Over the past 25 years, Omar Rodríguez-López has been one of the most visionary and diverse musicians, producers, and artists on the planet. Fusing the post-hardcore and punk sounds that originally brought him to fame with At the Drive-In alongside the psychedelic, electronic, ambient and Latin influences that have contributed to his solo work and other projects (the Mars Volta, Bosnian Rainbows, Antemasque, a tangential yet integral role in Le Butcherettes, and much more), Rodríguez-López hasn’t just developed a style that’s all his own, but an evolving catalog of sounds that are distinctly his. Part of what makes Rodríguez-López so unique — whether he’s performing, producing, or directing films — is his complete lack of formal training in music. While others may be concerned about music ...
There isn’t anything quite like hearing a radio hit from one’s youth revamped as the theme to a hit TV show. Yet that is what so many folks of a certain age have collectively experienced upon binge-watching three seasons (and hopefully counting) of the acclaimed Netflix series G.L.O.W. And no better tune has inspired Americans to forgo the “Skip Intro” button than Scandal’s anthemic 1986 hit “The Warrior,” whose infectious riff immediately gets you into the mood for some meta-comedy about a meta-sport. “Yeah, it’s always fun singing that line,” laughs singer Patty Smyth about the most well-known single from her time as the powerhouse frontwoman of the New York-based hard rock group who first hit the scene with their 1982 single “Goodbye to You,” the natural bridge between Blondie and ...
Earlier in the month, we went hands-on with Hello There Games‘ upcoming rhythm game Avicii Invector Encore Edition for Nintendo Switch. While many fans of the late EDM icon are anxiously awaiting the release of the console-based musical adventure, its developers teamed up with legendary game publisher Atari for a newly-released mobile game celebrating the life and work of Avicii. Appropriately titled Beat Legend: Avicii, the game allows players to explore the beautiful soundscapes created by his timeless melodies anywhere in the world on their mobile devices. Before the release of the game, EDM.com had the pleasure of speaking with the game’s lead developer, Oskar Eklund, and the CEO of Atari, Frederic Chesnais, for an in-depth conversati...
Hinds never wanted to be a pop band. Sure, there would be occasional pop melodies they’d toy with, but full-on? Not for them. With their third studio album The Prettiest Curse, that changed. Ditching the lo-fi, chaotic, garage rock ethos strung throughout their first two records, the Madrid-based four-piece opted for something bolder, reworking their musical formula and taking a leap into a more polished arena. And with this evolution, the band, comprised of Carlotta Cosials (vocals, guitar), Ana Perrote (vocals, guitar), Ade Martin (bass) and Amber Grimbergen (drums), has strengthened their bond. Formed in 2011 as a duo called Deers featuring Cosials and Perrote, the band reemerged after a hiatus under the Hinds moniker in 2014. With the release of their surf-rock-tinged debut album Leave...
“I’m having the time of my life,” Pretenders’ frontwoman Chrissie Hynde quipped when asked how she’s holding up. It’s a strange sensation releasing an album during a pandemic and not being able to tour. However, music has remained a grounding force for her and her bandmates, as evidenced by the band’s latest (and 11th overall) album Hate for Sale, which came out last week. For Hynde, the album is a work that was years in the making and a long-overdue opportunity to finally capture the band’s live chemistry on a record. Despite technically being the first album in four years under the Pretenders banner, it’s the first to fully feature the band’s current touring lineup since 2008: Hynde, guitarist James Walbourne, bassist Nick Wilkinson, and founding drummer Martin Chambers. “We’ve alwa...
On July 20th, 1990, The Freshman hit theaters with all the right pieces. It had solid pitch, one of Hollywood’s sharpest scribes in writer/director Andrew Bergman, and ’80s icon and heartthrob Matthew Broderick. To top it all off, the mob comedy managed to even wrangle the Don himself Marlon Brando, who had all but retired by that point. It wasn’t a summer blockbuster, but it was a success for TriStar. Critics loved it, audiences enjoyed it, and the box office returns managed to nearly double the budget. In the years since, however, it has garnered a cult following, and many view it as one of the last great works of Brando’s legendary (and oft-puzzling) career. To commemorate the film’s 30th anniversary, we recently spoke with writer/director Andrew Bergman, producer Michael Lobell, and st...
John Digweed is amongst a rare breed of time-tested electronic music DJs—a dance music veteran thriving in the music industry for almost three decades, without compromising on the quality and integrity of his sound. One of Digweed’s notable achievements is producing the first-ever commercial compilation for a nightclub in partnership with fellow iconic artist Sasha. That’s to say not much has gone under Digweed’s nose in modern dance music history. Of course, as the COVID-19 pandemic has ruptured the music industry’s lifeblood of live music events, like most DJs, Digweed has had to adjust. That’s come with hosting regular livestreams, playing virtual festivals, filling the void of empty hours once spent on the road or in the club, and making difficult decisions on when and how to resu...
Just over a week ago, David Guetta and MORTEN were sitting virtually for a studio session that would result in a finished four-track EP, “New Rave.” Out today via Parlophone, it’s an EP primed to change the EDM world forever. Produced as part of the pair’s “future rave” project, “New Rave” packs a heavy, high-energy punch with pitched up techno synths, meticulously placed vocals, and driving bass downbeats. Standouts are “Kill Me Slow,” the powerful, vocal-driven introduction, and “Bombardment,” a dark and suspenseful instrumental. As a whole, the EP demonstrates the producers’ ability to continue their project’s transformation, moving beyond the original “future rave” sound pioneered in t...
There was a time when live music was all there was. No shaky mobile phone camera videos of concerts uploaded to Instagram Stories or YouTube. No hissing bootleg tapes recorded out of the lint-ridden pocket of a teenage concertgoer’s knitted wool sweater. No sounds emanating from a needle against a scratched-up piece of easily shattered vinyl. And originally, JARV IS… was going to be just that – a live music experience with little connection to a medium of plastic permanency. Thankfully, though, Jarvis Cocker, the bespectacled, lanky, former frontman of mid-’90s British indie band Pulp, and now frontman of JARV IS… decided against that. Instead, his band just dropped the wild, claustrophobic, profound Beyond the Pale, which is part pandemic record, part tribute to live music, and part musin...
Type ”Murray, Kentucky” into a Google Maps search box, and the jagged edges of what USA Today once called the “Friendliest Small Town in America” come into view. There are two labels. One, predictably, is for Murray State University, a public college in town. The other is simply called “Confederate Monument.” It’s right there by the courthouse in town, Gen. Robert E. Lee standing sentinel over a porcelain drinking fountain surrounded by columns. It was erected in 1917; things being how they are today, who knows how much longer it will stand. S.G. Goodman, whose debut album, Old Time Feeling is out July 17, doesn’t specifically write about the monument standing in her town, but her subtexts are pointed straight in its direction. She sings — her voice as soulful as her themes can be challeng...
With the COVID-19 pandemic ravaging the economy, the music industry has been particularly hard-hit. Since mid-March, live music events have been canceling left, right, and center in response to the pandemic. While the electronic music community has found its new normal through livestreams ranging from free-form, laid-back DJ sets and intimate production walkthroughs to full-blown virtual festivals, safe resumption of in-person events in the US has appeared implausible outside of drive-in concerts. However, even as US festivals postpone or cancel outright, an independently organized electronic music retreat in Pennsylvania hopes to pave the way for safely hosting in-person music gatherings. Taking place this weekend from July 10th to July 12th, In My Elements will host house and techno heav...
Red Bull constantly pushes the envelope with everything the brand has its hands in. Music is no different in that regard, and this year Red Bull teamed up with legendary drum & bass duo Camo & Krooked to create an entirely new concert experience. Pairing drum & bass with a live orchestra, Camo & Krooked enlisted world-renowned composer and conductor Christian Kolonovits and the Max Steiner Orchestra to rework their music into a live symphonic performance in the duo’s hometown of Vienna, Austria. Needless to say, the performance was stunning. Camo & Krooked took some time to chat with EDM.com about the experience and the work leading up to the instantly iconic performance. EDM.com: First and foremost, what was the inspiration behind turni...