Katie Aselton

In Los Angeles, it feels like everyone wants to be young — except for Mackenzie “Mack” Martin (Elizabeth Lail), a 30-year-old woman who’s ready to skip to her senior citizen days and live her best life. Cue some magical realism (via an ad hoc past lives regression machine/tanning bed), and Mack finds her consciousness now inside a 70-something woman who starts going by Rita (Diane Keaton). It’s a fun, 2022-esque spin on high-concept body-swap classics like Big and Freaky Friday, which did mark a big change from director Katie Aselton’s past experiences as a filmmaker. While Katie Aselton’s not a first-time director, she tells Consequence that she was eager to take on this project because “I hadn’t done a full-fledged comedy as a director, so I was really excited to lean into that.” Plus, s...