For music lovers, the COVID-19 pandemic effectively put an end to live performances for the foreseeable future. Many venues across the country have temporally (or permanently) closed or now operate with capacity restrictions. Never again will we take for granted the sweet simplicity of being able to catch our favorite artist/band in concert. But one of the few positive things to happen for live music during all the insanity that has taken place over the last year and counting is the emergence of the Verzuz series. Curated by super producers Timbaland and Swizz Beatz, who dueled in the first battle last March, Verzuz gave fans a lifeline as we sat at home watching our favorite producers and singers reminisce about the creation of their classic songs, many of which have defined hip-hop and R...
As our Annual Report continues, we’re taking a look at several ways live music changed in a year where most of the world was in lockdown. Today, we share our conversation with Christine and the Queens, an artist with a unique approach to quarantine performances. As Héloïse Letissier presumes, there probably are some “really insular musicians” who found the lack of touring this year somewhat calming. Under her moniker of Christine and the Queens, the French pop star is not one of those artists. “I’m always saying I come from theater, but it kind of formed a relationship I have with the stage that is very much essential,” she tells Consequence of Sound over Zoom from her Paris home. Performance is in fact entirely indispensable when it comes to the concept of Christine and the Queens. Just t...
As our Annual Report continues, we’ll be taking several looks at how live music changed in a year where most of the world was in lockdown. Today, we share our conversation with Save Our Stages Fest’s Stephen Sternschein on what’s being done to preserve live music and venues during this pandemic. The American experience of the COVID-19 pandemic is dominated by unimaginable numbers made real: 300,000 dead, 16 million infected, an estimated $3-$5 trillion hit to the country’s GDP over the next two years. Tucked inside that last figure is another statistic, revealed over the summer, that made the year even darker for music fans: According to a nationwide survey of club owners and promoters conducted by the National Independent Venue Association (NIVA) this past June, 90% of independent music v...
Editor’s Note: This review is of Performance 2 of Gorillaz’s Song Machine Live, which aired on December 12th at 7:00 p.m. ET. Setting the Stage: If there’s one thing that Gorillaz are known for, it’s irresistibly creative fusions of music and visuals. From the very beginning, they’ve ensured that their videos, concerts, web content, and assorted paraphernalia provided a characteristically cartoonish spectacle to match the flamboyant edge of their tunes. Their latest multimodal project, Song Machine, is the best example yet of that fusion, as it mixed episodic webisodes with an almanac, a proper LP — this year’s Song Machine, Season One: Strange Timez — and more. Really, all that was missing were live performances — that is, until now. This past weekend, the group teamed up with LIVENo...
As our Annual Report continues, we’ll be taking several looks at how live music changed in a year where most of the world was in lockdown. Today, we share our conversation with Wayne Coyne about his current plans for space bubble shows. A year ago, no one could have predicted that a trip to the grocery store could be life-threatening and dangerous. But here we are at a time where buying vegetables can be anxiety-inducing and unsafe. Concerts mostly apply, as well, but Flaming Lips vocalist Wayne Coyne devised a way to transform live music into a safe process. Coyne is no stranger to performing in what he calls a space bubble. He’s famous for rolling out into crowds, but the thought of putting the entire band and audience in their own respective bubbles was a thought that came to him at the...
In less than 36 hours, we’ll reach the end of the strangest, sickest, most contentious election season in modern American memory. Many people reading this will have already cast their vote for the next President of the United States; data from the US Elections Project indicates that more than 95 million Americans have taken advantage of early voting options this year, just one more way in which the COVID-19 pandemic has upended the traditional sprint to Election Day. That said, there are still plenty of voters planning to cast ballots in person on Election Day (November 3rd). For those folks, we’ve put together a quick overview of where the two candidates for President stand on three major policy areas affecting the arts in 2020 and beyond: the economic impact of the pandemic on music venu...
WHEN WE ALL QUARANTINE, WHERE DO WE GO?: Billie Eilish was one step away from world domination. After releasing one of the most acclaimed albums of 2019, WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?, which debuted at No. 1 on the US Billboard 200, nearly sweeping this year’s Grammys with accolades including Album of the Year, amassing over 67 million Instagram followers since her career began five years ago, creating the theme song for the 25th James Bond film, and proving herself to be the coolest green-haired teen there is, the 18-year-old musician just had one mission left in order to take over the world of pop music: embark on a worldwide arena tour. The Where Do We Go? World Tour was expected to run from March to September of 2020, but its run only lasted for three dates due to, well...
It’s not surprising that Tom Petty’s passing came to inspire an annual birthday festival. Anyone who ever attended a Heartbreakers show knows that infinite feeling and suspicion that a summer night and a favorite song might somehow go on forever. That may not have turned out to be quite true, but artists, friends, and fans have been flocking to Gainesville since Petty’s death to hold on as tightly as possible to what the man and his music meant to so many of us. This year, of course, posed additional challenges due to the COVID-19 pandemic, but that didn’t stop Petty’s family and friends from piecing together a heartfelt tribute that not only celebrated what would’ve been the artist’s 70th birthday but raised money for several notable, music-related causes. <img aria-describedby="c...
Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public With the COVID-19 pandemic putting upwards of 90% of independent venues in danger of closing forever, it’s become vitally important for Congress to pass a relief bill to aid our most beloved rooms and the music community at large. To get some insight on the matter, Kyle Meredith speaks Billy Hardison, Kentucky’s precinct captain for the recently formed National Independent Venue Association, and artist Tyler Williams, drummer for The Head & The Heart. Together, they discuss what it’s been like to run their respective businesses during a global quarantine and pandemic, and what the dangers of our present and future could mean for live music in the long run. Strea...