Here are the elements that keep the film timeless, according to the iconic French director. Amélie Director Jean-Pierre Jeunet Reveals His One Regret About the Re-Released Classic Liz Shannon Miller
Twenty-five years ago, 20th Century Fox released the fourth Alien film, and with it brought its once-lucrative franchise to a screeching halt. Yet, despite the fact that Alien Resurrection is maybe the worst of the four original Alien films, it’s probably the one I’ve seen the most times. I keep coming back to it, over and over, as a fascinating mismatch between writer and director that, on paper, should have been legitimately amazing. I keep wanting to understand it. Every time, I fail. But I still come away fascinated by the sheer fact of its existence. Resurrection features the fourth (and to date final) appearance of Sigourney Weaver as Ellen Ripley, who we originally met as a humble space trucker in the first Alien, before she became one of the galaxy’s sole living experts on the terr...
The Pitch: It’s the year 2050, and advances in artificial intelligence have led to a bright, bubbly utopia where robotic servants and maids see to our every whim, from cleaning our homes to, well, cleaning our pipes. But when one brand of security robots, the Yonyx (François Levantal), decides to take over and wrest control of Earth from humanity’s hands, the domestic robots of one suburban home decide to lock their humans inside their well-manicured domicile — for their own safety, of course. As the hours and days pass, the unwitting hostages of domesticity — including divorced couple Alice (Elsa Zylberstein) and Victor (Youssef Hajdi) and their respective new partners Max (Stéphane de Groodt) and Jennifer (Claire Chust), daughter Nina (Marysole Fertard), Max’s bratty son Leo (Hélie ...