Towards the end of The Beta Test, Jim Cummings explodes into a monologue of anger and truth. Those who have seen the writer/director/actor’s other feature films — Thunder Road and The Wolf of Snow Hollow — are familiar with this trademark scene. The reason for the routine display is that Cummings loves public freakouts. Cummings’ latest character, a hotshot Hollywood agent named Jordan Hines, has good reason to erupt. In the midst of planning his wedding, Hines’ agency (aptly named A.P.E.) is trying to sign its biggest client yet. At the same time, Hines has received an invitation to a discreet sexual encounter. Hines’ balancing act is the heart of The Beta Test. In the midst of this character study, the movie tackles toxic masculinity, social media’s lack of privacy concerns and archaic H...
This review is part of our coverage of the 2020 Beyond Film Festival. The Pitch: In a small and snow-covered mountain town, a series of murders suddenly create a sizable body count, leaving the townsfolk frightened and the humble police force confused. When a rumor runs through town that a werewolf is behind the kills, coinciding with full moons and savagely torn apart corpses, John Marshall (Jim Cummings) is suddenly tasked with proving that lycanthropes are a campfire tale. This proves difficult when it’s added to his long list of pre-existing duties, such as taking care of his teenage daughter and watching over his sickly father. It’s Like Fargo With Werewolves: Jim Cummings is a jack-of-all-trades when it comes to film. No, seriously, the guy has dipped his toes into everything. Writin...