What a year for horror… 2020 has certainly seen its share of terror — both on screen and in reality. With a global pandemic forcing most of us inside our homes, it’s been scary times for the film industry. Yet while horror was hardly immune to the year’s savagery — bye-bye Candyman, see you next Fall Halloween Kills — it’s arguably fared better than any other genre. Thanks to a strong community and a willingness to push the creative envelope, horror has survived, thrived, and, in some cases, held us together during this long, dark year. Sure, the delays for the blockbuster horror fare were disappointing, but they also opened the door for low-budget horror gems that have long been the backbone of the genre. Similarly, genre festivals led the way in experimenting with digitization, allowing ...
Listen via Apple Podcasts | Spotify | Google Play | Stitcher | RSS “He said that wherever I went, he would find me, walk right up to me, and I wouldn’t be able to see him.” Leigh Whannell’s reimagining of The Invisible Man will likely be a high point in the horror genre for 2020. Tense and terrifying, it’s also a clever and timely depiction of intimate partner violence, a topic too often kept in the shadows. Continuing our two-part series on toxic and abusive relationships, this episode of Psychoanalysis examines the lasting effects of this kind of trauma, ways to support survivors, and the complicated nature of leaving. Fair warning that this episode goes to some heavy places as we discuss our own experiences, but, as always, we ground the conv...