mann to an Oscar perf...
30 Great Albums From 1990 That Deserve Their Own 30th Anniversary Pieces
Every decade takes a couple of years to feel like itself, but the 1990s, in particular, had a soft launch. While 1991 would bring a bumper crop of era-defining albums from the likes of Nirvana, Pearl Jam, U2, and Red Hot Chili Peppers that would set the tone for alternative rock for the rest of the decade, the music of 1990 often feels like an outgrowth of the previous decades. Even the year’s biggest rock debut that was positioned as a contrast from hair metal was the decidedly retro Black Crowes. Billboard’s Modern Rock chart, which had just been launched in late 1988, was still dominated by established British bands like The Psychedelic Furs and Gene Loves Jezebel. Depeche Mode and Sinead O’Connor became the year’s unlikely crossover stars. Observe the chart in the last week of&nb...
